Tracey Moffatt is highly regarded for her formal and stylistic experimentation in film, photography
and video her work draws on history of cinema, art and photography as well as popular culture
and her own childhood memories and fantasies.
Born in Brisbane Australia in 1960, Tracey Moffatt studied visual communications at the
Queensland college of Art, from which she graduated in 1982. Since her first solo exhibition in
Sydney in 1989, she has exhibited extensively all over the world. In the 1980’s and early
90’s she
worked as a director on documentaries and music videos for television. She first gained
significant critical acclaim for her film work when the short film Night Cries was selected for
official competion at the 1990 Cannes Film Festival. Her first feature film, bedevil, was
also
selected for Cannes in 1993. A major exhibition at the Dia Center for the Arts in New York in
1997/9 consolidated her international reputation. She is now based in New York and returns
frequently to the north of Australia where she works and lives on the beach.
Whether filmic or photographic, each of Tracey Moffatt’s images is carefully constructed.
None of
them presents itself as a “reproduction of reality”; on the contrary, they are produced by
meticulous artistry in the studio or in artificial decors, after a preparatory phase of drawing and
the creation of a veritable storyboard, as well as a casting process and a technical
study…Tracey Moffatt’s work appears as a surprising mix of the indeterminate and the brutally
precise, the timeless and the contemporary. The result is a taut, sometimes disturbing body of
work.
-Régis Durand catalogue essay Centre national de la photographie, Paris 1999.
Tracey Moffatt
Curriculum Vitae
Individual Exhibitions
2006 Tracey Moffatt, Love
and Adventures, Steven Kasher Gallery, New York, USA
Under the Sign of Scorpio,
L.A. Galerie, Frankfurt, Germany
Adventures, Victoria Miro
Gallery, London, UK
2005 Tracey Moffatt, The Montreal
Museum of Fine Arts, Montreal, Quebec, Canada
Under
the Sign of Scorpio, Roslyn Oxley9, Sydney Australia
Adventure
Series, Institute of Modern Art, Australia
Tracey
Moffatt: In Review, Monash Gallery of Art Monash University, Melbourne
Australia
2004 Tracey Moffatt, LA
Gallery, Beijing, China
Adventure
Series, Roslyn Oxley9, Sydney Australia
Adventure Series, L.A.
Galerie, Frankfurt, Germany
Tracey Moffatt, Curtin
University Gallery, Perth, Australia
Tracey Moffatt, Hasselbald
Center, Goteborg, Sweden
Love, Il Ponte Projects,
Rome, Italy
2003 Tracey Moffatt, Museum of
Contemporary Art, Sydney, Australia
Tracey
Moffatt, Shanghai Contemporary, Shanghai, China
2002 Tracey
Moffatt, Wellington City Gallery, Wellington, New Zealand
Tracey
Moffatt, Joslyn Art Museum, Omaha, Nebraska, USA
Tracey
Moffatt, Galerie Six Friedrich Lisa Ungar, Munich, Germany
Tracey
Moffatt, Saint Mary's University Art Gallery, Hallifax, Canada
Tracey
Moffatt, Galerie Karlheinz Meyer, Karlsruhe, Germany
Fourth,
Fay Gold Gallery, Atlanta, USA
2001 Tracey Moffatt, Ausstellung
im Kunstforum Baloise, Basel, Switzerland
Tracey Moffatt, Fruitmarket
Art Gallery, Edinburgh, UK
Invocations, Victoria Miro
Gallery, London, UK
Invocations from the collection
of Patrick Corrigan AM, Drill Hill Gallery, The
Australian National University, Canberra, Australia
Tracey Moffatt, Conner
Contemporary, Washington D.C., USA
Tracey Moffatt, Australian
Embassy, Washington D.C., USA
Fourth, L.A. Galerie, Frankfurt,
Germany
Fourth, Roslyn Oxley 9
Gallery, Sydney, Australia
Fourth, Paul Morris Gallery,
New York, USA
Invocations, Rena Bransten
Gallery, San Francisco, USA
Tracey Moffatt, Nassau
County Museum of Art, Roslyn, New York, USA
Tracey Moffatt, California
Museum of Photography, Riverside, California, USA
Tracey Moffatt, University
of North Texas Art Gallery, Denton, Texas, USA
Tracey Moffatt, Tensta
Konsthal, Tensta, Sweden
Tracey Moffatt, Art Gallery
of New South Wales, Sydney, Australia
Tracey Moffatt, Artsonje
Centre, Seoul, Korea
Tracey
Moffatt, Artsonje Centre, Kyongju, Korea
Tracey
Moffatt, Taipei Fine Arts Museum, Taipei, Taiwan
Tracey
Moffatt, Auckland Art Gallery, New Zealand
Tracey
Moffatt, Dunedian Public Art Gallery, New Zealand
Tracey
Moffatt, Kunstforum, Baloise, Basel, Switzerland
Invocations, Zinc Gallery,
Stockholm, Sweden
Fourth,
Rebeccca M. Camhi Gallery, Athens, Greece
Some
Lads, plus early photographs and video, Conner Contemporary Art, Washington
DC, USA
2000 Invocations, Photo &
Company, Torino, Italy
Scarred for Life II,
Il Ponte Contemporanea, Rome, Italy
Scarred for Life II, Goddard
de Fiddes, Perth, Australia
Scarred for Life II, Roslyn
Oxley9 Gallery, Sydney, Australia
Scarred For Life 2, Galleria
Il Ponte Contemporanea, Rome, Italy
Tracey Moffatt,
Rose Art Museum, Waltham, Massachusetts, USA
Tracey Moffatt, Yerba Buena
Center, San Francisco, USA
Invocations, Matthew
Marks Gallery, New York, USA
Laudanum, Greg Kucera
Gallery, Seattle, USA
Laudanum, Galeria Luisa
Strina, São Paulo, Brazil
Laudanum, Robert
Birch Gallery, Toronto, Canada
Invocations, Galerie
Helga de Alvear, Madrid, Spain
Invocations, Roslyn
Oxley9 Gallery, Sydney, Australia
Invocations, L.A.
Galerie, Frankfurt, Germany
Tracey Moffatt,
Kunstverein Freiburg im Marienbad, Germany
Tracey Moffatt, Nuer
Leipziger Kunstverein Leipzig, Germany
Tracey Moffatt, The
National Museum of Photography, Copenhagen, Denmark
Tracey Moffatt,
Gemeente Museum Helmond, Netherlands
Tracey Moffatt,
Art + Public, Geneva, Switzerland
Tracey Moffatt, Artspace,
Auckland, Manawatu Art Gallery, Palmerston, New Zealand
1999 Laudanum, Greg Kucera
Gallery, Seattle, USA
Laudanum, Roslyn
Oxley9 Gallery, Sydney, Australia
Laudanum, L.A. Galerie,
Frankfurt, Germany
Laudanum, Paul Morris
Gallery, New York, USA
Laudanum, Victoria
Miro Gallery, London, UK
Tracey Moffatt,
Freiburger Kunstverein, Freiberg, Germany
Tracey
Moffatt, Centre National de la Photographie, Paris, France
Tracey Moffatt,
Neuer Berliner Kunstverein, Berlin, Germany
Laudanum, Rupertinum, Salzburg,
Austria
Tracey Moffatt, Centro
Galego de Arte Contemporain, Santiago de Compostela, Spain
Tracey Moffatt, Ulmer
Museum, Ulm, Germany
Tracey Moffatt,
Six Freidrich, Lisa Ungar Gallery, Munich, Germany
Tracey Moffatt, Torch Gallery,
Amsterdam, The Netherlands
Tracey Moffatt,
Lawing Gallery, Houston, Texas, USA
Tracey Moffatt, Le
Case D’Arte, Milano, Italy
Tracey
Moffatt, Galeria Helga de Alvear, Madrid, Spain
Tracey Moffatt,
Fundacio “La Caixa”, Sala San Juan, Barcelona, Spain
Free Falling, ICA,
Boston, USA
Tracey Moffatt, Rena Bransten
Gallery, San Francisco, USA
Tracey Moffatt,
Parko, Tokyo, Japan
Tracey Moffatt,
Institute of Modern Art, Brisbane, Australia and touring through Asia
Tracey Moffatt, Galleri
Christian Larsen, Stockholm, Sweden
Tracey Moffatt, Galerie
Laage–Salomon, Paris, France
Laudanum and Lip, Galleria
Il Ponte Contemporanea, Rome, Italy
1998 Up in the Sky, Roslyn
Oxley9 Gallery, Sydney, Australia
Tracey Moffatt, Australian
Centre for Contemporary Art, Melbourne, Australia
Tracey Moffatt,
Curtin University Gallery, Perth, Australia
Tracey Moffatt,
Monash University Gallery, Melbourne, Australia
Tracey Moffatt,
Galleri Larsen, Stockholm, Sweden
Tracey Moffatt,
Victoria Miro Gallery, London, UK
Tracey Moffatt, Arnolfini,
Bristol, UK
Heaven, Il Ponte Projects,
Rome, Italy
Up in the Sky, Galleriea
Il Ponte Contemporanea, Rome, Italy
Tracey Moffatt,
Arte/GE Bozen/Bolzano, Italy
Tracey Moffatt,
Le Case D’Arte, Milano, Italy
Tracey Moffatt,
Il Ponte Contemporanea, Rome, Italy
Free Falling, Renaissance
Society, Chicago, USA
Tracey Moffatt,
L.A. Galerie, Frankfurt, Germany
Tracey Moffatt,
Wurtembergischer Kunstverein, Stuttgart, Germany
Tracey Moffatt,
Voralberger Kunstverein, Bregenz, Austria
Tracey Moffatt, Kunsthalle
Vienna, Vienna, Austria
Tracey Moffatt, Magazin
4 Voralberger Kunstverein, Bregenz, Austria
1997 Free Falling, Dia
Center for the Arts, New York, USA
Tracey Moffatt,
L.A. Galerie, Frankfurt, Germany
Tracey Moffatt,
Galerie Andreas Weiss, Berlin, Germany
Tracey Moffatt, Galleri
Faurschou, Copenhagen, Denmark
Tracey Moffatt: Films,
Musee d’Art Contemporain, Lyon, France
1995 Guapa (Goodlooking), Karyn
Lovegrove Gallery, Melbourne, Australia
Guapa (Goodlooking),
Mori Gallery, Sydney, Australia
Short Takes, ArtPace,
San Antonio, Texas, USA
1994 Scarred for Life, Karyn
Lovegrove Gallery, Melbourne, Australia
1992 Pet Thang, Mori Gallery,
Sydney, Australia
Tracey Moffatt,
Centre for Contemporary Arts, Glasgow, UK
1989 Something
More, Australian Centre for Photography, Sydney, Australia (Toured
through regional galleries in Australia)
Group Exhibitions
2005 Family
Pictures: Contemporary Photography and Video from the collection of
the Guggenheim Museum
Galleria
Gottardo, Lugano, Switzerland
(Hi)story
Kunstmuseum
Thun, Switzerland
Seeing
Double: Encounters with Warhol.
The Andy Warhol Museum, Pittsburgh,
USA
The
World is a Stage: Stories Behind Pictures
Mori
Art Museum, Tokyo, Japan
Sharjah
Biennial
United Arab Emirates
Donna Donne
Palazzo Strozzi, Florence, Italy
Passionate Image, The Body in Art
and Advertising
Kim Light Gallery, LightBOX, Los Angeles,
USA
Steven Kasher Galler, New York, USA
I
thought I knew but I was wrong: new video art from Australia
Jamjuree
Gallery, Chulalongkorn University, Thailand, Nanyang Academy of Fine Arts,
Singapore, Ssamzie Space, Seoul, Korea
The Difference Between You and
Me
The Ian Potter Museum of Art, Melbourne,
Australia
Plague
Biennale 2
Prague,
Czech Republic
The All-Australian Show
Il
Ponte Contemporanea, Roma, Italy
Mixed-up
Childhood
Auckland
Art Gallery Toi O Tamaki, Auckland, New Zealand
Upon
Further Review: Looking at Sports in Contemporary Art
Bertha
and Karl Leubsdorf Art Gallery, Hunter College, New York City, USA
Fast
Forward/Avance Rápido: Media Art de la Colección Goetz
Centro
Cultural Conde Duque in Madrid, Spain
2004 Love (part of short film festival
THEMES)
Museum
of Modern Art, New York, USA
Seeds and Roots: Selections from
the Permanent Collection
The Studio Museum in Harlem, New York,
USA
2003 Fair Game- Art+Sport
NGV
Response Gallery, Victoria, Australia
1 Square Mile- Brisbane Boundaries
Museum
of Brisbane, Brisbane, Austraila
6ft+clean:surf+art, Gold
Coast City art Gallery, Noosa Regional Gallery, Perc Tucker
Regional Gallery, Rockhampton Art Gallery, Coffs Harbour City Art Gallery, Manly Art
