Fred McDarrah's estate has partnered with Greenwich Village Society for Historic Preservation. McDarrah photographed this cultural epicenter for the Village Voice and a selection of these works are available through the society.
Fred McDarrah's estate has partnered with Greenwich Village Society for Historic Preservation. McDarrah photographed this cultural epicenter for the Village Voice and a selection of these works are available through the society.
Guernica Magazine reviews Jill Freedman: Resurrection City and speaks with Freedman about her 6 weeks in the encampment on the National Mall.
Miles Aldridge speaks with Felix Petty on collaborating with Maurizio Cattelan, Harland Miller and Gilbert & George. The resulting work is on view at London’s Lyndsey Ingram Gallery's exhibition, "(after)," and will be on view through January 5.
Cheese!'s video interview with Stephen Shames at our 2017 Paris Photo booth. Through eight of Shames' iconic photos they trace his career through the Black Panthers, New York and California.
SKG artist Teju Cole's book, Blind Spot, was selected as one of the top 10 non-fiction books of 2017 by Time Magazine. Congratulations Teju!
Arden Barnes discusses Teju Cole's lecture at the University of Kentucky.
Washington City Paper features SKG artist Michael Nichols' retrospective at the National Geographic Museum. The exhibition, Wild: Michael Nichols, is on view October 12 to January 15, 2018.
Collector Daily reviews Debi Cornwall: Welcome to Camp America, on view at SKG through December 22.
Kelundra Smith reviews A Fire That No Water Could Put Out, an exhibition at the High Museum of civil rights photography that features work from SKG artist Charles Moore. The exhibition is on view through May 27, 2018.
Congratulations to SKG artists Teju Cole and Debi Cornwall on being named in Smithsonian Magazine's The Ten Best Photography Books of 2017.
Sloane Square Magazine features Marianna Rothen's Shadows in Paradise exhibition at The Little Black Gallery. The exhibition will run from January 23 - February 24, 2018.
Devorah Lev-Tov discusses the photography exhibition on view at the Cachet Boutique New York Hotel curated by SKG Director Cassandra Johnson.
AnOther on Miles Aldridge's collaborative exhibition, After, on view at Lyndsey Ingram in London through January 5. The exhibition features Aldridge's collaborations with Gilbert & George, Harland Miller and Maurizio Cattelan.
SKG aritst and formed Village Voice photographer, Fred McDarrah's prints are available for purchase to benefit the The Greenwich Village Society for Historic Preservation.
Blouin Art Info reviews Miles Aldridge's exhibition, ('after'), on view at Lyndsey Ingram, London through January 5, 2018.
The East Hampton Star reviews SKG artist Meryl Meisler's book Purgatory & Paradise: Sassy '70s Suburbia & The City in their 2017 Holiday issue.
Miss Rothen speaks with Jill Freedman on her series, Resurrection City, on view at SKG through December 22.
Jonathan Mandel reviews Teju Cole's lecture at the University of Chicago's Logan Performance Hall on November 15th.
Dodho announces SKG artist Marianna Rothen's first solo exhibition in London at The Little Black Gallery, opening on January 23rd. The exhibition features her Shadows in Paradise series.
After Nyne discusses Marianna Rothen's upcoming exhibition at The Little Black Gallery in London on view through January 23 - February 24.
The Guardian features Olivia Locher's series and monograph, I Fought the Law.
Teju Cole's new essay in NYT Magazine discusses broken glass as photographic imagery and features SKG artist Brett Weston’s photographs.
Hospitality Design discusses the fine art photography installation at the Cachet Boutique NYC curated by SKG director Cassandra Johnson.
Anne Hollmuller reflects on Teju Cole's visit to Johns Hopkins as part of their The President’s Reading Series.
L'Oeil de la Photographie reviews Meryl Meisler's solo exhibition, Sassy Circus & Creepy Clowns on view at Black Box Gallery through November 22.
Debi Cornwall in conversation with Drew Zeiba on her work in Guantanamo Bay and the idea of comfort in captivity.
SKG artist Olivia Locher is named in Forbes 30 Under 30: Art & Style section. Congratulations Olivia!
Jennifer Nixon discusses the group exhibition, "All of Arkansas: Arkansas Made, County by County," featuring SKG artist Mike Disfarmer. The exhibition is on view through March 11, 2018.
The Chicago Maroon features Teju Cole's lecture at the Univeristy of Chicago in it's weekly Exhibit A column.
Swedish Radio on Debi Cornwall's series Welcome to Camp America, and the future of Guantanmo Bay.
The Daily Mail discusses Debi Cornwall: Welcome to Camp America and the lives of former detainees she photographed.
Collector Daily's Anne Doran reviews Jill Freedman: Resurrection City, 1968.
Jill Freedman: Ressurection City, 1968 is included in The Filtered Excellence's picks of things to do and see this week. The exhibition of Freedman's photographs of the encampment on the Washington Mall will be on view through December 22 at SKG.
