Vivian Maier- Self-Portrait (Car Window Reflection with Leaf)

Vivian Maier, Self-Portrait (Car Window Reflection with Leaf), ca. 1967

Gelatin silver, printed 2011, edition 2/15, 20 x 16 in. (50.8 x 40.6 cm)

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Vivian Maier- Untitled (Boys' Legs at Beach)

Vivian Maier, Untitled (Boys' Legs at Beach), ca. 1967

Gelatin silver, edition of 15, 20 x 16 in.

Vivian Maier- Untitled (Marquee, "Master of Horror")

Vivian Maier, Untitled (Marquee, "Master of Horror"), ca. 1960s

Gelatin silver, printed 2011, edition 1/15, 20 x 16 in. (50.8 x 40.6 cm)

Vivian Maier, Untitled (Hands Behind Back, Cigarette)

Vivian Maier, Untitled (Hands Behind Back, Cigarette), ca. 1960s

Gelatin silver, edition of 15, 20 x 16 in.

Vivian Maier- Self-Portrait

Vivian Maier, Self-Portrait (Window, Mirror Reflection), ca. 1960s

Gelatin silver, printed 2011, edition 1/15, 20 x 16 in. (50.8 x 40.6 cm)

SOLD OUT

Vivian Maier- Untitled (Couple Embracing with Checkered Clothing)

Vivian Maier, Untitled (Couple Embracing with Checkered Clothing), ca. 1960s

Gelatin silver, edition of 15, 20 x 16 in.

SOLD OUT

PRESS RELEASE

Steven Kasher Gallery is delighted to present the recently discovered work of Vivian Maier.Vivian Maier features over 40 black and white prints.  Maier, whose day job was as a nanny, took over 100,000 distinctive street photographs, mostly in New York City and Chicago, yet showed the results to no one. This is a startling posthumous discovery of a major photographer, ranking with those of E. J. Bellocq and Mike Disfarmer. The exhibition is accompanied by a publication: Vivian Maier: Street Photographer (powerHouse Books, 2011), foreword by Geoff Dyer.

What makes Maier unique is that her pictures were made for no one, not even herself. They weren't printed at all. They are pure witness. She records but never plays back. Her pictures have no intention but to represent what her curiosity and her feelings demand. That demand must have been pressing indeed, to generate so much meticulous work.

The recent discovery of Maier’s pictures has resounded through the photography world. Websites and blogs devoted to her work have attracted considerable attention and comment. Successful shows have been mounted in Chicago and London. Stories have appeared in The New York Times, NPR, La Republica, Time, The Wall Street Journal, The Independent, The Guardian, CBS News, Smithsonian, and more.

Maier’s subject is the interaction of the individual and the city in the 1950s-70s. She scouts out solitaries of all ages and frames them in poignant juxtapositions. Her pictures have the tug of effecting urgency. It is hard enough to find this quality and quantity of fresh and moving images in a trained photographer who has benefited from schooling and a community of fellow artists. It is astounding to find it in someone with no formal training and no network of peers.

There is still very little known about the life of Vivian Maier. What is known is that she was born in New York in 1926 and worked as a nanny for a family on Chicago’s North Shore during the 50s and 60s. Seemingly without a family of her own, the children she cared for eventually acted as caregivers for Maier herself in the autumn of her life. She passed away in 2009 at the age of 83.

Vivian Maier will be on view from December 15 - February 25, 2012. Steven Kasher Gallery is located at 521 W. 23rd St., New York, NY 10011.