Gallery and Museum, Mornington Peninsula Regional Art Gallery, Australia
Something More Than Five Revolutionary
Seconds, Fondazione Davide Halevim,
Milan, Italy
Fast Forward, Sammlung
Gotez, Munchen, Aesstellungsdauer, Germany
Xin Rui She Ying, Shanghai,
China
Quaderns d' arquitectura i urbanisme, 237
The Subruban Unconscious, Spain
kunstforum Baloise, Zwischenbilanz,
Neuerwerbungen, Baloise-Gruppe, Basel,
Switzerland
Family Ties, Peabody Essex
Musuem, Salem, Massachusettes, USA
Just Love Me, Fries
Museum Leeuwarden, Leeuwarden (2004), Bergen Art Musuem,
Bergen (2003), Sammulung Gotez, Munich (2002-2003), Staatliche Kunsthalle Baden-
Baden (2002), Germany
Shine, Museum Boijamans
Van Beuningen, Rotterdam, Holland
Phantom of Pleasure, Neue
Galerie am Landesmuseum Joanneum, Graz, Switzerland
M_ARS, Neue
Galerie AM Landesmuseum Joanneum, Graz, Switzerland
2002 Iconoclash.
Jenseeits der Reprasentationskrise, curated by Peter Weibel (and
others), Zentrum fur Kunst und Medientechnologie, Karlsruhe, Germany
Video
Works, Kunstnernes Hus, Oslo, Norway
Hollywood
Revisited, Aarhus Kunstmuseum, Aarhus, Denmark
True
Fictions
-
Ludwig Forum fur Internationale Kunst, Aachen, Germany
-
Kunstverein Lingen, Germany
Connections-
Contemporary Artists from Australia, House of Croatian Artists,
Zagreb, Croatia
Collections
Croisees, Musee d'art Contemporain de Bordeaux, France
Melodrama. Lo
excesivo en la imaginacion postmoderna, Centro-Museo Vasco
de Arte Contemporaneo, Vitorio-Gasteiz, Spain
Barbara
Kruger/ Marlene Dumas/ Tracey Moffatt, Monika Spruth Galerie, Koln,
Germany
Roslyn
Oxley9 Gallery – The First 20 Years, Roslyn Oxley9 Gallery, Sydney,
Australia
Nocturne: Images of Night &
Darkness from Colonial to Contemporary, MPRG
Mornington Peninsula Regional Gallery, Australia
Spectator Sport, Cornerhouse,
Manchester, UK
Other Views: an Exhibition from
the Griffith University Art Collection, Griffith
University, Nathan, Queensland, Australia
Goddess, Galerie
Lelong, New York City, USA
Re: Action, Jan Weiner
Gallery, Kansas City, USA
New
Visions of the American West, Nassau County Museum of Art, Roslyn Harbor,
USA
New
Work, Conner Contemporary Art, Washington D.C., USA
Trauma, Museum
of Modern Art, Oxford, UK
Receipts, Abbaye
Saint Center d'art Contemporain, Meymac, France
- Reise
ins Ich - Kunstler/ Selbst/ Ich – Kunstler des 20. Jahrhundert in
Selbstdarstellung,
Sammlung Essl, Klosterneuburg, Austria
Die Unheimliche Frau. Weiblichkeit
im Surrealismus, Kunsthalle Bielefeld,
Bielefeld, Germany
a person looks at a work of art
. . ., The Michael Buxton Contemporary Art Collection,
November 2001– February 2002, Heide –
Museum of Modern Art, Victoria, Australia
Feature: art, life and cinema, December
2001 – January 2002, Govett-Brewster Art
Gallery, New Plymouth, New Zealand
The Lightness of Being Unbearable, Sommer
Contemporary Art, Tel-Aviv, Israel
It's a Wild Party and We're Having
a Good Time, Paul Morris Gallery, New York,
USA
LUMO 01, Passion, International
Photography Triennial, Jyvaskyla Art Museum (Suoja),
Gallery Harmonis and the Museum of Central Finland, Finland
ARS 01 Kiasma Museum of
Contemporary Art, Helsinki, Finland
Trauma National Touring
Exhibition, Hayward Gallery in collaboration with
Dundee Contemporary Arts, London, UK
The Promise of Photography,
Schirn Kunsthalle, Frankfurt, Germany
Ha Ha, Revolution Gallery,
Ferndale, Michigan, USA
Sixth Annual Photography Auction
and Benefit, Sotheby's, New York, USA
Collaborations with Parkett: 1984
to Now, The Museum of Modern Art, New York,
USA
Audit, Casino Luxembourg,
Luxembourg
24th International
Biennale of Graphic Arts, Ljublijana, Slovenia
Ohne Zögern / Without Hesitation!, Neues
Museum Weserburg, Bremen, Germany
World Without End: Aspects of 20th
Century Photography, Art Gallery of North
South Wales, Sydney, Australia
Melodrama, Tate Gallery,
Liverpool, UK
Telling Tales: The Child in Contemporary
Photography, Campbelltown
Bicentennial Art Gallery, Campbelltown, University of South Austalia Art Museum,
Adelaide, and Warnambool Art Gallery, Warnbool, Australia
Australian Art and Society 1901-2001, National
Gallery of Australia, Canberra,
Australia
Zeitgenossische Fotokunst aus Australien, Stadtisches
Kunstmuseum, Chenitz,
Germany and
Kulterzentrum der Stadt Stuttgart, Germany
Other
People’s Lives, Eyre / Moore Gallery, Seattle, Washington, USA
Completing Identities, Center
for Curatorial Studies Museum, Bard College,
Annandale-on-Hudson, New York, USA
Missing Link, Kunsthaus
Dresden, Dresden, Germany
True Fiction, Museum Bad
Arolsen, Arolsen, Germany
Begijnhof III, Galeria
Estrany–de la Mota, Barcelona, Spain
Anstoss, Kunst, Sport und Politik, Albrecht
Durer Gesellschaft- Kunstverein
Nurnberg, Nurnberg, Germany
Sport in der Zeitgenossischen Kunst, Kunsthalle
Nurnberg, Nurnberg, Germany
Fotokunst der 90 er Jahre aus der
Sammlung Sandretto de Rebaudengo,
Kunsthalle Kiel, Germany
Encrucijada, Reflexiones en torno
a la pintura actual, Sala de la Comunidad de
Madrid, Madrid, Spain
Mujeres que hablan de mujeres, Espacio
Cultural El Tanque, Santa Cruz de Tenerife,
Spain
Kunst und Krieg, Symposium,
Akademie de Bildenden Kunste Wien, Vienna, Austria
2000 Raconter
des Histories, John Baldessari, Fariba Hajamadi, Annette Messager, Tracey
Moffatt, Galerie Laage-Salomon, Paris, France
Paper
Cuts, Rena Bransten Gallery, San Francisco, USA
Ring of Fire, Aotea Centre,
Carter Hollt Harvey Gallery, Aukland, New Zealand
Dconstructivism
- life back into art, David Pestorius, South Bank Corporation,
Brisbane, Australia
Deep Distance - Die Entfernung
der Fotografie, Kunsthalle Basel, Switzerland
Drive - progress - power - desire,
Govett-Brewster Art Gallery, New Plymouth, New
Zealand
Veronica’s Revenge, Contemporary
Perspectives on Photography, Museum of
Contemporary Art, Sydney, Australia
Common Ground, University
of Technology Gallery, Sydney, Australia
All Stars 2000, Roslyn
Oxley9 Gallery, Sydney, Australia
Aboriginal Art in Modern Worlds, National
Gallery of Australia, Canberra, Australia,
State Hermitage Museum, St. Petersburg, Russia, Museo Nacional Centro de Arte Reina
Sofia, Madrid, Spain
Sporting Life, Museum
of Contemporary Art, Sydney, Australia
Photography Now, Contemporary
Art Center, New Orleans, USA
Flight Patterns,
Museum for Contemporary Art, Los Angeles, USA
Behind the Scenes, The
Museum of Contemporay Photography, Chicago, USA
12th Biennale
of Sydney, Art Gallery of New South Wales, Sydney, Australia
Logo Merino, Sheep in Australian
art and design, National Wool Museum,
Geelong, Australia
Izima Kaoru/ Tracey Moffatt/ Bill
Owens/ Chris Verene, Rebecca Camhi Gallery,
Athens, Greece
Zeitwenden, Kunstmuseum,
Bonn, Germany
Zeitwenden, Museum
moderner Kunst Stiftung Ludwig Wien, Austria
Presumed Innocent,
capcMusée d’Art contemporain de Bordeaux, France
Biennale de Lyon d’Art Contemporain,
Lyon, France
- Hans Hemmert, Tracey Moffatt, Andres Pinal, Frank Thiel, Fotografos de los
anos noventa en
la collecion CGAC, Sala Alameda de la Diputacion de Malaga, Malaga, Spain
Zeitgenossische Fotokunst aus Australien, Neuer
Berliner Kunstverein Berlin,
Germany, and Schlossmuseum, Velbert, Germany
High five, Galerie
Schedler, Zurich, Switzerland
100 al 2000: il Secolo della Fotoarte,
Fotology, Bologna, Italy
The Citibank Private Bank Photography
Prize 2000, The Photographer’s Gallery,
London, UK
Mommy Dearest, Gimpel
Fils, London, UK
8e Biennale de l’image en
Mouvement, Centre pour l’image contemporian,
Geneve Switzerland
Artist Films, Kunstverein
Munchen, Munich, Germany
Kinder im 20. Jahrhundert, Mitterlhein-Museum,
Koblenz, Germany
Kinder im 20. Jahrhundert,
Galerie der Stadt Aschaffenburg, Germany
Telling Tales: the child in contemporary
photography, Monash University
Gallery, Melbourne and Bendigo Art Gallery, Australia
Contemporary Group Show,
Fifty One Gallery, Antwepen, Netherlands
1999 Museum for Modern Kunst,
Leipzig, Germany
girls girls girls,
Galerie-Projektraum, Kunsthochule für Medien, Cologne, Germany
Konstruksjon eller virkelighet, Lillehammer
Kunstmuseum, Lillenhammer, Norway
Life Cycles, Galerie
für Zeitgenossische Kunst, Leipzig, Germany
From film, Victoria
Miro Gallery, London, UK
La Casa, il Corpo, Il Cuore,
Museum für Moderne Kunst, Stiftung Kunst, Vienna,
Austria
Full Exposure: Contemporary Photography, New
Jersey Centre for Visual Arts,
Summitt, New Jersey, USA
Wohin kein Auge reicht Deichtorhallen,
Hamburg, Germany
Das Versprechen der Photographie
(The Promise of Photography), Selections
from the DG Bank Collection, PS1 Contemporary Art Centre, New York, USA
Rosa für Jungs, Hellblau für
Madchen, Neue Gesellschaft für Bildende Kunst,
Berlin
In de Ban van de Ring, Provencial
Centrum voor beeldene Kunst, Hasselt, Belgium
Kunstwelden im Dialog, Museum
Ludwig, Koln, Germany
Female, Wessel &
O’Connor Gallery, New York, USA
Wonderland:
Fotomanifestatie Noorderlicht 1999, Noorderlicht fotogalerie,
Groningen, The Netherlands
Nuevas Visiones, Nuevas Pasiones,
Fundacion Marcelino Botin, Snatander, Spain
A Sangre y Fuego, Espai
d’art Contempitani de Castellon, Spain
Galerie Schnider, Ettlingen,
Germany
Endzeit, Six Friedrich – Lisa Ungar, Munich, Germany
Telling Tales, Neue Galerie
Gesellschaft für bildende, Germany
VH Biennale Internazionale Di Fotografia, Turin,
Italy
Macht und Fürsoge,
Trinitatskirche Cologne, Germany
Missing Link – Menschebilder
in der Fotografie, Kunstmuseum Berlin, Germany
1998 Museum van Hedendaagse Kunst Gent,
Gent, Belgium
Family Viewing, Museum
of Contemporary Art, Los Angeles, USA
Portraits, Paul
Morris Gallery, New York, USA
Echolot, Museum
Fridericianum, Kassel, Germany
Foto Triennale Esslingen, Esslingen,
Germany
Musee Departemantal d’Art
Contemporain, Rochechouart, France
Artenergie - Art in Jeans,
Palazzo Corsini, Florence, Italy
Die Nerven enden an den Fingerspitzen, Die
Sammlungen Wilhelm
Schurmann, Kunsthaus Hamburg, Germany
Presumed Innocence, Anderson
Gallery, Richmond, USA
Strange Days: Guinness Contemporary
Art Exhibition, Art Gallery of NSW,
Sydney, Australia
Nature of Man, Lund
Konsthall, Lund, Sweden
‘Roteiros’ x 7 XXVI
Bienal de São Paulo, São Paulo, Brazil
Life is a bitch, De
Appel Foundation, Amsterdam, Netherlands
Der Mensch (The Human Being),
Kunstverein Schloß Plön, Germany
Pusan International Contemporary
Art Festival, Pusan, Korea
Horizont, Brecht Haus am
Weisensee, Berlin, Germany
Fleeting Portraits, Neue
Gesellschaft für bildende Kunst, Berlin, Germany
1997 Venice Biennale, Venice,
Italy
Group Show, Matthew
Marks Gallery, New York, USA
Group Show, Anthony
Reynolds Gallery, London, UK
Group Show, Roslyn
Oxley9 Gallery, Sydney, Australia
Printemps de Cahors,
Paris, France
Steierischer herbst 97,
Graz, Austria
Site Santa Fe, Santa
Fe, New Mexico, USA
Campo 6, The
Spiral Village, Bonnefanten Museum, Maastricht, Netherlands
Subject to Representation,
Gallery 101, Ottawa, Canada
1996 Fundacao Bienal de São Paulo, São
Paulo, Brazil
“Campo 6”, The Spiral
Village, Museum of Modern Art, Torino, Italy
Jurassic Technologies Revenant,
10th Biennale of Sydney, Australia
Prospect 96, Schirn Kunsthalle,
Frankfurt, Germany
Short Stories, Altes
Rathaus, Göttingen, Germany
1995 Antipodean Currents, The
Guggenheim Museum (Soho), New York, USA
Familiar Places, ICA, Boston,
USA
‘95 Kwangju Biennale,
Kwangju, Korea
New Works 95.2,
ArtPace, San Antonio, Texas, USA
Perspecta 95, Art
Gallery of New South Wales, Sydney, Australia
1994 Antipodean Currents,
The Kennedy Center, Washington, USA
Power Works, Govett
Brewster Gallery, New Zealand
Eidetic Experiences, Toured
through regional galleries in Queensland, Australia
1993 The Boundary Rider,
9th Biennale of Sydney, Sydney, Australia
1992 Artist’s Projects, Adelaide
Festival of the Arts, Adelaide, Australia
1991 From the Empire’s End,
Circulo de Bellas Artes, Madrid, Spain
1990 Satellite Cultures,
New Museum of Contemporary Art, New York, USA
1988 Shades of Light,
National Gallery of Australia, Canberra, Australia
1987 Art and Aboriginality, Aspex
Gallery, Portsmouth, UK
1986 Aboriginal Islander Photographs,
Aboriginal Artists Gallery, Sydney, Australia
1984 Pictures for Cities,
Artspace, Sydney, Australia
Film and Video as Writer/Director
2003 Love, 20 minute experimental
video (collaboration with Gary Hillberg)
2000 Artist, 10 minute experimental
video (collaboration with Gary Hilberg)
1999 Lip, 10
minute experimental video (collaboration with Gary Hilberg)
1997 Heaven, 28 minute
video (commission – Dia Center for the Arts) USA
1995 My Island Home, Music
Video (Christine Anu)
1994 Let My Children Be, Music
Video (Ruby Hunter)
1993 The Messenger, Music
Video (INXS)
Bedevil, 90 minute
feature drama (Official Selection Cannes 1993)
1989 Night Cries, 17 minute
drama (Official Selection Cannes 1990)
It’s
Up to You, 9 minute health video
1988 Moodeitj Yorgas, 22
minute documentary
A
Change of Face, 3 part documentary SBS TV (co-director)
1987 Watch Out, 5 minute
dance video, Film Australia
Nice
Coloured Girls, 16 minute experimental film
1985 The Rainbow Serpent,
Documentary series SBS TV (Stills Photographer)
Film and Video Collections
Goetz Collection Munich Germany
New York Public Library, New York, USA
National Library, Canberra, Australia
State Film and Video Library, Adelaide, Australia
Curtin University, Perth, Australia
Griffith University, Brisbane, Australia
Macquarie University, Sydney, Australia
University of Technology, Sydney, Australia
Sydney University, Sydney, Australia
State Film Centre, Melbourne, Australia
West Australian Film Centre, Perth, Australia
Institute of Aboriginal Studies, ANU Canberra, Australia
Fundación “la caixa”, Barcelona, Spain
Photography Collections
Museum of Modern Art, New York, USA
Guggenheim Museum, New York, USA
Tate Gallery, London, UK
Museum of Fine Arts Boston, USA
Houston Museum of Fine Arts, Houston, USA
Museum of Contemporary Art, Los Angeles, USA
Brooklyn Museum of Art, New York, USA
Refco Inc., Chicago, USA
Linda Pace Collection, San Antonio, USA
Museet for Santidskunst, Oslo, Norway
Ministère de la Culture, Paris, France
Centre national des arts plastiques, France
Moderna Museet, Stockholm, Sweden
Museum of Contemporary Photography, Tokyo, Japan
DG-Bank, Frankfurt, Germany
Bard College, Annandale on Hudson, New York, USA
Centre Galego de Arte Contemporanea, S. de Compostela, Spain
The National Museum of Photography, Copenhagen, Denmark
Ulmer Museum Ulm, Germany
Bayerische Staatsgemäldesammlungen, Munich, Germany
Folkwang Museum, Essen, Germany
Collection Mr. and Mrs. Felten, Munich, Germany
Collection Mr. Kunne, Hannover, Germany