The Daily Mail discusses "Welcome to Camp America," SKG artist Debi Cornwall's series on Guantanamo Bay.
The New York Times reveiws Teju Cole's Perfoma performance, Black Paper, calling it quietly grave, thoroughly devastating.
Our Streets, Our Stories, a series by The Brooklyn Library features SKG artist Meryl Meisler, who speaks about Brooklyn in the '70s.
Hotel Management discusses the fine art photography installation at the Cachet Boutique NYC curated by SKG director Cassandra Johnson and featuring works by Miles Aldridge, Marianna Rothen, Daido Moriyama, Roxanne Lowit, Jess Johnson and Lala Abaddon.
Hub on Teju Cole's visit to John Hopkins as part of their President's Reading Series.
Orit Gat in conversation with Teju Cole on his first performance piece, Black Paper, held at BKLYN Studio at City Point as part of Performa 17.
Mediapart features photographs from Debi Cornwall's Welcome to Camp America, on view at Steven Kasher Gallery through December 22.
Nina Strochlic of National Georgraphic discusses the rules Debi Cornwall had to follow while photographing her series, Welcome to Camp America.
The Charlotte Observer highlights Phyllis Galembo's work that is featured in the group exhibition, In Focus/Enfoque: Contemporary Photography in Mexico, at the New Gallery of Modern Art.
Meryl Meisler is featured on BTRtoday's Art Uncovered with Kimberly Ruth.
Luc Sante discussing the 1970s music scene in New York City features Meryl Meisler's images from her book, Purgatory & Paradise: SASSY '70s Suburbia & The City.
Donny Bajohr of Smithsonian Magazine in conversation with Debi Cornwall on her work in Guantanamo Bay.
Meryl Meisler is featured on CreativesMXtory and discusses her journey as a photographer.
Time Magazine on Charles Moore and the group show, A Fire That No Water Could Put Out: Civil Rights Photography on view at the High Museum.
artnet news lists SKG artist Teju Cole's piece, Black Paper, as a must see performance. Black Paper will be showing as part of Performa 17 on November 2, 3 & 4.
WABE discusses A Fire That No Water Can Put Out, a group show at the High Museum with its curator Erin Nelson. The group show features photographs by SKG artist Charles Moore.
Bill Baldowski discusses, A Fire That No Water Could Put Out: Civil Rights Photography, a group exhibition at the High Museum of Art featuring work by SKG artist Charles Moore.
Hyperallergic reviews Olivia Locher's monograph, I Fought the Law.
Vice discusses the exhibition and book, Jill Freedman: Resurrection City, 1968, and how Freedman's documentation differed from other photographers who visited the encampment.
Hilarie Sheets on Teju Cole's first perfomance piece, Black Paper, being shown at Performa 17 on November 2, 3 & 4.
PDN features Debi Cornwall and her series Welcome to Camp America as their Photo of the Day.
James Belfield reviews Teju Cole's Blind Spot, and how it challenges the viewer to find the links and comparisons between photograph and text.
Alison Stieven-Taylor reviews Debi Cornwall: Welcome to Camp America at Steven Kasher Gallery.
TIME Magazine reviews Jill Freedman: Resurrection City, 1968 and how she captured "the unheralded heroes of the movement."
The New Yorker's Hua Hsu reviews Brian Griffin's new book, 'POP,' which features his music photographs and essays by Terry Rawlings and Paul Gorman.
Michael Ernest Sweet features Steven Kasher Gallery artists, Jill Freedman and Meryl Meisler on his list of the "10 Best Street Photographers in the World Right Now!"
Maurice Berger of the New York Times discusses Jill Freedman, the only photographer to stay and document all six weeks of the Resurrection City encampment. The photos will be on view at the Steven Kasher Gallery from October 26th to December 22nd.
Artnet News named Debi Cornwall: Welcome to Camp America on of their Editor’s Picks: 15 Things You Should See in New York This Week. The opening reception is October 26th from 6 to 8pm and her panel discussion will be held on October 28th from 2:30 to 5pm. Be sure to RSVP to the panel here: https://ccrjustice.org/civicrm/event/register?id=574&reset=1.
Fotografiska features Steven Kasher Gallery artist Olivia Locher's I Fought the Law.
Julia Griffin of PBS NewsHour in conversation with Olivia Locher on I Fought the Law. The article and video discuss Locher's creative process and beginnings of the project.
Monovisions on Meryl Meisler's new book, Purgatory & Paradise SASSY 70s Suburbia & The City and her exhibition, Sassy Circus & Creepy Clowns.
Loring Knoblauch reviews Olivia Locher's I Fought the Law exhibition and discusses her ability to make humorous and playful photographs.
The Charlotte Observer recommends a visit to Phyllis Galembo's exhibition at the New Gallery of Modern Art running from October 20th to November 27th.
Emma-Cate Rapose on Teju Cole's visit to Stonehill College where he discussed his book, "Blind Spot," and the Black Lives Matter movement.
Izabela Radwanska Zhang discusses Debi Cornwall's time at Guantánamo Bay and her new book, Welcome to Camp America.