Sammlung Goetz, Munich, Germany
Louisiana Museum of Contemporary Art, Humlebæk, Denmark
Baroness Lambert Collection, Switzerland
Australian National Gallery, Canberra, Australia
Art Gallery of New South Wales, Sydney, Australia
Museum of Contemporary Art, Sydney, Australia
National Gallery of Victoria, Melbourne, Australia
Museum of Contemporary Art, Sydney, Australia
Flinders University, Adelaide, Australia
Queensland Art Gallery, Brisbane, Australia
Griffith University, Brisbane, Australia
Monash University, Melbourne, Australia
Art Gallery of South Australia, Adelaide, Australia
National Library, Canberra, Australia
Art Gallery of Western Australia, Perth, Australia
Albury Regional Art Gallery, Albury, Australia
Waverly City Gallery, Mt. Waverly, Australia
National Portrait Gallery, Canberra, Australia
Tasmanian State Institute of Technology, Hobart, Australia
Albury Regional Art Gallery, Albury, Australia
BP Australia, Melbourne, Australia
Steve Vizard Foundation, Melbourne, Australia
Art Gallery of Western Australia, Perth, Australia
Curtin University, Perth, Australia
NRMA Collection, Sydney, Australia
National Gallery of Victoria, Melbourne, Australia
Art Gallery of Western Australia, Perth, Australia
National Library, Canberra, Australia
Parliament House Collection, Canberra, Australia
Artbank, Sydney, Australia
University of Technology, Sydney, Australia
University of Wollongong, Wollongong, Australia
Tasmanian State Institute of Technology, Hobart, Australia
Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria
Buxton Collection, Melbourne, Australia
Trinity College Art Collection, Melbourne, Australia
Air New Zealand Collection, Melbourne, Australia
Film and Video Distributors
Women Make Movies, New York, USA
Ronin Films, Canberra, Australia
Southern Star, Sydney, Australia
Australian Film Institute, Melbourne, Australia
Kim Lewis Marketing, Los Angeles, USA
Circles, London, UK
Jane Balfour, London, UK
Women in Focus, Vancouver, Canada
Bibliography
2005 Weaving stories, constructing history
Felicity Lunn, Exhibition catalogue,
2005 (Hi)story, Kunstmuseum Thun, Switzerland
Art Photography Now
Susan Bright, Aperture Foundation publication,2005
London, UK
Family Pictures
Jennifer Blessing, Exhibition
catalogue, Contemporary Photography and Video from the
Collection of the Guggenheim Museum, Galleria Gottardo, Lugano, Switzerland
The Photograph as Contemporary Art
Charotte Cotton, Thames & Hudson,
London, UK
Tracey Moffatt: New Work in New York
Sarah Douglas, Australian Art Collector
magazine July-September 2005, Australia
IMA’s talented trifecta
Gold
Coast Bulletin, March 12, 2005, Australia
The
World is a Stage: Stories Behind Pictures
Exhibition
catalogue, 2005, Tokyo, Japan
Upon
Further Review: Looking at Sports in Contemporary Art
Tim
Laun, Exhibition catalogue, 2005, USA
Mixed-up
Childhood
Exhibition
catalogue, 2005, New Zealand
Tracey
Moffatt: Adventure Series
Art
Krush, 2005, USA
Tracey
Moffatt: An Image of the Undefined
Sint-LukasGalerie
Brussel, March-May 2005, Belgium
Behind
the gloss
Courier
Mail, March 30, 2005, Australia
Urban
Adventure
Rave
Magazine, March 15, 2005, Australia
Action
Items…
Brisbanenews,
April 6, 2005, Australia
Best
of the rest
Australian
Financial Review, April 16, 2005
Tracey
Moffatt: Adventure Series and Love
Brisbane
citysearch, April 5, 2005, Australia
Triple
bill at the IMA
Art
Monthly Australia, April, Australia
Moffatt’s
Brisbane Adventure
Style
Magazine, April, 2005, Australia
Snap,
that’s Brisbane
The
Courier-Mail, April 16-17, 2005, Australia
Fast
Forward/Avance Rápido: Media Art de la Colección Goetz
Exbition
Catalogue, Centro Cultural Conde Duque in Madrid, 2005, Spain
2004 Tate Women Artists
Alicia
Foster, Tate Publishing
Home stays at heart of this girl’s
art
The Courier-Mail, November 12, 2004,
Australia
Äventyr I Gränslandet
Hasse
Persson, FOTO, Nr.10, Sweden
Tracey Moffatt:Vox Pop
Vogue Living November/December, Australia
Det är något bekant över
Tracey Moffatts bilder
Ulf
Johanson, GÖTEBORGS-POSTEN Fredag 11Juni 2004, Sweden
Tracey
Moffatt: Mise en Scéne
Paola Anselmi, Contemporary Visual Arts
and Culture Broadsheet, volume 33 No.2
June/Aug 2004, Australia
Tracey
Moffatt-Adventure Series
Victoria
Hynes, The Sydney Magazine, August, 2004, Australia
Bursting
with Talent
Sydney
Morning Herald, August 31, 2004, Australia
Strip
Down
Dominique
Angeloro, Metro Sydney Morning Herald, August 6-12, 2004, Australia
Better
by Design
Peter
Hill, The Sydney Morning Herald, August 7-8, 2004, Australia
Moffatt is a Huge Hit Wherever She
Goes
Ruth
Hessey, Australian Art Review, issue 4, March-June 2004, Australia
Of
Images and Episodes
Kate
Davidson, Art Monthly Australia, April 2004, Australia
Moffatt
Explores the Frontiers
Nyanda
Smith, West Australian, January 3, 2004, Australia
Tracey
Moffatt: The International Look
Russell Smith, Contemporary Visual Arts
and Culture Broadsheet, volume33, No.1,
Feburary-May 2004, Australia
Moffatt Exposes Dark
Simon Blond, The West Australian, February
14, 2004, Austlaria
A Conversation with Tracy Moffatt
Deadly Vibe, February 2004, Austlaria
Tracey Moffatt spoke with Ted Snell
via email on the 20th January 2004
Ted Snell, John Curtin Gallery, Curtin
University of Technology, February 2004, Australia
Belief Systems
Susan McCulloch, The Weekend Australian,
March 27-28, 2004, Australia
Pathos Discounted for Coolness
Robert
Nelson, Museum of Contemporary Art, January 1, 2004, Sydney, Australia
Comic
Turn
Jackie
Chowns, The Sydney Morning Herald, January 16-22, 2004, Sydney, Australia
The
Juvenilia of Tracey Moffatt
Eve
Sullivan, Art & Australia, January/February 2004, Australia
Tracing
Emotions
Barbara
Creed, State of the Arts, January/March 2004, Australia
Polished
Rituals of Looking
Patricia
Anderson, The Weekend Australia, January 3-4, 2004, Sydney, Australia
In
the Eye of the Beholder
John
McDonald, Financial Times Review, January 22, 2004, Australia
Home
Team Advantage
Richard
B. Woodward, New York Times, February 15, 2004, USA
Something
More About Moffatt
Natalya
Lusty, The Australian Financial Review, February 27, 2004, Australia
2003 The Art of Darkness
Ashley Crawford, TheAgeReview, September
27, 2003, Australia
Life Rehearsal
Peter Timms, The Weekend Australian,
March 1- 2, 2003, Australia
1 Square Mile- Brisbane Boundaries
Exhibition
Catalogue, Museum of Brisbane, King George Square Brisbane, Australia
6ft+clean:surf+art
Exhibition Catalogue, Gold Coast
City art Gallery, Noosa Regional Gallery, Perc Tucker
Regional Gallery, Rockhampton Art Gallery, Coffs Harbour City Art Gallery, Manly Art
Gallery and Musuem, Mornington Peninsula Regional Art Gallery, Australia
Something More Than Five Revolutionary
Seconds
Exhibition Catalogue, Fondazione
Davide Halevim, Milan
Fast Forward
Exhibition Catalogue, Sammlung
Gotez, Munchen, Germany
Xin Rui She Ying
Exhibition Catalogue, Shanghai,
China
Quaderns d' arquitectura i urbanisme
Exhibition Catalogue, 237 The Subruban
Unconscious, Spain
kunstforum Baloise
Exhibition Catalogue, Zwischenbilanz,
Neuerwerbungen, Baloise-Gruppe, Basel
Family Ties
Exhibition Catalogue, Peabody
Essex Musuem, Salem, Massachusettes, USA
Just Love Me
Exhibition Catalogue, Fries Museum Leeuwarden,
Leeuwarden (2004), Bergen Art
Musuem, Bergen (2003), Sammulung Gotez, Munich (2002-2003), Staatliche Kunsthalle
Baden-Baden (2002)
Courier-Mail
Cool
in Camera by Sandra McLean, March 29, 2003
New Wave
Shanghai
Surprise:Artist Tracey Moffatt's Adventures in China by Mia Fineman,
may/june 2003
Calender
Cary
Estes Leitzes, Jessica Green, Danko Steiner, essay by Ann Beattie, April page
Museum of Contemporary Art Exhibition
Program Catalogue
spring/summer
2003 - 2004
Entertainment Guide
City
Weekend January 9 - January 22, 2003
Scene Shanghai
January
1, 2003
High: art, our city and us
January
2003, Shanghai
Diary
William
Petley, The Sun-Herald, September 21, 2003
Straight
Shooter
Lee
Tran Lam, Highly Quotable November/December 2003, Australia
Hearts
In the Picture
Michael
Fitzgerald, Time (Australia), December 22, 2003, Australia
Tracey's
Many Faces
Elizabeth
Fortescue, The Daily Telegraph, Sydney Live December 12, 2003, Australia
Once
is Not Enough
Peter
Hill, Spectrum, Visual Arts, December 26-28, 2003, Australia
Photo
Finish
Chelsea
Clark, The Daily Telegraph, December 10, 2003, Australia
Off-the-Wall
Prices for the Lady in Red
Sharon
Verghis, The Sydney Morning Herald Front Page, December 13, 2003, Australia
A
Singular Persepective
Rosalie
Higson, The Australian, December 16, 2003, Australia
Star
Power on Show
Ron
Banks, The West Australian-Weekend Extra, December 27, 2003, Austraila
Perfect Moments
Robert
McFarlan, The Sydney Morning Herald-Metropolitan, December 31, 2003,
Australia
Zooming
in on an Artful Tease
Lenny
Ann Low, The Sydney Morning Herald- Metropolitan, December 16, 2003,
Australia
Private
Eye
Lee
Tran Lam, Monument 58 Magazine, December/January 2004, Australia
MCA
Hosts Tracey Moffatt Retrospective
Janice
Petersen, ABC Online, December 17, 2003, Australia
Discussion
with Photographer, Tracey Moffatt
Angela
Catterns, ABC 702 Sydney Radio Interview, December 12, 2003, Australia
Sydney
Goes to the Burbs
Lenny
Ann Low, www.theage.com.au, November 15, 2003, Australia
2002 Tracey Moffatt
Paula Savage, Lara Strongman Exhibition
catalogue, City Gallery Wellington, 2002, New
Zealand
Melodrama. Lo excesivo en la imaginacion
postmoderna
Exhibition catalogue, Centro-Museo Vasco
de Arte Contemporaneo, Vitorio-Gasteiz,
Spain
Hollywood Revisited
Exhibition catalogue, Aarhus Kunstmuseum,
Aarhus, Denmark
Veczoennections, Contemporary Artist
from Australia
Exhibition catalogue, curated by Branca
Stipancic, House of Croatian Artists, Zagreb,
Croatia
True Fiction, Inzinierte Foto-Kunst
der 1990 er Jahre
Exhibition
catalogue, Ludwig Forum fur Internationale Kunst, Aachen, Germany
Images of Australian Men: Photographs
from the Monash Gallery of Art
Collection
A Monash Gallery of Art Travelling exhibition
catalogue, May, 2002, Australia
Studio Visit: Neither Win, Place nor
Show
Lisa
Fischman, Art Papers Magazine, July/August 2002, USA
Brand
New Gaze
Michael
Fitzgerald, Time Australia, July 2002, Australia
Tracey
Moffat
Katerina
Gregos, Contemporary, January 2002, UK
Between the Psyche and the Social,
Psychoanalytic Social Theory
E. Ann Kaplan, Trauma, Cinema, Witnessing,
2002, England
Fiction and History: A Science of
Disputed Signs
Mcgraw, Hesse, Review, May/June 2002
Everything Here is Not What it Seems
Alice Throson, The Kansas City Art Star,
May 3, 2002
Painting by Numbers: Smart Art Fetches
$200,000
Geoff
Maslen, The Daily Telegraph, April 27, 2002, Australia
Zahranchi> Umelecky svet po 11.
Zari 2001
Atelier 5, March 2002
The Excellence of the Also-Rans
Jerry Cullum, The Atlantic Journal-Constitution,
March 22, 2002, USA
Loser
Felicia
Feaster, Atlanta.CreativeLoafing.com, March 20-26, 2002, USA
Just Like a Woman
Harper's Bazaar, March 2002, USA
Something More - After Record Year
Geoffrey
Maslen, SMH.com, April 2002, Australia
Canvas
Art News, February 2002, USA
Preview
Jeff Gibson, Artforum, January 2002,
USA
Tracey Moffatt: Joslyn Art Museum,
Omaha
The Artnewspaper, February 2002, USA
Dolores Clairborne y Cenicienta: Entre
cuentos de hadas
Celia Prado, Exit, Nov./Jan, 2001-2002,
Spain
Art, Looking Back
Interview Magazine, Dec./Jan. 2002, USA
Tracey Moffatt, Art's Drama Queen
Carlo McCormick, Paper, December/January,
2002, USA
The Enduring Glance: 20th
Century Australian Photography from the Corrigan
Collection
Tracey
Cooper, Antiques & Art in Victoria – Bendigo Art Gallery, Victoria, Australia
Nine
Photographs Sell for $226,575
Geoff
Maslen, The Sydney Morning Herald, June 26, 2002, Sydney, Australia
Between the Lines: Dial T for Trauma
Gareth Evans, Sight & Sound, March
2002, UK
Trauma Oxford
Guardian Guide - Exhibitions, January
26, 2002, UK
Better Luck Next Time
Gregory Williams, Cabinet, Summer 2002,
USA
2001 Three Days of Lectures and Discussions at
the ARS 01 Exhibition
Unfolding
Perspectives: Museum of Contemporary Art Kiasma, September 2001-
January 2002
Art
and Society Interact in this "Must See" Show
Neil
Jones, Halstead Gazette (Essex), October 5, 2001, UK
Trauma
Nicky Bird, Art Monthly, September 2001,
UK
Previews
Art Review, September, 2001, UK
Exhibition Reviews: The World in which
We Live
Francesca Calvocoressi, YoungMinds Magazine,
No. 54, 2001, UK
A Journey into Disturbing Places
Financial Times: The Arts (Visual Arts
Scotland), July 17, 2001, UK
Reviews: Trauma
John Calcutt, Scotland on Sunday, July
2001, UK
Arts: Scared for Life
Elizabeth Mahoney, The Guardian, July
14, 2001, UK
Artbeat
Heather
Neill, Times Educational Supplement, September 14, 2001, UK
Australia
. . . land of the rising art sales
Sharon
Verghis, Sydney Morning Herald, November 13, 2001, Australia
ARS
01
Tema-Celeste:
Contemporary Art, November – December 2001, Finland
Erotic
Ambiguities, The Female Nude in Art
Helen
McDonald, Routledge, London, UK
Tracey
Moffatt: Invocations
Katie
Pollock, The Perfect Week: Visual Arts, The Bulletin, July 17, 2001, Canberra,
Australia
Moffatt's
Ever Expanding Profile
Gabriella
Coslovich, The Age, May 2, 2001, Australia
Taking
the Long March into Asia
Georgina
Safe, The Australian, April 20, 2001, Australia
Market
Cracks as Buyers Hold Back
Terry
Ingram, The Australian Financial Review, November 30, 2001, Australia
Hautnah
Die Sammlung Goetz
Hautnah
Die Sammlung Goetz exhibition catalogue, August 2002, Germany
Tracey Moffatt
Art:
Asia Pacific, Issue 26, 2001, Australia
Guest: Tracey Moffatt
Maria
Vlahou, Ozon October 2001, Greece
Contemporary Art Jamboree Goes Global
Marina
Sorbello, The Artnewspaper, No. 112, March 2001, USA
Art
Review
Franklin
Sirmans, Time Out, November 22-29, 2001, USA
Calendar
Linas
Alsenas, Interior Design, November 2001, USA
Art
Edward
Fox, Jalouse, November 2001, USA
Moffatt:
This Dogma Can Bite
Jessica
Dawson, The Washington Post, October 18, 2001, USA
Switching
Roles in Identity Power Plays
Leah
Ollman, Los Angeles Times, April 25, 2001, USA
Photo
Narratives: Where Fiction Meets Reality
The
Chronicle Review, April 20, 2001, USA
Digital
Artistry Raises Serious Issues
Devorah
L. Knaff, The Press Enterprise, April 20, 2001, USA
UCR Presents Images of Culture,
Sex, and Age: Australian Photographer's
Work Seems to Have Taken over Museum
Charles Hand, The Californian, April
19, 2001, USA
Tracey Moffatt
Mitra Abbaspour, Fototext: UCR-California
Museum of Photography, Spring 2001, USA
Vierte Sieger: Neue Bilder & ganze
Dramen von Tracey Moffatt in der L.A.
Galerie Albrecht in Frankfurt
Von Elke Buhr, Kulterspiegel, Frankfurter
Rundschau, Oktober 2001, Frankfurt, Germany
Still Film: Tracey Moffatt's Invocations
and beDevil
Catherine Summerhayes, Photofile, December
2001, Australia
Tracey Moffatt
Brigitte Reinhard, Int. Biennial of Graphic
Arts, 2001, Ljublijiana, Slovenia
Less Words
Boris Kremer, Audit, 2001, Luxembourg,
Luxembourg
Beautiful Losers
Chris Bollen, V Magazine, November/December,
2001, USA
Consuming Passion
Ben Widdicombe, Jalouse, Premiere Issue,
2001, USA
Tracey Moffatt: Laudanum
Rosalind C. Morris, Connect bi-yearly
Magazine, 2001, New York City, USA
Aboriginal Artist Faces Attitudes
in Her Culture
Helen
A. Harrison, New York Times, Sunday, February 25, 2001, USA
Quick Learner
Fred A. Bernstein, Elle Décor, February/March
2001, USA
Tracey Moffatt on the Last of the
Nuba
Art News, February 2001, USA
From Something Singular… To Something
More
Rex
Butler and Morgan Thomas, Eyline, Autumn/Winter, 2001, Australia
Invoking Tracey Moffatt
Doreen
Mellor, MUSE, August 2001, Australia
A $74,000 auction record holder makes
the pace with a portfolio of Olympic
losers
Penny
Webb, The Sydney Morning Herald, Friday, August 3, 2001, Sydney, Australia
Fictional world high in drama
Canberra
Sunday Times, August 12, 2001, Canberra, Australia
Moffat's Invocations portray enigmatic
world
Tony
Oates, ANU Reporter, August 17, 2001, (Vol. 32, No. 12), Australia
Childhood fantasies recalled
Myra
McIntyre, Canberra Times, August 11, 2001, Canberra, Australia
Leaps and boundaries
Penny
Webb, The Age, Friday, August 3, 2001, Australia
Buyer goes for something more
Peter
Gotting, The Age, Thursday, August 2, 2001, Australia
Looking for the next new thing in
art? It’s a snap
Peter
Gotting, The Sydney Morning Herald, Wednesday, August 1, 2001, Sydney,
Australia
Fractured Fantasy
Cassie
Proudfoot, Canberra Times, Times Out, July 19, 2001, Canberra, Australia
In Our Own Image
Andrew Sayers, The Australian Financial
Review Magazine, January 2001, Australia
Visual Arts
Hossein Valamanesh, The Bulletin with
Newsweek, July 17,2001, New Zealand
Heaven, Ela subiu aos ceus
Miguel Icassatti e Juliana Werneck, TPM,
Trip.parpa.mulher, July 2001, Brazil
Zwischen Wirklichkeit und Fiktion
Ulrike
Lehnmann, Women Artists, Tashen, 2001, Koln, Germany
Tracey Moffatt
Die
Unheimliche Frau, Angela Lampe, Kunsthalle Biefeld, September 2001, Germany
Gleiten in der Galerie
Christian
Muckl, Feuilleton, September 15, 2001, Germany
Tanz-Rituale auf dem Rasen: Eine Ikonografie
des Sports
Olaf
Prytzbilla, Die Welt, September 22, 2001, Germany
"England grußt den Fuhrer"
F.J. Broder, Bayerishe Staatszeitung
und Bayerischer Staatsanzieger, September 21,
2001, Germany
Tracey Moffatt: Abenteuerliches Pasticcio
Samuel Herzog, Basler Magazin, Beilage
der Basler Zeitung, Nr. 19, May 2001, Basel,
Switzerland
Die Schopfung, Sieben Szenen
DU- Die Zeitschrift der Kultur, No. 718,
Zurich, Switzerland
Modig Universitetskonst lamplig for
illustration
Anna Brodow, Lordagen Den, March 3, 2001,
Stockholme, Sweden
Minnen och fordomar
Sonia Hedstrand, Arbetaren 16.2-22.2,
Stockholme, Sweden
Koloniala bindingar och uppbrott
Milou Allerholm, DN, Stockholme, Sweden
Tukholman nayttelykarrtta on runsas
Marja-Terttu Kivirinta, Helsingin Sanomat,
March 5, 2001, Stockholme, Sweden
Coolt eller ilsket
Gunila Grahn-Hinnfors, Goteborgs-Posten
Lordag, March 3, 2001, Godeborg, Sweden
Resa via Mad Max
Nils Forsberg, Expressen, February 22,
2001, Stockholme, Sweden
Fotokunst der 90 er Jahre aus der
Sammlung Sandretto Re Rebaudengo,
Turin
Katalog,
Edition Oehrli, Zurich, Schweiz
Tracey
Moffatt
Sacha
Craddock, Tema Celeste, 86/2001, Milano, Italy
Audit
Casino Luxembourg, Forum d'art Contemporain,
Otto Berchen, Chris Burden, Nathan
Coley, Gadar Eide Einarsson, Michael Elmgreen & Ingar Dragset, Peter Friedl, Tracey
Moffatt, Muntadas, Marjeta Potrc, Antoine Prum, Michael Stevenson, Barbara Yisser,
September 2001, Luxembourg
Gewinner der goldenen Ananas
Frankfurter Allgemeine Zeitung, December
29, 2001, Frankfurt, Germany
Un mundo adolescente/ Teenage World
EXIT, imagen y cultura, No. 4, November
2001, Madrid, Spain
International Biennial of Graphic
Art
Exhibition catalogue, International Center
of Graphic Arts, Lujblijana 2001, Slovenia
Reisen Ins Ich, Kunstler/ Selbst/
Bild
Exhibition catalogue, Sammlung Essl,
2001, Klosterneuburg, Austria
Tracey Moffat
The New Yorker, November 24, 2001, New
York, USA
The 1st Valencia
Biennale, Communication between the Arts
Exhibition catalogue, Generalitat Valencia,
Chartha, Valencia, Spain
Sport in der Zeitgenossischen Kunst
Exhibition catalogue, Kunsthalle Nurnberg,
2001, Nurnberg, Germany
Mujeres que hablan de mujeres
Exhibition catalogue, Espacio Cultural
El Tanque, S. Cruz de Tenerife, Spain
The World of Tracey Moffatt
Marie
Feliciano, Taiwan News, Sunday, August 12, 2001, Taiwan
Tracey Moffatt
Elisabeth
Mahoney, The Guardian, Thursday, April 19, 2001, UK
Tracey Moffatt
Sally O’Reilly, Time Out, April
17, 2001, UK
Just Don’t call me an Aboriginal
artist
Sebastian
Smee, Independent, Sunday, April 16, 2001, UK
An Aboriginal original
Neil
Cameron, The Scotsman, April 10, 2001, UK
Tracey Moffatt
Susannah
Thompson, The List, April 26, 2001, UK
From Tomorrow, Art
Evening
Standard, March 27, 2001, UK
Review: Tracey Moffatt
Ed,
On Magazine, April-May, 2001, UK
Insightful
Frances
Amble, Student Newspaper, May 19, 2001, UK
Tracey Moffatt
Helen
Monaghan, The List, March 29, 2001, UK
Tracey Moffatt: Invocations
Fisun Guner, Metro Life, May, 2001, UK
Little Miss Moffatt
Moira Jeffrey, Sunday Herald, April 15,
2001, UK
The World of Wounds
Moira Jeffrey, The Herald, July 13, 2001,
UK
Trauma
Scotland on Sunday - Art, July 8, 2001
Exploring Traumatic Experiences
Alison Middleton, Press & Journal,
July 7, 2001, UK
Cultural Devolution?
Tate Magazine, Summer 2001, UK
Art: Trauma
John Beagles, The List, July 5 –
19, 2001, UK
Amber Cowan's choice: Trauma
Play, July 7-13, 2001, UK
Auction is a Winner for Camera Crew
Geoff Maslen, The Sydney Morning Herald,
December 4, 2001
- Telling
Tales: the child in contemporary photography
Catologue, Monash University Gallery, July 2000, Victoria, Australia
Pictures From An Exhibitionist
Richard Lacayo, Time Magazine, 13 November
2000, USA
A Century in Graphic Detail
Victoria Laurie, The Australian Magazine,
2000, Sydney, Australia
Flight Patterns (catalogue)
Corneilia H. Butler, Museum for Contemporary
Art, 2000, Los Angeles, USA
Photography Now (catalogue)
David S. Rubin, Contemporary Art Center,
2000, New Orleans, USA
Inside Photography
Terrington Calas, New Orleans Art Review,
September/October 2000, New Orleans,
Louisiana
New Developments
Doug McCash, Lagniappe, 14 July, 2000,
New Orleans, Louisiana
The New New Thing
D. Eric Bookhardt, Gambit Weekly, August
8, 2000, New Orleans, Louisiana
Tracey Moffatt, Los Sueños
Elena Vozmeino, El Cultural, El Mondo,
May, 2000, Madrid, Spain
Moffatt presenta una serie sobre “miedos y sueños” a través de fotserigrafias
El País, 10 May, 2000, Madrid,
Spain
A Sangre Y Fuego: Imatges de la Violéncia
a l’art contemporani (essay)
Juan Vincente Aliaga, A Sangre Y Fuego,
Spain
Les photos fabriquées de l’énigmatique
Tracey Moffatt
Michael Guerrin, Le Monde, January 7,
2000, Paris, France
Eclectic Eye
Susie Linfield, Artnews, February, 2000,
New York, USA
Arbeiten im Schnittfeld von Mode,
Design und Feminismus (Active on the
interface between feminism, fashion and design)
Bridgit Somma, Lufthansa Magazine No.
4, April, 2000, Germany
Un’ artista australiana da seguire
con grande interesse
Simona Cresci, Time Out, Roma,
No. 48, December 7-13, 2000, Italy
“Mi trabajo es de caracter universal”
Cabello/Carceller, Photo Periodico, June,
2000, Madrid, Spain
Tracey Moffatt
Oscar Alonso Molina, Arte y Parte, No.
26, pg. 134, April-May, 2000, Santander, Spain
Festival Off, las galerias se abren
a la forografia
El Punto, Año XV, No. 573, Pg.
8, June 9-15, 2000, Madrid, Spain
Tracey Moffatt: Invocaciones
Carlota de Alfonso, El Punto, Año
XV, No. 569, Pg. 4, May 12-18, 2000, Madrid, Spain
Tracey Moffatt
Paco Barragan, ABC Cultural, No. 437,
Pg. 36, June 2000, Madrid, Spain
Tracey Moffatt: Invocaciones
Juan Botella, Anticuaria, No. 184, Pgs.
58-60, June 2000, Madrid, Spain
Sueños de ficcion
Santiago B. Olmo, Lapiz, No. 164, 2000,
Spain
Tracey Moffatt, Sydney Biennale 2000
Lynne Cooke, 12th Biennale
of Sydney Catalogue, May 26-July 30, 2000, Sydney,
Australia
The Biennale of Reconciliation
Roni Feinstein, Art in America, pg. 39,
December, 2000, USA
Dreamscape
of darkness
Christine Temin, The Boston Globe, September
29, 2000, Boston, USA
Tracey Moffatt: Invocations
Joseph D. Ketner, Rose Art Museum, Invocations
show catalogue, September 5-
October 22, 2000, Boston, USA
The Fine Art of Photography
Susan Shepard, New England News Group
Agency, September 20, 2000, Boston, USA
Calender/Choice
The Boston Globe, August 31, 2000, Boston,
USA
Citibank Private Bank Photography
Prize
Duncan McLaren, on Sunday, 20 February
2000, London, UK
5 Photographs at Citibank Display
The News Line, 23 February, 2000, London,
UK
They Shoot Horses, Don’t They?
Catherine Etoe, The West End, 18 February,
2000, London, UK
Portraits of an Artist
John McEwan, The Sunday Telegraph, 5
March 2000, London, UK
Interview with Tracey Moffatt
Midori Kimura, BT (Bijutsu Techo), vol.
52 no. 784, March 2000, Japan
Very New Art 2000
(Millennium special), BT (Bijutsu Techo),
vol. 52 no. 782, January 2000, Japan
Views from the Last Centuary: Tracey
Moffatt
Anderson & Low, Image: The Magazine
of the Association of Photographers no. 292,
January 2000, London, UK
Art in Review: Tracey Moffatt
Holland Cotter, The New York Times, 31
March, 2000 New York, USA
Australia’s 50 Most Collectible
Artists
Australian Art Collector, no. 11, January-March
2000, Sydney, Australia
Tracey Moffatt
(photo section), Time Out New York, 2-9
March 2000, USA
Tracey Moffatt
Carol Squires, American Photo, January/February
2000, USA
They Shoot Horses, Don’t They?
Niru S. Ratman, The Face no.38, March
2000, New York, USA
Contents
Vogue Hommes International, Spring/Summer,
2000, UK
Make-Believe
Simon Rees, Pavement, No. 39, February/March
2000, Auckland, New Zealand
Trace Element
Jonathan Turner, Black + White Magazine,
No. 41, February 2000, Sydney, Australia
Arts Cool
W Magazine, January 2000, New York, USA
L’actualite des galeries Parisiennes
de Francis Bacon, Shirin Neshat, Tracey
Moffatt, nouvelle referance
Judith Benhamou-Huet, Les Echos, 7 January
2000, Paris, France
En bref: Tracey Moffatt, Faisons rêve
Le Figaro, 4 January 2000, Paris, France
Histoires de Femmes, Tracey Moffatt,
La Reveuse
Yan C., Jalouse, January, Paris, France
Chocolat amrer, marmelade et contes
de fees
Philippe Regnier, January 2000, Paris,
France
Familien-album
Album Magazin Frankfurter Rundschau,
September 9 2000, Frankfurt, Germany
Mirage: Drysdale and Moffatt in the
Australian outback
Lara Travis, Art & Australia, vol.