Mark Murrmann on Debi Cornwall's book, Welcome to Camp America, and how it's design amplifies the work within it.
Grace Banks on the States of America exhibition at Nottingham Contemporary which features work by Ming Smith and Louis Draper.
Aline Smithson reviews Sassy Circus & Creepy Clowns, Meryl Meisler's new exhibition featuring her work on the circus and The 45th Administration.
Christopher Harrity discusses Meryl Meisler's work documenting the Ringling Bros. Circus and how she turned those photos into a commentary on the 45th Administration.
ArtAsiaPacific on Daido Moriyama's new show, Tokyo Color.
Vogue discusses the exhibition marking the 100th anniversary of the great fashion photographer, Irving Penn at the Grand Palais in Paris.
Russet Lederman on Tokyo Color, Daido Moriyama's new show featuring three bodies of his work.
Photo Eye Blog's Forrest Soper reviews Debi Cornwall's new book, Welcome to Camp America, considering it the most important photobook he has read in 2017.
USA Today's Buzz60 features Olivia Locher's book, I Fought the Law, and discusses the the laws that inspired the work.
For this month’s Artscape, the visual artist Debi Cornwall talks to Rhode Island Public Radio's Chuck Hinman about making pictures at teh Guantanamo Bay detention camp at the U.S. Naval Station in Guantanamo Bay, Cuba. Click through to listen to the interview.
MJ Franklin discusses the inspiration for Olivia Locher's book, I Fought the Law.
Renay Morris recounts her experience of the opening of the show, Leonard Freed: Six Stories and his remarkable photojournalistic abilities.
Adam Lehrer reviews Olivia Locher's book, I Fought the Law, and discusses her political background.
Gallery Gurls interviews Olivia Locher about her fashion influences, branding in the digital age and what female artists inspire her.
The Los Angeles Review of Books remarks on the use of text and image in Blind Spot and how these images have appeared on Cole's Instagram.
Fatal Addition reviews the exhibition, I Fought the Law at Steven Kasher Gallery.
GUP Magazine sits down with Miles Aldridge to discuss his recent collaboration with Italian artist, Maurizio Cattelan.
I-D Magazine sits down with Olivia Locher to talk the surreal themes in her photographs.
Buzzfeed features 10 of the zany laws Olivia Locher stages her own interpretations of in her book, I Fought the Law.
The Nottingham Post reviews the show States of America that includes Steven Kasher Gallery artists Ming Smith and Louis Draper.
The Los Angeles Times comments on the relationship between the text of the bizarre law and the quirky image in Olivia Locher's publication, I Fought the Law.
The Brown Daily Herald reviews Debi Cornwall's exhibition, Welcome to Guantanamo: Beyond Gitmo, as Cornwall tackles the life of inmates and politics of the detention center.
Lensculture interviews Debi Cornwall about the photographs of her book, Welcome to Camp America, as well as deciding how the book was to be formatted and designed to amplify her message.
The Waltonian reviews the exhibition, Wild: Michael 'Nick' Nichols at the Philadelphia Museum of Art.
Jill Freedman talks to Vice about the complicated reality of Bali that she captured in her photos from the 1990s.
Bust Magazine comments on the colorful, playful nature of Olivia Locher's lawbreaking photographs, but also mentions how they disproportionately target minorities and oppressed peoples.
Buzzfeed includes Debi Cornwall in their "8 Visual Stories That Will Challenge Your View of the World."
GUP Magazine reviews Debi Cornwall's recent publication, Welcome to Camp America, commenting on the skillful way Cornwall juxtaposes the colorful Cuban landscape, the odd gift shop items of Guantanamo Bay and the portrait series of former Guantamo Bay detainees.
Jordan Teicher interviews Debi Cornwall about her transition from civil rights lawyer to photographer, and how her former career had informed her project, Welcome to Camp America.
The Culture Trip delves into Olivia Locher's investigation into the laws she breaks in I Fought the Law.
Pedro Silmon features Olivia Locher's exhibition at Steven Kasher Gallery on his blog.
Real Clear Life features the photographs from Olivia Locher's I Fought the Law series.
The Lens Blog of the New York Times reviews the group exhibition, "Brooklyn Photographs" that includes Meryl Meisler. The photos highlight the diversity present in Brooklyn from the 1960s onward.
Urban Outfitters interviews Olivia Locher about her signature style, her aesthetic influences and new projects on the horizon.
Chronicle Books goes behind the scenes with Olivia Locher to talk about the hilarious stories and stagings of the photographs in I Fought the Law.
Fifty years ago the Black Panther Party was created, fighting for "power to the people" with a mix of political activism, militancy, progressive community programs and pop culture awareness. CBS Sunday Morning's Lee Cowan talks with one of the founders, Bobby Seale; former party chairwoman Elaine Brown; and Stephen Shames, who was the Panthers' unofficial photographer.
Artsy comments on how Olivia Locher uses the universal language of images to illustrate the absurdities within the US justice system.