37 no. 4, 2000, Australia
In focus: Contemporary photography
can be a far-sighted investment
Belinda Gibbon The Sydney Morning Herald,
15 March 2000, Sydney, Australia
The pain remains the same
Sebastian Smee, The Sydney Morning Herald,
February 26, 2000, Sydney, Australia
Moffatt reveals her new scars
Robert Cook, The West Australian, Perth
Australia, 5 April 2000, Sydney, Australia
Présumes innocents – L’art
contemporain et l’enfance (exhibition catalogue)
CapcMusée d’art contemporian de
Bordeaux, 2000, Bordeaux, France
Kinder des 20. Jahrhunderts (exhibition
catalogue)
Galerie der Stadt Aschaffenburg &
Mitterlhein-Museum, Koblenz, Germany
Tracey Moffatt - Laudanum
Lucien Lecarme, Museumkr@nt,
12 June 2000, Holland
Tracey Moffatt
Jonathan Turner, Contemporary Art, 2000,
Holland
De roes van de Australische Tracey
Moffatt
Maartje den Breejen, Rarool, May 2000,
Holland
Eerste museale expositie van de Australische
Tracey Moffatt in Helmond
Cranpetter, April 2000, Holland
Herkenbare gevoelens bij Tracey Moffatt
Paola van dee Velde, De Telegraf, 2000,
The Netherlands
Broeierig down under
Angelique Spaninks, Eindhovens Dagblad,
April 2000, Holland
Buiden voor de larzen van een motorduivelin
Angelique Spaninks, De Stern, May 2000,
Holland
Egocentrisch zelfbeklag
Rutger Pontzen, Urij Nedeland, May 2000,
Holland
Wat gebeurde er met het aboriginalmeisje
Karen Duking, Dagbald de Limburger, May,
2000, Holland
Kracht van Moffatt ligt in wat ze
niet vertelt
Sandra Smallenburg, NRC Handelsblad,
May 2000, Holland
Spookverhalen en
Esma Moukhtar, Skrien, June 2000, Holland
Tracey Moffatt
Oscar Alonso Monlina, Arte y Parte, No.
26, April/May, 2000, Santander, Spain
Tracey Moffatt
Ana Martinez-Collado, www.arts.zin,
2000, Spain
Por las riberas del sueño
Eugenio Castro, La Razon, June2000, Madrid,
Spain
Down Under
Mette Sandbye, Weekenddavisen, 11-17
February 2000, Denmark
Flot udstilling af den australske
Tracey Moffatt
Tom Jorgensen, Ekstra Bladet, 2 February,
2000, Denmark
Laudanum
Camilla A. Stockmann, Nat & Dag,
5 February 2000, Denmark
Dramatiske dromme
Malene La Cour Rasmussen, Jyllands-Posten/Morgen
visen, 10 March 2000, Denmark
Mommy Dearest
Sarah Kent, Time Out, 11-17 July 2000,
London UK
Breaking
The Spell
Bruce James, The Sydney Morning Herald
spectrum, August 5 2000, Sydney Australia
When Crime’s an Art
Jan Mckemish, The Courier Mail, August
12 2000, Brisbane, Australia
Weird scenes and outback stories
Michele Hewitson, New Zealand Herald,
January 31 2000, Auckland, New Zealand
Fresh eye on the familiar
T.J.
Macnamara, New Zealand Herald, February 14 2000, Auckland, New Zealand
Up
in the Sky and Heaven
Peter
Simpson, Sunday Star Times, February 20 2000 Auckland, New Zealand
Landascape
in variate - Landscape in variation
Stephen Mckee, Archis no. 8, Doetinchem,
2000, The Netherlands
Drive-progress-power-desire (catalogue)
Greg Burke & Hanna Scott, Govett-Brewster
Art Gallery, New Plymouth, New Zealand
Zeitgenossische Fotokunst aus Australian (Contemporary
Photographic Art from
Australia)
Bernice Murphy, Neuer Berliner Kunstverein,
2000, Berlin, Germany
World Without End: Aspects of 20th
Century Photography (catalogue)
Judy Annear, Art Gallery of New South
Wales, 2000, Sydney, Australia
Telling Tales: The child in contemporary
photography (catalogue)
Samantha Vawdrey & Katarina Paseta,
Monash University Gallery, Melbourne, Australia
Aboriginal Art in Modern Worlds (catalogue)
Wally Caruana, National Gallery of Australia,
2000, Cranberra, Australia
Sporting Life (catalogue)
Museum of Contemporary Art, 2000, Sydney,
Australia
Fin de Siglo
Francisco Calvo Searraller, El País,
Agosto 26, 2000, Spain
Australiens Gestohlene Kinder
Jane Harrison, Frankfurter Rundschau,
September 9, 2000, Frankfurt
Den utilpassede
Anne Ring Peterson, Det Nationale Fotomuseum,
2000, Germany
Tracy Moffatts komplexa pussel
Dan Jönsson, Jah for Sidst, April
2000, Denmark
Tracey Moffatt Laudanum
Hanneke Huls, Torch, May 2000, The Netherlands
Helmond Gemeentemuseum
Archis, Gemeentemuseum, 22 April, 2000
Introducing Tracey Moffatt
Ruth De Beer, Museum Helmond, 2000, The
Netherlands
Zwetende lichamen in een onmetelijke
woestijn
Uitkrant, June 2000, The Netherlands
SottShock
Man, May 2000, The Netherlands
Australische Avante-Garde-Kunstenares
Rails, May 2000, The Netherlands
Tracey Moffatt
Spits, May 2000, The Netherlands
Tracey Moffatt
Carp, Helmond Gemeentemuseum April 2000,
The Netherlands
Expositie Tracey Moffatt
Traverse, Helmond Gemeentemuseum, April,
2000, The Netherlands
Fototentoonstelling Tracey Moffatt
in Gemeentemuseum
Helmond, Nieuus, April 2000, The Netherlands
Laudanum
Vitrine, March 2000, The Netherlands
Mutitalent, Tracey Moffatt
Avante Garde, May 2000, The Netherlands
Tentoonstelling: Tracey Moffatt
Style Magazine, April 2000, The Netherlands
Mi Trabajo es de carácter universal
Cabello/ Carceller, PhotoPeriódico,
June 2000, Madrid, Spain
Cronica de Una Fnatasia
Cabello/ Carceller, El Periódico
del Arte, May 2000, Madrid, Spain
Tracey Moffatt in Babelia
El País, p.12 August 26, 2000
Tracey Moffatt
Helga de Alvear, Arte de Parte, April/May
2000, Madrid, Spain
Sydney Biennale 2000 (exhibition
catalogue)
Lynne Cooke 2000, Sydney, Australia
Brutal Aestetik
Tom Jørgensen, Det Nationale Fotomuseum,
8 April 2000, Denmark
Snap Ruling
The Citibank Private Bank Photography
Prize 2000, Metro p.24-25, Feburary 5, 2000,
Australia
Finalists eye Citibank Privaate Bank
Photography Prize
Citigroup (publication), p.9, 2000, UK
Campos del Color
El País de las Tentaciones, 5 May,
2000, Madrid, Spain
Tracey Moffatt, Trans-Europe-Expos
December-January 2000, Paris, France
Tracey Moffatt
Reader’s Digest, March 2000, Canada
Tracey Moffatt, Fractured Fairy Tales
Saul Anton, Time Out, March 2-9, 2000,
New York, USA
Rich pickings up for the prize
Simon Grant, The Guide, February 5-11,
2000, London UK
Citibank Prize
Natsumi Inokuchi, Flash Art, January/February,
2000, London, UK
Opium til øjnene
Kristine Kern, April 2000, Copenhagen,
Denmark
Tracey
Moffatt, Laudanum (exhibition catalogue)
Det
Nationale Fotomuseum, February-April, 2000, Denmark
Tracey
Moffatt, Invocations
Artforum
International, February 2000, USA
1999 Tracey Moffatt
Le
Point, 31 December 1999, Paris.
Une
galerie d'art: photographique
Myriam
Boutoulle, Le Magazine, December 1999, Paris
Tracey
Moffatt et Vik Muniz
Le
Nouvel Observateur, 16 December 1999, Paris
Rude
Bush
Frédérique
Chapuis, Télérama, 17 November 1999, Paris
Le
moderner chic et faux de Muniz et Moffatt
Télérama,
1 December 1999, Paris
Tracey
Moffatt: Sa vie en photo-drama
Emmanuelle
Lequeux, Le Monde, 2 December 1999, Paris, France.
La
Casa, il Corpo, il Cuore: Konstruktion der Identitäten (catalogue)
Rainer
Fuchs, Museum Moderner Kunst Stiftung Ludwig Wien, 1999, Vienna, Austria
Tracey
Moffatt
Le
Monde, 18 November 1999, Paris
Tracey
Moffatt sans fard
Brigitte
Ollier, Liberation, 6 December 1999, Paris
Noch
dreihundert Meilen bis nach Brisbane
Rainer
Zerbst, Eßlinger Zeitung, 27 June 1999, Germany
Im Auge des Chamäleons
Georg
Linsenmann, Schwäbische Zeitung, 5 June 1999, Germany
L'art
du détournement
Guillaume
Tesson, 17 November 1999, Paris
Incon tournables
Olivier
Reneau, Beaux Arts Magazine, September 1999, Paris
Life
Cycles (catalogue)
Lynne
Cooke & Stephanie Sembill für Zeitgenössiche, Kunst Leipzig, 1999, Germany
Missing
Link Menschbilder in der Fotografie (exhibition catalogue)
Christoph
Doswald, Kunstmuseum Bern, Edition Stemmle, Germany
Art
at the Turn of the Millenium
Burkhard
Riemschneider, Uta Grosenik, Köln, Germany
Centre
d'art et galerie
Alain
Dister, L'oeil, November Paris.
Tracey
Moffatt, comme au ciné
Damien
Sausset, December 1999, Paris
Muniz/
Moffatt: l'imaginaire en action
Anne
Vrignaud, Azart, November 1999, Paris
Tracey
Moffatt
Léa
Gauthier, Le Journal des Expositions, November 1999, France
L'art
est sur images
Pascale
Rossignol, Art & Cinema, November 1999, Paris
Art
Perspektiven Fotografie: Tracey Moffatt
Art
Das Kunstmagazin, November 1999 no. 11, Germany
Tracey
Moffatt
Jane
Burton, ARTnews, October 1999, New York, USA
Tracey
Moffatt
Michael
Snelling, Institute of Modern Art, 1999, Brisbane, Australia
Die
Moderne im Rückspiegel
Christian
Kravagna, Springerin, June 8, 1999, Wien, Austria
Automaten:
Phantasmen der Moderne (catalogue)
Puppen, Körper, Pia Müller-Tamm
und Katharina Sykora, Kunstsmmlung Nordrhein –
Wesstfallen, Okatagon, 1999, Düsseldorf, Germany
Nuevas visiones Nuevas Passiones,
The Heat, the Joy and the Fear La
colección Helga de Alvear (catalogue)
Thomas Wolff, Fundación Marcelino
Botín, 1999, Santander, Spain
Kindheit als Phänomen (catalogue)
Rainer Hörmann, Rosa für Jungs,
Hellblau für Mädchen, April 1999, Kunst, Berlin,
Germany
Wohin kein Auge reicht (catalogue)
Deichtorhallen, 1999, Hamburg, Germany
Tracey Moffatt
Arte y Parte, Tracey Moffatt & Gerald
Matt Jaume Vidal Oliveras, No. 21 June/July 1999,
Madrid, Spain
Tracey Moffatt
Stéphanie Lerouge, Beaux Arts Magazine,
Paris Cedax, France
Les
Inquietantes Tracey Moffatt un théatre pour personne
Régis Durand, Art press, Paris,
France
Tracey Moffatt: La Chica de Moda
Lola Garrido, Foto, August, Spain
A Sangre Y Fuego (catalogue)
José Miguel G. Cortes, Juan Vicente
Aliaga, Espai d’art contemporani de Castelló, Spain
Tracey Moffatt
Elvan Zaunyan, Le Journal, Centre National
de la Photographie, No. 8, Paris, France
Up in the Sky: Tracey Moffatt in New
York
Bruce James, Sun Herald, July 25 1999,
Sydney, Australia
Tracey
Moffatt: One of the 10 most Fascinating People in the History
of
Australian Film
Ruth
Hessey, Independent Filmmakers, September 1999, Australia
Pope
Takes Manhattan
Ben
Widdicombe, The Australian Newspaper, 20 December 1999, Australia
Very
Revealing
(Photography
section), Metro, 30 October - 5 November 1999, UK
Tracey
Moffatt
Michael
MacInnnis, The New York Art World, May 1999, New York
Tracey
Moffatt at Paul Morris
Edward
Leffingwell, Art in America, October 1999, USA
Laudanum:
Tracey Moffatt
Jean
Dykstra, Art On Paper, Sept/Oct 1999, vol. 4, no. 1, USA
Tracey
Moffatt- Artista Australiana
B.