Miss Rosen interviews Olivia Locher about exploring the American character and her creative process behind her series, I Fought the Law.
Vogue interviews Olivia Locher about her series, I Fought the Law, the subject of our fall exhibition at Steven Kasher Gallery.
PDN features Olivia Locher's I Fought the Law series in anticipation of the exhibition at Steven Kasher Gallery.
The Daily Beast features a selection of images from Olivia Locher's I Fought the Law.
Michael Nichols appears in conversation with Melissa Harris for Barnes and Noble to discuss their years of collaborating to create the biography, A Wild Life.
The Washington Times comments on Michael Nichols' ability to capture, but not interfere with, the natural landscapes and animals he photographs.
Co. Design remarks on the absurd laws and resulting photographs within Oliva Locher's book, I Fought the Law.
The Scotsman discusses the many layers of the photographs and text of Blind Spot.
Signature Reads interviews Teju Cole regarding Blind Spot and his opinions on photography.
My Modern Met discusses the style and humor in Olivia Locher's book, I Fought the Law.
Miss Rosen writes on Teju Cole's ability to artfully pair text and image for our exhibition, Blind Spot and Black Paper.
John Edwin Mason reviews the exhibition, A Commitment to the Community: The Black Photographers Annual, Volume I, at the Virginia Museum of Fine Arts that includes Ming Smith and Louis Draper. Mason writes about the revolutionary nature of the book, and how it changed photography as a whole.
Famed art critic John Yau writes an unprecedented second review of Teju Cole's Blind Spot and Black Paper.
Thomas Hine at Philly.com writes about Michael Nichols' show at the Philadelphia Museum of Art, and Nichols' advocation of wildlife conservation.
Teju Cole's show Blind Spot and Black Paper is featured in New York Magazine's Weekend Agenda section.
The New York Review of Books reviews the show Blind Spot and Black Paper at Steven Kasher Gallery, calling it "nearly perfect."
Blouin ArtInfo features the Michael Nichols exhibition, Wild, at the Phildelphia Museum of Art.
The New Yorker interviews Meryl Meisler regarding her photos of Fire Island in the 1970's.
Jason Kottke discusses the release of I Fought the Law by Olivia Locher.
Miss Rosen reviews Arthur Jafa's, "A Series of Utterly Improbable, Yet Extraordinary Renditions" that includes photographs by Ming Smith.
The Arts Desk reviews Blind Spot, considering it engaging of the eye and of the mind.
John Yau of Hyperallergic speaks of Cole's humility and ability to keep a low profile as he accesses the anonymous figures of his travels with his unique eye.
New York Times features images from Olivia Locher's I Fought the Law.
KCRW interviews Teju Cole about Blind Spot, as he gives explanations for the stories accompanying the photos in the book.
GQ interviews Teju Cole about how to travel, and travelling ethically.
Monovisions reviews Meryl Meisler's book, Paradise & Purgatory: Sassy '70s Suburbia and the City which juxtaposes intimate suburban life with the wild, captivating scenes of New York City vibrancy.
Alexxa Gotthardt at Artsy reviews The Metropolitan Museum of Art's exhibition "Talking Pictures" which includes photographer Teju Cole.
PDN selects Michael Nichols' photograph for their photo of the day, and discusses his recent publication A Wild Life, and the associated exhibition at the Philadelphia Museum of Art.
Teju Cole sits down with The Dinner Party Download to talk about his newest publication "Blind Spot" and the exhibition now on view at Steven Kasher Gallery. Click through to hear the podcast, or read the transcript.
Pamela Forsythe writes about how the photographs of Michael Nichols, now on view at the Philadelphia Museum of Art, remind us of the beauty and magic of photography.
Flaunt Magazine reviews the group show, "I Scream, You Scream" at Robert Mann Gallery that includes Steven Kasher Gallery artists Meryl Meisler, Olivia Locher and Jill Freedman.
6ABC features Michael 'Nick' Nichols new exhibition Wild at the Philadelphia Museum of Art.
Kathryn Kearney reviews the exhibition Fons Iannelli: War/Post-War for Musée Magazine, remarking on his ability to capture the friendship and camaraderie that bonded together the Navy soldiers.
Jordan Weitzman sits down with Teju Cole for his podcast on photography, Magic Hour, to talk art criticism, his new book Blind Spot and his exhibition at Steven Kasher Gallery. Click through to listen to the podcast in its entirety.
Anita Sethi interviews Teju Cole about racial injustice and how that influenced his current publication, Blind Spot.
SF Gate comments on Teju Cole's gift for photography and writing in Blind Spot.
Shannon Liao from The Verge reviews the new exhibition at the Metropolitan Museum of Art, "Talking Pictures" which includes Teju Cole.
Artnet reviews the current group show "Talking Pictures: Camera-Phone Conversations Between Artists" that features Teju Cole.
Miles Aldridge talks about the inspiration behind his recent cover shoot for Time Magazine featuring the cast of Game of Thrones.
Metro reviews Michael Nichols' latest exhibtion at the Philadelphia Museum of Art.
Michael Nichols discusses how he captured some of his jaw dropping shots on the eve of his exhibition debut at the Philadelphia Museum of Art.
Holly Silva reviews Blind Spot and Teju Cole's ability to transform a travelogue into something haunting and exististential.
Rebecca Bengal explores what photography taught Teju Cole about writing by examining the text and photos of Blind Spot.
Jill Freedman shares her photos of the circus in the 1970s for Vice.
Financial Times comments on the grimy immediacy of Fons Iannelli's war and post-war imagery.
Kosu radio station interviews Teju Cole about traveling, dislocation and Blind Spot.
The National reviews Teju Cole's new book Blind Spot and touches on how the artist's life influence the work.
Slate focuses on Teju Cole's new book Blind Spot and how it represents the culmination of the influential artist's career.
A review of the Teju Cole's book Blind Spot with a a focus on the artist himself.
Alex Arbuckle discusses the Navy images featured in the exhibition, "Fons Iannelli: War/Post-War".
Jennifer Krasinski interviews Teju Cole for the Village Voice about the book, Blind Spot.
Surface Magazine features the instagram of Teju Cole and discusses his projects Blind Spot and Black Paper.
PDN names Teju Cole photo of the day and reviews his new book Blind Spot.
Tomas Unger praises Teju Cole's newest publication, Blind Spot.
Peter Canby at The New Yorker discusses the career of Michael "Nick" Nichols, and how it is reflected in his new monograph, A Wild Life: A Visual Biography of Photographer Michael Nichols.
Miss Rosen reviews Daido Moriyama's slide projection on view at the Tate Modern.
James Estrin at The New York Times interviews Nick Nichols about his wildlife photographs and relationship with animals.
Teju Cole shares excerpts from the photo-text book Blind Spot, published in conjunction with the exhibition at Steven Kasher Gallery.
John Otis discusses Fons Iannelli's wartime photos as well as his snapshots of family life in a post-World War II USA.
Artforum interviews Teju Cole about the motivations behind the projects Blind Spot and Black Paper, what makes them different, and how they work together in the upcoming exhibition, “Blind Spot and Black Paper” at Steven Kasher Gallery.
Robert Pinsky praises Teju Cole's ability to document the mysteries of the ordinary in his review of Cole's book, "Blind Spot", published in conjunction with the exhibition at Steven Kasher Gallery.
Plastik Magazine interviews Olivia Locher regarding her "I Fought the Law" series.
BBC interviews Ted Russell about his photographs featured in the exhibition, "Bob Dylan, New York City: 1961-64".
NY Daily News features a slideshow of Martha Cooper's photos commorating 40 years of New York City street art.
The Root interviews Ming Smith regarding the exhibition "We Wanted a Revolution: Black Radical Women, 1965-85" at the Brooklyn Museum.
Hannah Gal interviews Jill Freedman about her iconic photo, Easter Bunny.
Miss Rosen discusses Martha Cooper's background and how her photographs bring street art into the gallery space.
Read Sarah Buhmann's critique of the exhibition entitled, "Where We Are", featuring work by Jerome Liebling.
Aperture's Jessica Lynne interviews the curators of The Brooklyn Museum exhibition, We Wanted a Revolution: Radical Black Women, 1965-85, featuring Ming Smith.
Read Lise Lanot's article on the striking photographs of Bob Dylan's early years by Ted Russell via Kolbini.
Hannah Stamler praises Martha Cooper's ability to photograph graffiti art with a precise and informed eye, while also communicating the youthfullness and creativity it brings to everyday life.
Elena Larsson explores Marianna Rothen's new series "Shadows in Paradise."
i-D explores our current Martha Cooper exhibition, claiming that Cooper's photographs celebrate our city's spirit.
Martha Cooper shares the valuable history that illustrates the significance of some of her pieces with Brooklyn Street Art.
Kenneth Bachor goes behind the scenes of Martha Cooper's current exhibition, discussing how she first got involved in the world of street art.
Sarah Cascone states that Ted Russell's photographs of Bob Dylan are "a snapshot into the earliest days of the career of one of the 20th century’s most iconic musicians."
Ben Yakas goes behind the scenes of our Ted Russell exhibition, "Bob Dylan NYC 1961-1964."
David Gonzalez discusses Martha Cooper's career as the best known graffiti and street art photographer.
Instagram talks to Olivia Locher and her brother, Brandon about motivating, inspiring and collaborating with each other creatively.
John Leland spoke with Ted Russell about his experience photographing Bob Dylan.
The New York Times features Stephen Shames' photograph in its review of "Black Power!" at the Schomburg Center for Research in Black Culture
The Guardian announces our upcoming exhibition "Ted Russell: Bob Dylan NYC 1961-1964."
Loring Knoblauch reviewed Marianna Rothen's current exhibition "Shadows in Paradise," and claimed that her new images introduce the friction of a richer spectrum of emotions.