Cellis, El País, 20 May 1999, Madrid, Spain
Art & Money
Daniel
Bensinger Costello, The Wall Street Journal, 17 September, 1999, New York, USA
Exhibitionism
Stella
Artois, Flaunt, June/July, 1999, USA
Male Female
Vince
Aletti, Aperture, Summer, 1999, no. 156, New York, USA
Voice
Choices: Photo
Vince
Aletti, The Village Voice, 11 May 1999, New York, USA
Tracey
Moffatt
Kenneth
Baker, ARTnews, April, vol. 98, New York, USA
Tracey
Moffatt (Spanish/ Catalan/ French catalogue)
Marta
Gili & Régis Durand (ed.), Fundacio "La Caxia" Barcelona & Centre National
de
la Photographie, 1999, Paris, France
Tracey
Moffatt s'entretient avec Marta Gili
Marta
Gili, Le Journal No. 8, 8 September 1999, Paris
Tracey
Moffatt: Laudanum (catalogue)
Brigitte
Reinhard (ed), Cantz Verlag, 1999, Stuttgart, Germany
Tracey
Moffatt, Victoria Miro
Robin
Dutt, What's On, 9 June 1999, London, UK
News:
Moving Images
Flash
Art, October 1999, New York, USA
Tracey
Moffatt
Martin
Herbert, Time Out London, 9-16 June, 1999, USA
Women
on the Verge
Charles
Gandee, American Vogue, May 1999, USA
Tracey
Moffatt
Alex
Neel, Time Out, New York, 10-17 June, 1999, USA
Spice
Girls
Mark
Stevens, New York Magazine, 21 June 1999, USA
The
Game
Stephen
Gan, Ceilia Dean & James Kaliardos, Visionare 30, 1999, New York, USA
Tracey
Moffatt
Blair
French, Art/Text, 1999 #66, Australia
Artist
Exhausts Her Critics
McKenzie
Wark, The Australian, 4 August 1999, Australia
A
Trippy, Touched-Up Tease
Sebastian
Smee, The Sydney Morning Herald, 21 April 1999, Australia
Disturbing
Narrative of Passion and Power
Benjamin
Genocchio, The Australian, 23 April 1999, Australia
Neuer
Blick auf das Fremde
Christian
Herchenrôder, 12 November 1999, Germany
Up
in The Sky: Tracey Moffatt in New York
Bruce
James, Sun Herald, July 25, Sydney, Australia
Tracey
Moffatt: Laudanum
John
Conomos, Photofile, no. 57, October, Sydney, Australia
Little
Miss Moffatt
Sebastian
Smee, The Sydney Morning Herald Metro, 22 April 1999, Australia
Laudanum
Daniel
Mudie Cunningham, The Sydney Star Observer, 22 April 1999, Australia
Kalkuliertes
Klischee
Thomas
Wolff, Frankfurter Rundschau, 16 April 1999, Germany
Laudanum
für die Kunstwelt
Thomas
Wolff, Frankfurter Rundschau, 2 March 1999, Germany
Heute
zu Fotografien von Tracey Moffatt
W.R.,
Frankfurter Rundschau, 29 May 1999, Germany
Tracey
Moffatt in der L.A. Galerie und im Ulmer Museum
Verena
Kuni, Kunst-Bulletin, 8 July 1999, Zurich, Switzerland
Tracey
Moffatt--Shooting Queen
Elle
Germany, June 1999, Germany
Lustvolle
Unterwertung
Marc
Peschke, Frankfurter Allgemaine, 3 May 1999, Germany
A
plus B ist nicht gleich B plus A
Adrienne
Braun, Süddeutsche Zeitung, 30 June 1999, Munich, Germany
Zwiespältiger
Eindruck bei Tracey Moffatts Filmen
Ulmer
Museum, Schäbische Zeitung, 30 June 1999, Germany
Leiche
auf der Landstraße
Spiegel,
22 March 1999, no. 21, Hamburg, Germany
Erlesenes
Drama: "Laudunum" von Tracey Moffatt
Marc
Peschke, Photonews, June 1999, Germany
Free
Falling Delivers Aboriginal Perspective
Cate
McQuaid, The Boston Globe, 28 January 1999, USA
Escape
to Amsterdam
William
Middleton, Travel and Leisure, October 1999, USA
Tracey
Moffatt
Carol
Squiers, American Photo, Jan/Feb 1999, USA
Tracey
Moffatt
Studio
Art Magazine, September 1999 no. 106, Tel Aviv
Tracey
Moffatt
Brigitte
Paulino-Neto, Paris Vogue, November 1999, Paris
Tracey
Moffatt
Sandra
Smallenburg, N.R.C., 18 June 1999, Amsterdam
Schaduw
van gouvernante schuift over de trappen
Erik
Hagoort, Volkskrant, 23 June 1999, Amsterdam
Tracey
Moffatt
Laurence
Hegarty, New Art Examiner, October 1999, New York, USA
Tracey
Moffatt
Jonathan
Turner, MonteVideo/TBA, Netherlands Media Art Institute no. 10, 1999,
Amsterdam
La
Australiana Tracey Moffatt presenta en "la Caixa" su obra de los últimos diez
años
Olga
Spiegel, La Vanguardia, 21 May 1999, Barcelona, Spain
Tracey
Moffatt
Jaume
Vidal Oliveras, Arte Y Parte, June/July 1999 no. 21, Madrid, Spain
Foto-Inszenierungen
der Wirklichkeit
Schwäbische
Zeitung, 15 June 1999, Germany
Zwischen
den Generationen Vermitteln
Zitty,
Metropol, 1999 no. 20, Germany
Zwischen
Macht und Ohnmacht
Krystian
Woznicki, Berlin Zeitung, 7 October 1999, Germany
Blitze über dem Schlachtfeld
Christina
Tilmann, Der Tagesspiegel, 22 September 1999, Germany
Tracey
Moffatt: "Soy estúpida téchnicamente, casi no sé utilazar la cámara"
Ángela
Molina, ABC Cultural, 19 June 1999, Madrid, Spain
Insert
Tracey Moffatt
Noëma,
August/October 1999, Germany
Unschärfen,
Kratzer und Schrammen
Brigitte
Werneburg, Die tageszeitung, 19 September 1999, Germany
Nur
Gefühle Zählen
Tanja
Fiedler, Auflage, 14 September 1999, Germany
Unvollendete
Geschichten
Constanze
Suhr, Berlin Magazin, 21 May 1999, Germany
Tracey
Moffatt: Guapa 1995
Judy
Annear, Noticias Arco, September 1999, no. 15, Madrid
Gazing
in a Mirror: The Omnipresent Camera
Roberta
Smith, New York Times, 10 September 1999, New York
Macht
und Fürsorge
Noëma,
August/October 1999, Köln, Germany
Poor
Painter excels in her world of 'photodrama'
Monty
DiPietro, Asahi Evening News, 21 October 1999, Australia
Mitos
Cotidianos
Catalina
Serra, El País, 26 June 1999, Madrid, Spain
"Espero
que las historias que explico en mis obras sean universales"
Catalina
Serra, El País, 20 May 1999, Madrid, Spain
Realidades
Ficticias
B.
Celis, El País de las Tentaciones, 21 May 1999, Madrid, Spain
Tracey
Moffatt descubre en Barcelona los enigmas de la fotografía
Ángela
Molina, ABC Cultural, 21 May, 1999, Madrid, Spain
Traum-haft
Thomas
Schillo, Kunst Aktuell, June 1999 no. 6, Germany
Inszenierungen
um Erotik und Macht
Petra
Kollros, Südwest Presse, 6 May 1999, Germany
Die
Modern im Ruckspiegel
Christian,
Kravagna, Springerin, June/August 1999, Wien, Osterreich
The
Heat, the Joy and the Fear, About the Picture Universe of the Australian
Photo,
Artist Tracey Moffatt (essay in catalogue)
Thomas
Wolff, Nuevas Visiones / Nuevas Pasiones, 1999, Spain
Agenda:
The Armory Show
Diane
Stegmann, Elle Décor, Feb/Mar 1999, USA
Im
Zentrum ein Melodram
Petra
Kollros, 9 June 1999, Germany
Opium
und keine Skrupel: Tracey Moffatts Bildschau
Heide
von Preußen, 5 June 1999, Germany
Tracey
Moffatt "Laudanum"
Jutta
Schenk-Sorge, Kunstforum 148, December 1999, Cologne, Germany
The
Promise of Photography
Selections from DG Bank Collection, PS1
Contemporary Art Center, September/October,
1999, New York, USA
Tracey Moffatt “Laudanum”
New Yorker p.34, June 25, 1999, New York,
USA
Tracey Moffatt, Laudanum
The New York Art World, May 1999, New
York, USA
Tracey Moffatt, Laudanum
Roslyn Oxley9 Gallery, April-May 1999,
Sydney, Australia
Tracey Moffatt, Laudanum
Hot Tickets, Victoria Miro, Evening Standard,
May 20, 1999, London, UK
Tracey Moffatt
Ulmer Museum, Trendmagazin Joy, July
1999, Ulm, Germany
Und Immer Lief der Frensher
Brgitte, December 1999, Germany
Kunst im Kino
Südwest Press, May 27, Germany
Tracey
Moffatt- Laudanum
Kunstzeitung, Ulmer Museum, June/July
1999
Moffatt auf Tournee
Südwest Presse, July 15, 1999, Germany
Land mit charakteristischen kulturellen
Leistungen
Südwest Presse, Ulmer Museum, Ulm,
Germany
Up In The Sky
Stuttgarter Nachrichten, July 14, 1999,
Germany
Die Welt- ein Traum
Berlin Ticket, No.36, September 1999,
Berlin, Germany
Tracey Moffatt
Art
Das Kunstmagazin, no.11, November 1999, Germany
Public
Private
Hedwig
Fijen, Netherlands Media Art Institute, February/March 1999, Amsterdam,
Holland
Mystérieux
objects du désir
Le Cercle des amis d’arte, Centre
National De La Photographie, November 1999-January
2000, Paris, France
Tracey
Moffatt
Nikon Flash Œuvres photographiques
et films, Centre National De La Photographie,
1999, Paris, France
Expositions
du Centre National De La Photographie
Phot echos p.4, October 1999, Paris,
France
Un’odissea foto-cinematografica
(catalogue)
Lynne Cooke, Tracey Moffatt/Immagini
p.89-147, Il video a venire, 1999, Italy
Tracey Moffatt, entre fiction et réalité
L’oeil, October 1999, Paris, France
Le moderner chic et fuax de Muniz
et Moffatt
Télérama Paris, December 1-7,
1999, Paris, France
Tracey
Moffatt and Vik Muniz
What’s on, December 1999 –
January 2000, Paris, France
Tracey
Moffatt
Regis
Durand, Paris Photo, p. 80, Autumn 1999, Paris, France
L’énergie Åpre de Tracey Moffatt
L’Australie
en France, no. 6, November 1999
Tracey
Moffatt, L’énigme de l’image
Axelle,
p. 7, December 1999, Brussels, Belgium
Tracey
Moffatt
Paris
Voice, November 1999, Paris, France
Tracey
Moffatt& Vik Muniz
Blvd
Europe, September – November 1999, Paris, France
Tra
Cinema e Fotorafia, L’ arte di Tracey Moffatt
PHOTO,
December 1999, Italy
Tracey
Moffatt, Project Rooms
El
Correo Arco, February 1999, Madrid, Spain
En
konstpromenad paövre Östermalm
Rikard Rehnbergh, Våsterbotlens
Kunren, Konst, March 23, 1999, Konst, Germany
1998 Tracey Moffatt's Lost Highway
Adrian
Martin, Artlink, Vol. 18 No. 4, 1998, Australia
Top
10: The Best of 1998
Lisa
Liebmann, Artforum, December 1998, USA
Free-Falling
Susan Lowish, Center for Contemporary
Photography Flash, November 1998, Melbourne,
Australia
Art People: The Making of an Art Queen
Bill
Stamets, Chicago Tribune, November 1998, No. 20, USA
A Stranger within
Adrian Martin, Parkett, No. 53, Zurich,
Switzerland
If
This is Art, I Really Like It
David
Morrow, C-International Contemporary Art, October 1998, Toronto, Canada
Flash
Sul Luogo del Delitto
Arianna
di Genova, Il Manifesto, 17 September 1998, Rome
Tracey
Moffatt: Victoria Miro
Jennifer
Higgie, Frieze, No. 40, May 1998, London, UK
Tracey
Moffatt
Arnolfini,
Visual Arts section, August/Septmeber 1998, Bristol, UK
Go
on, show me. . .
Denise
Robinson, Arnolfini, Bristol, June 1998, UK
Falling
Upward
Tom
McEvilley, Interview Magazine, April 1998, New York, USA
Big Miss Moffatt (Australia is
too small for an artist like Tracey Moffatt-so she's coming
to America)
Christopher
Bagley, W Magazine, March 1998, New York, USA
Tracey
Moffatt at Dia
Susan
Hapgood, Art in America, March 1998, New York, USA
Tracey
Moffatt: Victoria Miro Gallery, London
Martin
Herbert, Time Out, March 4-11 1998, London, UK
Multiple
Exposure
Sebastian
Smee, The Sydney Morning Herald - Spectrum, May 9 1998, Sydney, Australia
Tracey
in Timbuktu
Bruce
James, Photofile, no 53, April 1998, Sydney, Australia
The
whole world is Wild at heart and weird on top
Sebastian
Smee, The Sydney Morning Herald, May 22-28 1998, Sydney, Australia
Frauen vor Wustenlandschaft Eschalot
oder neun Fragen an die Peripherie eine
Ausstellung in Kassel (Women in Desertlandscapes)
Elke
Bockhorst, Frankfurter Rundschau, 2 May 1998, Frankfurt, Germany
I’m
here to photograph the sunsets’
John Borthwick, Off the Rails, 1998,
Australia
Echolot
(catalogue)
Curated
by Rene Block, catalogue essay 'Innocence and Violence' by Anne Marie
Freybourg,
March 1998, Museum Fridericianum, Kassel, Germany
Tracey
Moffatt (catalogue)
Curated by Gerald Matt and Lucas Gehrmann,
essays by John Yau, Martin Hentschel, and
Bert Rebhandl. Tracey Moffatt interviewed by Gerald Matt, Kunsthalle Wien, Vienna,
Austria, Vorarlberger Kunstverein, Bregenz, Austria, Wurttembergischer Kunstverein
Stuttgart, Germany, AR/GE KUNST, Bozen, Italy, 1998
Tracey Moffatt, Kunstlich wie das
Leben: (Artificial like Life)
Karin
Schulze, Der Spiegel - Culture, May 1998, Hamburg, Germany
Rollschuhfahrerinnen, Pasolini und
Mad Max: Das Tracey Moffatt-Fieber (Tracey
Moffatt Fever: Rollerderby, Pasolini and Mad Max)
Anke
Kempkes, Springerin, March/May 1998, Vienna, Austria
Das
Rettende scheint wieder nah
Ilona
Lehnart, Feuilleton Frankfurter: Allgemeine Zeitung, April 20 1998, Kassel, Germany
Man musuns nur endlich beginnenlassen
Dirk
Schwarze, Kunstforum International, April/June 1998, Germany
Bewwgung,
Klung und Stille
Dirk
Schwarze, HNA, March 26 1998, Kassel Germany
Und
fröhlich hüpfen die Minen
Dirk
Schwarze, HNA, April 27, 1998, Kassel, Germany
Der
Rand Miittelpunkt
Spiegel,
April 17, 1998, Germany
Verschlungen
in weißer Leere
Gabriele
Hoffmann, Stuttgarter Zeitung, April 28 1998, Stuttgart, Germany
Balladen
nebensächlichen Schreckens
Nicolai B. Forstbauer, Stuttgarter Nachrichten,
June 6 1998, Stuttgart, Germany
Tracey
Mofffatt: Plot and Pleasure
Reiner
Metzger, Noëma, No. 47 April 1998, Vienna, Austria
Tracey
Moffatt
Martin
Pesch, Kunstforum International, April 1998, Frankfurt, Germany
Wunderland
der falschen Träume (Wonderland of Wrong Dreams)
Susanne Lingemann, ART - Das Kunstmagazin,
April 1998, Hamburg, Germany
Hohe
Kunst der Künstlichkeit (High art of artificiality)
“A
View from Australia”: Tracey Moffatt in der Kunsthalle Wien/Museumsqartier
Doris
Krumpl, Der Standard Kultur/Szene, April 9 1998, Vienna, Austria
In plumpen Klischees zeigt sich das
wirkliche Leben sehr deutlich (The real life in
simple cliches)
Henriette
Horny, Kurier, April 10 1998, Vienna, Austria
Tre
hundrede miles fra Brisbane (Two hundred miles from Brisbane)
Lars
Movin, Galleri Faurschou, Denmark
Australiens
ljus på Karlavägen
Christina
Magnergård, Metro, February 2 1998, Denmark
Australsk
iscenesaettelse
Mai
Misfeldt, Berlinske Tidende, January 14 1998, Copenhagen, Denmark
Grimme
ridser i drømmen
Peter
M. Hornung, Politiken, January 9 1998, Copenhagen, Denmark
1998 Angekratzt Bilderflut: Tracey Moffatt
(Scratched Image Flood)
Dorothee
Baer-Bogenschütz, Kunstzeitung, 20 April 1998, Regensburg, Germany
Am
Anfang und Ende der Zivilisation: Ratselszenen aus dem australischen
Outback.