Lena Rawley goes behind the scenes of Marianna Rothen's exhibition "Shadows in Paradise."
Art Fix Daily explores our upcoming exhibition "Ted Russell: Bob Dylan NYC 1961-1964," which opens on April 20th!
Nicole Rudick claims that if Barbara Loden directed a film using Cindy Sherman’s Untitled Film Stills, it would begin to approximate the photographs in Marianna Rothen’s recent series “Shadows in Paradise.”
Lise Lanot interviewed Marianna Rothen about the inspiration behind Shadows in Paradise.
L'oeil de la Photographie explored our current "Three Masters of Erotic Photography" exhibition.
L'oeil de la Photographie discusses the process behind Marianna Rothen's new series "Shadows in Paradise."
Another Magazine interviewed Marianna Rothen about exploring the supernatural force of the femme fatale in "Shadows in Paradise."
Kate Orne interviewed Marianna Rothen about her work, her process and her inspiration.
Elyssa Goodman goes behind the scenes of Marianna Rothen's exhibition "Shadows in Paradise," which depicts women in a world without men.
C-Heads Magazine explores life after hapiness in Marianna Rothen's exhibition "Shadows in Paradise".
Salamishah Tillet reviews Allen's Marching Bands and how he blurs the boundaries between spectator and performer.
Siddhartha Mitter goes behind the scenes of our current Ming Smith exhibition!
Our Ming Smith exhibition is on Aperture's "5 Exhibitions to See in February" list.
Jordan G. Teicher reviewed our Ming Smith exhibition and claimed that Smith's portraits are emotionally powerful.
Loring Knoblauch reviewed our current exhibition "Jimmy DeSana: Late Work".
John Yau praised our Ming Smith exhibition, stating that "the rich and varied evocation of passing moments, memories, and dreams that we encounter in Smith’s photographs are things that the incoming President will continue to denigrate and do his best to erase. We cannot let him."
Ratik Asokan reviewed our Ming Smith exhibition claiming that her photographs are an elegant convergence of form and content.
Our current exhibition "Jimmy DeSana: Late Work" was featured on PDN's "Photo of the Day" blog.
Miss Rosen explores our current Ming Smith exhibition, claiming that Ming is "a pioneer, an innovator, and a rebel imbued with ineffable elegance."
Raquel Laneri interviews Ming Smith and talks about how she "changed the way America sees Black people"
Maurice Berger claims that Ming Smith’s photographs are at once spontaneous, personal and quivering with visual surprise.
John Yau includes Louis Draper in his article, "A Few Thoughts About 2016" where he calls for a greater appreciation of Draper's ability to capture photographs that inspire social change, and affect viewers on a deep level.
David Gonzalez discusses Jules Allen's photographs of black marching bands that are the subject of his book Marching Bands.
Creative Boom helps to announce Meryl Meisler's new exhibition "Sassy '70s NYC" which is on view at Midoma Gallery.
Aesthetica Magazine discusses "Please return Polaroid" and declares that it "shares a rare insight into the technical processes of shoots."
Isobel Thompson discusses Miles Aldridge's new book "Please return Polaroid".
Vicki Goldberg named our Augustus Sherman show one of "Four Not-To-Miss Photography Shows" in the New York Times Art Review.
Claire Voon explores the work of Augustus Sherman and announces the publication of "The Paper Time Machine: Coloring the Past", where the images will appear in color!
Edward Moore interviewed Meryl Meisler about home life in Long Island, her fondest memories of New York, and her book "Purgatory and Paradise".
Congratulations to Ruddy Roye for being named TIME's Instagram Photographer of 2016!
Loring Knoblauch reviews our current exhibition "Thomas Roma: The Plato's Dogs Trilogy".
Stephanie Jin goes behind the scenes of professor Thomas Roma's current exhibition "The Platos Dogs Trilogy".
Elyssa Goodman and Miles Aldridge discuss his love for Polaroid, why we still need it, and how his new book Please Return Polaroid explores the purity of the instant photo.
l'Oeil de la Photographie explores the surreal, hyper-chromatic world of Miles Aldridge.
Max Lakin explores Miles Aldridge's photographic process through our exhibition "Please return Polaroid".
Thomas Roma's unique photographic process is discussed on PDN's "Photo of the Day" blog.
Sarah Adler speaks with Stephen Shames about his experience photographing the Black Panther Party, their misunderstood reputation, and his new book "Power to the People: The World of the Black Panthers".
Siima Itabaaza states that Shames' photographs "depict the humaneness of the Panthers" and that they are a "true testament to how the Panthers acted as pillars for communities across the country."
Carey Dunne states that Plato's Dogs touches on something deeper than just the cuteness of frolicking pets.
Brian Lehrer looks back on the legacy of the Black Panther Party with Stephen Shames and former chairman, Bobby Seale.
Pro Photo Daily helps us to announce our upcoming exhibition, "Augustus Sherman: Aliens or Americans?”
Rachel Martin speaks with Bobby Seale and Stephen Shames about The Black Panther Party and their misunderstood reputation.
Imani Perry expresses that "When Living is a Protest" is a sophisticated and emotionally affecting consideration of black protest.
Miss Rosen discovers what happens "When Living is a Protest" through Ruddy Roye's current exhibition.
Jean Dykstra notes the similarities between our two current exhibitions.
Mother Jones goes behind the scenes of our current exhibition "Power to the People: The Black Panthers in Photographs by Stephen Shames and Graphics by Emory Douglas".
6sqft interviews Meryl Meisler about documenting the artist community in Bushwick.
Aperture's Jessica Lynne explores Stephen Shames' chronicle of American activism.
Loring Knoblauch states that Ruddy Roye channels the spirits of Roy DeCarava and Gordon Parks.
Internazionale discusses the history of the Black Panther Party and Stephen Shames, the group's "offical" photographer.
Meryl Meisler goes behind the scenes of "A Tale of Two Cities: Disco Era Bushwick".
The New Yorker called our Shames show smart and inspiring.
Katie Killary discovers Bushwick Nostolgia through Meryl Meisler's exhibition "Bushwick Chronicles".
Jonas Cuénin dives into our current exhibition "Power to the People: The Black Panthers in Photographs by Stephen Shames" and explores the "radical nature" of the Black Panther movement.
Miss Rosen explores Meryl Meisler's exhibition "Bushwick Chronicles", located at Stout Projects in Bushwick.
Seph Rodney questions the idea of progress while viewing our current exhibition, "Power to the People: The Black Panthers in Photographs by Stephen Shames".
Siddhartha Mitter tells the story and history of Ruddy Roye.
Creative Boom explores Meryl Meisler's work in the exhibition "Bizarre: Assorted Madness and The Unexpected"
The Financial Times discovers Ruddy Roye's inspiration.
Miss Rosen claims that Power to the People is a brilliant tome for anyone who wants to know the truth about the Black Panther Party.
R.C. Baker of The Village Voice discusses the history and current legacy behind the Black Panther Party.
Photojournalism Now declares that Ruddy Roye's portraits are infused with dignity and integrity.
Photojournalism Now reviews our current exhibition "Power to the People: The Black Panthers in Photographs by Stephen Shames" and how it provides an "in-depth chronicle presented at a time when the US is once again grappling with issues of racial injustice".
Art Daily looks into our current exhibition "Ruddy Roye: When Living is a Protest".
Time interviews Bobby Seale about the publication of "Power to the People: The World of the Black Panthers"
Time Magazine examines our current exhibition "Power to the People: The Black Panthers in Photographs by Stephen Shames" and the accompaning book, both of which trace "the rise and impact of the Panthers".
Mass Appeal goes behind the scenes of Ruddy Roye's first solo exhibition "When Living is a Protest".
Jeanette D. Moses interviews Ruddy Roye about his current exhibition, his approach to Instagram, and why it is important to push past visual misconceptions.
The Guardian compares our two exhibitions, which "document the work of two photographers decades apart".
Chistopher Harrity of The Advocate Magazine discusses the attempt of the Black Panther Party "to build a community through service to the people" as seen in our upcoming exhibition "Power to the People: The Black Panthers in Photographs by Stephen Shames".
Maurice Berger reviews our current exhibition "Power to the People: The Black Panthers in Photographs by Stephen Shames", delcaring that the photographs "attest to the movement’s accomplishments and ingenuity".
I-D Magazine interviews Olivia Locher about her photographic aesthetic and how her photographs went viral on the internet.
NewYork.com names our summer exhibitions one of "10 Best Photography Exhibits in New York City".
The Zenyatta Blog goes behind the scenes of Neil Latham's photo shoot with the most winningest horse of our time.
Teresa Genaro helps Neil Latham capture the true essence of
Refinery29 features images from Olivia Locher's series, "I Fought the Law".
French publication Le Figaro covers the intimate relationship between photographer Andre De Dienes and icon Marilyn Monroe
Billionaire explores Andre de Dienes' rare unseen photographs of Marilyn Monroe.
L'Oeil de la Photographie explores "the first solo show of photographer Andre de Dienes in New York in over ten years"
Amateur Photographer does a Q&A with the gallery on Andre de Dienes: Marilyn and California Girls.
Zenyatta becomes not only the most prestigious race horse of our era but now has a place of honor among the most photographic race horses of our time.
L'Oeil de la Photographie goes behind the scenes of Neil Latham's photographic process.
The Huffington Post takes a moment to look at the story between Andre de Dienes and Marilyn Monroe.
Whither the Book explores the history of horses in art with respect to Neil Latham's current exhibition.
The Cut presents a slide show of "22 Intimate Lost Photos of Marilyn Monroe".
British Journal of Photography examines our upcoming exhibition, Andre de Dienes: Marilyn and California Girls.
The Blood Horse goes behind the scenes of Neil Latham's upcoming exhibition, "American Thoroughbred".