Tracey Moffatt in der L.A. Galerie
Dorothee
Baer-Bogenschutz, Frankfurter Rundschau, Jan. 29 1998, Frankfurt, Germany
Im
Zentrum die Peripherie
Kulturgemeinschaft,
DGB Stuttgart, May 1998, Germany
Von
der Peripherie aus
Marius
Babias, Jungle World, 3 June 1998, Germany
Alles
in Flux
Marius Babias, Echolot, der impresario
René Block, 1998 Kassel, Germany
Vom
Zentrum an den Rand und zurück
Dirk
Schwarze, Sudt Zeitung, 4 June 1998, Germany
Welt
durch den Körper erfahren
Dirk
Schwarze, HNA, 16 June 1998, Germany
Fortdauer
des kolonialen Denkens
Dirk
Schwarze, HNA, 16 June 1998, Germany
Positionsbestimmungen
Jutta
Buness, NBK, June/July 1998, Germany
Echolot
im Museum Fridericianum
Peter
Herbstreuth, Kunstbulletin, June 1998, Germany
Im
Orient
Jorg
Restoft, April 1998, Kassel, Germany
Echolot
Review
Carl
Berger, Noëma, July/August 1998, Kassel, Germany
Von
der Kraft der Frauen
Dirk
Schwarze, Kunstforum International, July/September 1998, Germany
Frauenschicksale
im Australischen Outback
Von
Elke Buhr, 8 April 1998, Germany
Wie
Bilder aus einem Film
Dirk
Schwarze, HNA, 1 April 1998, Germany
Von
der Stärke der Frauen
Dirk
Schwarze, HNA, 21 March 1998, Germany
Wenn
Dämonen flüchten
Dirk
Schwarze, HNA, 22 April 1998, Germany
Strange
Days
Wayne
Tunnicliffe, Art Gallery of New South Wales, 1998, Sydney, Australia
Quest
for Significance
Giles
Auty, The Weekend Australian, 4-5 July 1998, Australia
Nobody
Told Me There Would Be Days Like These
Joanna
Mendelssohn, The Australian, June 5, 1998, Australia
Boulder
City Kalgoorlie Western Australia
Tracey
Moffatt, Art and Australia, Quarterly Journal, p.346-347, 1998, Sydney, Australia
Tracey
Moffatt - Australische Ansichten (catalogue)
Kunsthalle Wien, Austria, Württembergischer
Kunstverein Stuttgart, Germany, Galerie
Bozen, Voralberger Kunstverein
Strange
Days
3D
World, 1998, Sydney, Australia
Strange
Days: The 4th Guiness Contemporary Art Project
Daniel
Mudie Cunningham, The Sydney Star Observer, 11 June 1998, Sydney, Australia
Most
Peculiar, Mama
Adriana
Alvarez, Revolver Magazine, 22 June 1998, Sydney, Australia
1998 Surreal McCoy
Capital
Q Weekly, 29 May 1998, Sydney, Australia
Wild
and Weird on Top
Sebastian
Smee, The Sydney Morning Herald, 22-28 May 1998, Sydney, Australia
Strange
Days: The Guiness Contemporary Art Project
Look
Magazine, May 22 1998, Sydney, Australia
The
Whole World is WILD at Heart
Sebastian
Smee, The Sydney Morning Herald, 22-29 May 1998, Sydney, Australia
Critical
Interventions: Evil
Veena
Arnold, Viewpoint, June 1998, UK
Die
Hitze, das vergnügen, die Angst
Thomas
Wolff, Frankfurter Rundschau, 5 Sept 1998, Frankfurt, Germany
Sju
utställningar i en hall
Hallanasposten,
25 June 1998, Sweden
Minidramen
zwischen Kunst und Trash
Claudia
Ihlesfeld, Heilbronner Stimme, 25 May 1998, Heilbronn, Germany
Blues
'n' Balls
Michael
Hübl, Kunst Forum, July-September 1998, Germany
Echo
aus der Zukunft
Birgit
Sonna, Süddeutsche Zeitung, 6 June 1998, Munich, Germany
Im
Sucher: Entmenschlichung und Anonymisierung
Maario
Limbach, Esslinger Zeitung, 5 May 1998, Esslingen, Germany
Gezeichnet
fürs Leben
Carmele
Thiele, Freitag, 5 June 1998, Germany
Zwischen
Sex, Gewalt und Glamour
F.
Schur, Prinz Stuttgart, May 1998, Stuttgart, Germany
Downunder-Dramolette
Rainer
Metzge, 1998, Berlin, Germany
Tracey
Moffatt im Württemburgische Kunstverein und in der Kunsthalle
Sabine
B. Vogel, Kunst Bulletin, 1998, Zurich, Germany
En
givande mångtydighet
Conny
C-A Malmqvist, KUP, 6 June 1998, Sweden
Stig
in ach låt dig betraktas!
Crispin
Ahlström, 6P, 28 June 1998, Sweden
Fantasifullt
om vår natur
Håkan
Zeylon, SKD, 9 June 1998, Sweden
Konst
som tänjer gränserna
Jörgen
Klinthage, 25 June 1998, Sweden
Kraftmätning
mellan objekt och rum
Jörgen
Klinthage, Arbetet Nyheterna, 27 June 1998
Ruiner
och agräs
Eva
Ström, SVD, 13 June 1998, Sweden
Natur som överraskar
Marika
Wachtmeister, Kristiansdagsbladet, 27 June 1998, Sweden
Ruin
möter besökare pa Konsthallens innergärd
Cecilia
Billgren, Arbeiter, 30 May 1998, Sweden
Svårbegripbart
tema på Lunds konsthall
Gunnar
Bråhammar, Ystads Allehanda, June 5, 1998, Sweden
Lekfulla
utsnitt ur en filrerad natur
Milou
Allerholm, DN, 7 June 1998, Sweden
Människans
natur
Brita
Orstadius, Borås Tidning, 22 June 1998, Sweden
1998 Tack, men jag är mätt
Ingamaj
Beck, Attonbladet, 12 June 1998, Sweden
Lunds
kosnthalls sommarutställning handlar om naturen, bäde den
därute
och den därinne - människans väsen
Poul
Erik f, 1998, Sweden
Människan
och de bägge naturerna
Poul
Erik Tøjner, Sydsvenskan June 22, 1998, Sweden
Lunds konsthalls sommarutställning
handlar om naturen, både den därute och
den därinnemanniskans väsen.
Poul
Erik Tøjner, August 8, 1998, Sweden
Människans
natur på Lunds Konsthall
Stefan
Olofson, Skånska Dagbladet, 20 May, 1998, Sweden
Ech
aus der Zukunft
Birgit
Sonna, “In der Bildgeschichte”, June 6, 1998, Stuttgart, Germany
Allt
vildare konstverk
Yens
Wahlgren, Sydsveenskan, 30 May 1998, Sweden
Med
välavvägd balans
Åke
Holmqvist, Norra Skan, 4 June 1998, Sweden
Tilbage
til unaturen
Lisbeth
Bonde, Information Tirsdag, 30 Jun 1998, Sweden
Gränsen
mellanuppgörelse ochmani är tunn
Hakan
Nilsson, Svenska Dagbladet, 7 March 1998, Stockholm, Sweden
Gegen
den Sturm der Bilder gestemmt
Mario
Limbach, Südwest Presse, 8 May 1998, Germany
Fragen
ohne Antwort
Deutsch
Vogue, August 1998, Germany
Indigenous
Australia in the Nation's Parliament House (catalogue)
Parliament
House, Cranberra, 1998, Australia
Rokende baby's en 'ravende' jongeren
Els
Roelandt, 1998, Holland
"Art
Energie: Art in Jeans"(catalogue)
Ludovico
Pratesi, Turn-of-the-Century Reflections: Six Chapters on Art and Jeans, 1998,
Florence, Italy
"Was
ich kenne"
Johanna
Hofleitner, Presse, 10 April 1998, Vienna, Austria
Tracey
Moffatt: A view from Australia
Johanna
Hofleitner, Eikon, No. 24, April 10 1998, Vienna, Austria
Australien
tor över (Australian's take over)
Bor
Madestrand, Expressen, March 3 1998, Stockholm, Sweden
Nature
of Man (catalogue)
Lund Konsthall, Lund, 1998, Sweden
Karga
berättelser (Stories in an empty space)
Lars
o Ericsson, Daquns Nyheter, (Daily News), March 6, 1998, Stockholm, Sweden
Fotografikonst
på Stockholm Art Fair
Mäss
Revy, Stokholm Art Fair, p.28, Sweden
"I love Designer Clothes"
Sandra
McGrath, Harpers Bazaar and Mode Australia, March 1998, Sydney, Australia
Total
Eclipse of the Mundane
Sebastian
Smee, The Sydney Morning Herald Metro section, February 13 1998, Sydney,
Australia
Tracey
Moffatt: Hunters and Collectors
Justin
Spring, Art/Text, No 60, February – April 1998, Sydney, Australia
Questions
and Alternative Truths
Joanna Mendelssohn, The Australian, Feburary
1998, Sydney, Australia
1998 Letter from New York
Dena
Shottenkirk, C., No. 58, 1998
Tracey
Moffatt: Intense Interest
Jonathan
Turner, Artnewsletter, November 17, 1998
Mode
March
1998, Sydney, Australia
Tracey Moffatt
Coco
Fusco, Bomb, Summer 1998, USA
Container
of Information
Giancarlo
Polito & Helena Kontora, Flash Art, Summer 1998, USA
A
Snapshot of 1997-1998
Laurence
Nassau, NY Arts, September 1997-1998, New York, USA
Art
People: The making of an Art Queen
Bill Stamets, Chicago Reader, November
20 1998, Chicago, USA
Im
Exzeß der großen Gefühle und grellen Farben
Kathrin
Luz, Noëma, October/November 1998, Köln, Germany
Australien
ohne Känguruhus
Erwin
Melchart, Kultur, April 10, 1998, Germany
Das
Triviale, der Traum, die Kunst
Von
Kristian Sotriffer, Die Presse-Kultur, April 1998, Germany
Critical
Interventions: Evil
David
Burrows, View Point, June 19 1998, UK
Rosa
für Jungs, Hellblau für Madchen (catalogue)
Rainer
Hormann, Kindheit als Phanomen, April 1998, Germany
Cream: Contemporary Art in Culture
(catalogue)
Carlos Busualdo, Francesco Bonami, Okwui
Enwesor, Matthew higgs, Hou Hanru,
Susan Kandel, Rosa Martinez, Asa Nacking, Hans Ulrich Obrist, 1998, London, UK
ID Magazine
No. 11, 1998, London, UK
Tracey Moffatt
David Crosby, Zoom No. 26, May-June 1998,
Italy
La
Photographie Plasticienne
Dominique
Baque, Un Art Paradoxical, 1998, Paris, France
Ulm
olhar indis creto até o parasío
Clarisse
Pereira Godiva, Ano 1 No. 1, 1998, Brazil
Fortbewegung die nur ein einziges
Ziel kennt: das Ich Kunst
Die Presse, April 1998, Vienna, Austria
Fleeting Portraits (catalogue)
Neue Gesellschaft für bildende Kunst,
1998, Berlin, Germany
Contemporary
Daze
John McDonald, The Sydney Morning Herald,
June 20, 1998, Sydney, Australia
Pornographie als Stickerei
Ruth Handler, June 1998, Berlin, Germany
Das Versprechen der Fotographie
(catalogue)
DG Bank Collection, 1998, Luminita Sabau,
Hara Museum of Contemporary Art, Tokyo,
Japan,
Kestner Gersellschaft, Hannover, Germany,
Centre National de la Photographie, Paris,
France,
Akademie der Kunste Berlin, Germany,
Schrin Kunsthalle, Frankfurt, Germany, Prestel,
PS1,
New York, USA, London, UK
1997 Truce: Echoes of Art in an Age of Endless
Conclusion
Malin
Wilson, Artforum, p. 112, December 1997, New York, USA
1997 Echoes: Contemporary Art at the age of Endless
Conclusions
Francesco Bonami, July 1997, New York,
USA
Tracey
Moffatt: Portrait of the Artist
Jean
Dykstra, Art and Auction, p. 62, 1997, New York, USA
Report
from Santa Fe: New Narratives
Charles
Dee Mitchell, Art in America, November 1997, New York, USA
Tracey
Moffatt: Free-Falling (catalogue essay)
Lynne
Cooke, Dia Center for the Arts, 1997, New York, USA
Slick
Tracey
Anna
Johnson, Vogue Australia, November, 1997, Sydney, Australia
The
Artist Becomes A Storyteller Again
Vicki
Goldberg, The New York Times, November 9, 1997, New York, USA
Real
Life Tableaux, Natural Yet Startling
Roberta
Smith, Art Review, The New York Times, October 10, 1997, New York, USA
Tracey
Moffatt - So Many Stories to Tell
Franklin
Sirmans, Flash Art,Vol xxx no. 195 Summer 1997, Milan/ New York, USA
Report
from São Paulo
Art
in America, March 1997, USA
Kunstrevy
Mette
Sandbye, Weekendavisen, 5-11 December, 1997, Denmark
Site
Santa Fe (exhibition catalogue)
1997,
Santa Fe, USA
A
Guide to the Season’s major Events
Art
in America, No. 53, March 1997, USA
Conclusion
Artforum,
December 1997, New York, USA
Campo
6 - the spiral village
Renate
Puvogal, Kunstforum international, no. 137, June/August 1997, Germany
Zonen
der Ver-störung (catalogue)
Silvie
Eiblmayer, steirischer herbst, 1997, Graz, Austria
Printemps
de Cahors (catalogue)
1997,
Paris, France
Et rat liv
Weekend Avisen, December 1997, Berlin,
Germany
La Biennale di Venezia, Presente Passota,
Futuro, XLVII Esposizione
Internazionale d’Arte (exhibition catalogue)
Venezia, Italy
Dame in Rot
Sandra Dannike, Frankfurter Rundschau,
April 4, 1997, Frankfurt, Germany
Dealers duel for Tracey’s images
Sue Smith, The Courier, August 20, 1997
Australia
Basel fair boosts Brisbane ‘backhanders’
Terry Imgram, The Austarlian Financial
Review, June 26, 1997, Sydney, Australia
Real-Life Tableaux Natural Yet Startling
Roberta Smith, The New York Times, October
10, 1997, New York, USA
Botanik auf der Tapete
Katrin Bettina Müller, Der Tages,
Spiegel, June 2, 1997, Germany
Rendezvous mit dem Känguruh
Christina Wendenburg, Berliner Morgenpost,
June 10, 1997, Berlin, Germany
Australische Kunst am Waldsee
Zehlendorfer Volksblatt June 6, 1997,
Germany
Moderne
Kunst aus Australien
Die Welt, May 3, 1997, Germany
1997 Australische Meisterwerke
Eugenee Carchesio, Bild, May 5, 1997
Berlin, Germany
Australian Open
Katrin Wittneven, February 1997, Germany
1996 Australia revela a nova ordem fotográphica
Antonio
Goncalves Filho, O Estado de São Paulo, August 26, 1996 São Paulo, Brazil
Fundacao
Bienal de São Paulo (catalogue)
1996,
São Paulo, Brazil
Campo
6 The Spiral Village (catalogue)
Francesco
Bonami, 1996, Museum of Modern Art Torino, Torino, Italy
Jurassic
Technologies Revenant (catalogue)
Lynne
Cooke, Tenth Biennale of Sydney, 1996, Sydney, Australia
The
Moffatt Mosaic
Sonya
Voumard, The Australian, August 1996, Australia
Prospect
96 (exhibition catalogue)
Peter
Weiermair, (editor), Kunstverein Frankfurt, March/May, 1996, Frankfurt, Germany
Fotoszenen-Short Stories (catalogue)
Walter Schmalriede, Rathus, 1994, Göttingen,
Germany
1995 Tracey Moffatt : Fever Pitch (book)
Gael
Newton & Tracey Moffatt, Piper Press, 1995, Sydney, Australia
Tracey
Moffatt (exhibition catalogue)
Gael
Newton, Australian Perspecta 95, Art Gallery of New South Wales, 1995, Sydney,
Australia
Flagging
a new Australia
Wanda
Jamrozik, The Independent, December/January 1995, Australia
Tracey
Moffatt
Susanne
Lingermann, ART “Fall Salon”, October 1995, Hamburg, Germany
Tracey
Moffatt at Karyn Lovegrove and Mori
Ewen
McDonald, Art in America, July 1995, USA
Short
takes (catalogue)
ArtPace,
1995, p.5, San Antonio, Texas, USA
Technicolor
World
Michael
Fitzgerald, TIME Mag., Australia / Pacific, 7 August 1995, Sydney, Australia
Antipodean
Currents (exhibition catalogue)
Julia
Robinson, Guggenheim Museum (Soho), July, 1995, New York, USA
Tracey
Moffatt: Guapa (Goodlooking) (exhibition catalogue)
Frances Colpitt, New Works Show, ArtPace,
1995, San Antonio, Texas, USA
Antidotes
for a Cartoon Image
Pepe
Karmel, The New York Times, June 23, 1995, New York
Beyond
the Borders (catalogue)
Frances
Colpitt, Kwangju Biennale, 1995, Kwangju, Korea
The
Shadowy half-life of ethics: Guapa (Goodlooking)
Christopher
Dean, Broadsheet, Spring, 1995, Adelaide, Australia
The
Melodrama of Tracey Moffatt
Adrian
Martin, World Art Magazine, p.24-29, Melbourne, Australia
All-pervasive
images of sex
Felicity
Fenner, The Sydney Morning Herald, July 7 1995, Sydney, Australia
State
artists scoop award prize pools
Petra
Koch, The Courier Mail, November 3 1995, Australia
1996 Perspecta 95
Art Gallery of New South Wales, 1995,
Sydney, Australia
1994 “See the woman with the red dress on...and
on..and on..”
Gael
Newton, Art and Asia Pacific, Vol. 7 No. 2, 1994, Sydney, Australia
Haunted
History: Tracey Moffatt and Julie Dash
Patricia
Mellencamp, Discourse, Indiana University Press, Winter, 1994, USA
A
Passage in Avante-Garde film (Deleuze, Deren, Moffatt)
Amelia
Ellen Hastie, (lecture Patricia Mellencamp) University of Wisconsin, 1994, USA
Bedevil (catalogue)
Tait
Brady, Melbourne Film Festival, 1994, Melbourne, Australia
1993 Bedevil
John
Wojdylo, Cinema Papers, No. 96 1993, Sydney, Australia
When
the Unexplained Happens
Lesley
Stern, Photofile, No 40, Sydney, Australia
Bewitched
John
Conomos, Art and Australia, Vol. 31, No. 2, Summer 1993, Sydney, Australia
Tracey
Moffatt’s Bedevil - A film Inscription of Three Ghost Stories
Penny
Webb, AGENDA, No. 34 Summer 1993/94, Sydney, Australia
Bedevil (The Study Guide)
c/
Ronin Films, 1993, Canberra, Australia
Bedevil
(Original Motion Picture Soundtrack Recording)
Music Composed and Conducted by Carl
Vine - One M One Records PTY LTD 1993,
Sydney, Australia
Cool
Front in Cannes
Philip
Dutchak, The Sydney Morning Herald, May 12 1993, Sydney, Australia
Bedevil
David
Stratton, Variety, April/May 1993, New York, USA
Just
Trust the Text, don’t Colour it
Deb
Verhoeven, Artlink, Vol. 13 No. 1 p. 30/31, Adelaide, Australia
Three
engaging ghost stories from Down Under
Peter
Birnie, Vancouver Sun, Oct 12, Canada
Tracey
Moffatt is a playful and subversive presence
Suzy
Freeman-Greene, The Age, October 1993, Melbourne, Australia
The
ghost in the family
Annabel
Dean, The Sydney Morning Herald, October 28, 1993, Sydney, Australia
Making
her own rules
Lynden
Barber, The Sydney Morning Herald, Oct 28 1993, Sydney, Australia
Supernatural
Vision
David
Stratton, The Australian, Oct 30 1993, Australia
Le
pillage du grenier familial - Tracey Moffatt
Henri
Behar - La Monde, May 1993, Paris, France
The ‘Bedevil’ in Tracey Moffatt
Ruth
Hessey, Juice Magazine, Oct 1993, Australia
Festival
favourites- the Guardian’s jury deliver their verdict
Jonathan
Romney, The Guardian, May 24, 1993, London, UK
Riders
of the Post New Wave
Andrew
Urban, The Bulletin, May 25, 1993, Sydney, Australia
1993 Bedevil - Tracey Moffatt
Interviewed
by John Conomos and Raffaele Caputo, Cinema Papers Vol 93, 1993,
Melbourne,
Australia
Drama
Queen
Claire
Corbett, Rolling Stone Australia, April 1993, Australia
‘Just
Trust the Text, Don’t Colour It’
Deb
Verhoeven, Art Link Vol 13 No 1, 1993, Adelaide, Australia
Silent Movies
Susan
Chenery, HQ Magazine, Autumn 1993, Sydney, Australia
Moffatt conjures up surreal imagery
Tracey
Prisk, Encore Magazine, Vol 10 Issue 20, Jan 20 1993, Sydney, Australia
Experimenting
with Difference
Karen
Jenning, Sites of Difference, Cinematic representations of Aboriginalty and gender,
Australian Film Institute, 1993, Australia
“Well,
I heard it on the radio and I saw it on the television”
Marcia
Langton, An essay for the Australian Film Commission on the politics and
aesthetics of
filmmaking by and about Aboriginal people
and things, Australian Film Commission,
Australia
A
Sri Lankan reading of Tracey Moffatt’s Night Cries
Laleen
Jayamanne, Feminism and The Politics of Difference
Edited
by Sneja Gunew and Anna Yeatman Allen & Unwin, 1993, Australia
On
the verge of saying nothing (exhibition catalogue)
Jacques
Delaruelle, Visual Arts Program, Adelaide Festival 93, Australia
New vision for a rock video
Katherine Tulich, Sydney Morning Herald,
Oct 25,1993, Sydney, Australia
A Fractal Deframing in Film: Tracey
Moffatt’s Night Cries: A Rural Tragedy
Fiona Mackie, Photofile 31, 1993, Australia
Scare Tactics
KL, Vogue Australia, June, 1993, Australia
1992 Scanning Photoworks - Adelaide Festival and
Fringe - Pet Thang, Tracey Moffatt
Jyanni Steffansen, Photofile 35, 1992,
Australia
Photography and Eroticism
Warwick
Adler, Art and Australia, Vol 30 No.1 Spring 1992, Australia
Sanctuary
of the idiot box
John
McDonald, The Sydney Morning Herald, March 21 1992, Sydney, Australia
Tracey
Moffatt – Framed (Exhition Catalogue)
Pavel
Büchler, Centre for Contemporary Arts Glasgow, 1992, Scotland, UK
Pet
Thang, Recent Photographs
John
Conomos, AGENDA 24, July/August 1992, Sydney, Australia
Love
Me Tender, Love Me True, Never Let Me Go
A
Sri Lankan reading of Tracey Moffatt’s Night Cries
Laleen
Jayamanne, Framework 38/39, 1992, London, UK
From
personal to universal
Helen
O’Neill, The Sydney Morning Herald, March 25 1992, Sydney, Australia
Female
directors win film finance
Des
Partridge, Courier Mail, May 6 1992, Brisbane, Australia
Tracey
Moffatt Ghost writer
Cyndi
Tebbel, New Woman, April 1992, Australia
Pet
Thang, On the verge of saying nothing (exhibition catalogue)
Jacques Delaruelle, Mori Gallery, Sydney,
1992 Australia
1991 Our Favourites
Manohla
Dargis, The Village Voice, January 8, 1991, New York, USA
From
The Empires End - Nine Australian Photographers
Terence
Maloon, Exhibition Catalogue, Circulo de Bellas Artes, Madrid, The Works Gallery
University of NSW, 1991, Australia
Moffatt
tracing a fresh career
John
Harris, The News, p.26, September 20 1991, Adelaide, Australia
Relativity
Roeg and Radical Forms
Shane
McNeil, LipSync Newsletter, August/September, 1991, Adelaide, Australia
Origin-ality
Imogen Yang, 3D World, p.26, 1991, Sydney,
Australia
Desde el fin del Imperio nueve Fotógrafios
Australianos (From the Empire’s end
nine Australian photographers) (exhibition catalogue)
De
Bella Artes, Madrid, Spain,The Works Gallery,1991, Sydney, Australia
1990 Radical Difference
Erica
Carter, New Formations Number 10, Spring 1990, UK
A
New Light on Black Australia
Paul
Harris, The Age Entertainment Guide Melbourne, November 1990 Australia
Night
Cries in Cannes
Paul
Cox, Art Monthly, August 1990, Australia
Expect
the Unexpected
Megan
Turner, Brisbane Courier Mail, August 25 1990, Brisbane, Australia
Night
Cries: Cries from the heart
Ingrid
Periz, Filmnews, August 1990, Sydney, Australia
Tracey
Moffatt: Night Cries A rural tragedy
Scott
Murray, Cinema Papers No. 79, May 1990, Melbourne, Australia
Night
Cries - Distance, Communicability and reference
Ingrid
Periz, West, Vol. 10 No. 1&2, Autumn/Winter 1990, Australia
Australia’s
Anxiety of Influence
Annie
Goldson, Afterimage, Summer, 1990, New York
Le
tour du monde pour Montreal
Serge
Dessault, La Presse, Montreal, June 1990, Canada
Aborigines,
Film & Moffatt’s Night Cries: A Rural Tragedy
An
Outsiders Perspectives
E.
Ann Kaplan, Bulletin of the Olive Pink Society #1 (2), University of Adelaide December
1990,
Australia
Gags
of Colour
The Sydney Morning Herald, Octiber 25,
1990, Sydney, Australia
Visual
Cries Better by Half
Evan
Williams, The Weekend Australian, November 3-4, 1990 Australia
A
Visual Impact in Shorts
The
Advertiser, FRAMES Festival of film and Video 7-14 September, 1990, Adelaide,
Australia
Twenty Contemporary Australian Photographers (exhibition
catalogue)
Isobel
Crombie and Sandra Byron, National Gallery of Victoria, 1990, Melbourne, Australia
In
Vogue Profile
Ruth
Hessey, Vogue Magazine, February 1990, Australia
Photographers
Gallery
Follow
Me Magazine, March 1990, Australia
Night
Cries: A Rural Tragedy
Anne
Rutherford, Art Link Vol 10, No.1&2, Autumn/Winter, 1990, Australia
1990 The Other Side of Reality
Leigh Paatsch, 35 Press, 1990, Australia
Night Cries, Festival ‘90
M.W., Los Angeles Times, September 1,
1990, Los Angeles, USA
1989 Tracey Moffatt - Something More
Patrick
Crogan, Photofile, Spring 1989, Australia
Challenging
Dislocations
John
McDonald, The Sydney Morning Herald, September 2, 1989, Australia
Australian
Filmmaker Out To Break The Rules
Elizabeth
Aird, Vancouver Sun November 16,1989, Vancouver, Canada
Art
&Text
Cover
picture from Something More – No. 34 Spring 1989, Australia
Picturing
Australia. - a History of Photography
Anne
Marie Willi, Angus and Robertson 1989, Australia
Tracey
Moffatt, pushing the boundaries
Karen
Alexander, Spare Rib, 1989, London, UK
Night
Cries A Rural Tragedy
Film
News, p.9, October 1989, Australia
Yes
Minister, the Arts Need You
Anne
Howell, The Sydney Morning Herald, October 7 1989, Sydney, Australia
1988 Shy Maidens and Wanton Strumpets
Karen Jennings & David Hollinsworth,
Hecate Vol 13 No.2, 1987/88, Australia
Shades of Light: Photography
and Australia (Book)
Gael
Newton, Australian National Gallery, 1988, Australia
Australian
Photography The 1980’s (catalogue)
Helen
Ennis, Australian National Gallery 1988, Australia
Still
Moving
Helen
Grace, Art and Australia, Vol 26, No 1, 1988, Australia
Changing
Images: An Interview with Tracey Moffatt
Anna
Rutherford, Aboriginal Culture Today, Dangaroo Press, 1988, Denmark
Nice
Coloured Girls
Karen
Sidney, Independent Media Magazine, 1988, UK
Filmmakers
Put Pacific In Focus
Kate
Collins, Brisbane Courier Mail, September 1988, Brisbane, Australia
Firestarters
Amy
Taubin, Village Voice, May 3, 1988, New York, USA
Tracey wants to picture blacks in
right light
Peter
Hackett, The Adelaide Advertiser, March 22 1988, Australia
The
Frames Film Festival
Karen
Jennings, Artlink Vol 8 No. 2 1988, Adelaide, Australia
Captained Souls
Mary Colbert, Sydney Morning Herald Metro,
June 24 1988, Sydney, Australia
Tracey scoops the pool at Frames opening
night
Tim Loyd, Adelaide Advertiser, 19 March
1988, Adelaide, Australia
Still
Moving: Recent Australian Photography
Helen
Grace, Art and Australia, 1998, Spring Issue Vol. 26, No. 1, Australia
1988 Perspectives from the Independent Sector
Tracey
Moffatt, FAN, Vol. 10, Two No. 7, 1988, UK
1987 Tracey Moffatt (catalogue)
Art and Aboriginality Show, 1987, Portsmouth,
UK
Nice Coloured Girls
Liane Hughes, Active Reactive, 1987,
Australia
Woman disrupts first fleet send off
Juliet Herd and Stuart McLean, Daily
Telegraph, May 13 1987, Sydney, Australia
1986 NADOC 86 exhibition of Aboriginal and Islander
Photographers
Geoffrey Batchen, Photofile p. 24-26,
1986, Sydney, Australia
Tracey keeps it all in focus
Cecilia
Ryan, Daily Mirror, September 9, 1986, Sydney, Australia
Nice
Coloured Girls
Simlola
Coker, 1986, London, UK
Pictures for Cities
Catherine Rogers, Photofile p.24/25,
1986, Sydney, Australia
1985 Pictures for Cities
ArtSpace Newsletter, May/June 1985, Sydney,
Australia
Pictures for Cities
Marion Knox, SKIRT, January 1985, Sydney,
Australia
Auckland New Zealand Political Protest
New South Wales Law Bulletin, June/July
1985, Sydney, Australia
1984 Pictures for Cities
The Visual History of South Sydney Project,
Promotional Poster Sydney, 1984,
Australia
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