Style of Sport interviews Neil Latham about his upcoming exhibition and his experience photographing legendary race horses.
Widewalls takes us behind the scenes of one of the most celebrated transformations in film’s history.
David Schonauer explores the intimate the relationship between Andre de Dienes and Marilyn Monroe.
CBS News helps us to announce our upcoming exhibition, Andre de Dienes: Marilyn and California Girls, which opens on June 9th!
Horsetalk takes us behind the scenes of our upcoming exhibition, Neil Latham: American Thoroughbred.
Miss Rosen discovers the magic of the “Microcosmos” revealed in photographs by Carl Strüwe.
ABC News helps us to announce our upcoming exhibition Neil Latham: American Thoroughbred.
Neil Latham's breathtaking photographs bring Joe Sexton back to his youth.
The Washington Post explores Galembo's re-released publication and the traditions documented within.
Musée Magazine announces Carl Strüwe's first U.S solo show since 1949.
Clare Voon takes a moment to admire Galembo's book Maske.
Hunger features images from Olivia Locher's series, "I Fought the Law".
Musée Magazine helps us to announce our current exhibition Gottfried Jäger: Photographer of Photography.
The Financial Times announces Carl Strüwe's current exhibition at Steven Kasher Gallery.
Adhoc interviews Olivia Locher about her photographic process and the importance of sarcasm in her work.
Paddle8 names Mark Seliger one of the "Photographers We Have Our Eye On" at AIPAD.
Mariana Cook and Mark Seliger make Artnet News' top ten at AIPAD.
The Huffington Post discusses the relationship between Bob Colacello and Andy Warhol.
Henry Gorse interviews Brian Griffin to see what makes him tick.
Time Magazine gives us a history lesson on Carl Strüwe and his work.
Wired's science section helps us to announce our exhibition Carl Strüwe: Microcosmos, which debuts on the 14th of April.
Ming Smith speaks with Artsy Magazine about her long running love affair with photography.
We Heart admires Meryl Meilser's photography as it "takes its viewers on a ride".
The New York Times goes behind the scenes of Carl Strüwe's photographic process.
As her show begins to wind down, Meryl Meisler looks back on her career.
Nicole Rudick reviews Meryl Meisler's "kitschy, boisterous" world for the Paris Review.
Journalist Lowenna Waters brings it back to the 1970s in her exploration of Meisler's photography.
Time Magazine includes Meryl Meisler on their list of the greatest unsung female photographers of the past century.
An Italian newspaper profiles Britain's "most influential" photographer.
Out Magazine features Meryl Meisler in their March print issue.
Charlotte Jansen chronicles Galembo's photographic quest through Africa's rich ceremonial culture.
The Telegraph announces the publication of Galembo's most "arresting images."
A French magazine determines that Meisler's photographs are both "hilarious" and pleasurable."
The Virgina Museum of Fine Arts just acquired 35 prints by Richmond-born photographer Louis Draper, as well as his complete archive.
Lomography Magazine cheekily describes Meryl's work as "the largest collection in the neighborhood."
The German edition of Interview Magazine takes a moment to admire Meryl Meisler's uniquely New York aesthetic.
From bedroom selfies to Fire Island, Out Magazine captures the spirit of Meryl Meisler.
Miss Rosen chats with Meisler about seeing Diane Arbus' work for the first time, suburban Long Island, and disco-era Manhattan.
Meryl Meisler pens a heartfelt essay on growing up around photography.
Meisler's "personal diary" approach to snapshot photography "aligns her with the masters of Americana."
Curator Anais Feyeux offers an insightful take on Brian Griffin's oeuvre.
In this one of a kind video, Meryl Meisler regals Gothamist with her very best stories
According to author Dallas Athent, Meryl Meisler is nothing short of a household name in iconic New York photography.
Author Eva Clifford recounts the way in which Brain Griffin's photographs "defy conventions of typical portraiture."
Musée Magazine introduces Meryl Meisler's first U.S. show.
Musée Magazine annonces Brian Griffin's inaugeral show at Steven Kasher Gallery.
Author Maisie Skidmore deems each of Meisler's images "a witty and memorable souvenir from a time gone by."
Renowned journalist Paul Gorman praises Brian Griffin on his personal blog.
Author Sean Brennan announces Brian Griffin's premiere U.S. exhibition.
Juxtapoz Magazine highlights Meryl Meisler's "exuberant" work.
Jocks & Nerds refers to Meisler as a "chronicler of disco excess and suburban kitsch."
Katy Cowan calls Meryl Meisler's forthcoming show an "absolute must-see."
Critic James Panero praises the "treasure trove" of Meisler's photographs on exhibition at Steven Kasher Gallery.
Brian Griffin discusses the effect of England's Industrial heartland on his body of work.
Author Daniel Hoffman compares Meisler's subject matter to HBO's contemporary drama Vinyl.
David Rosenberg explores the Soviet roots of Griffin's Thatcher-era photography.
A slideshow of Meryl's most iconic works serves as a teaser to her upcoming exhibition.
The New Yorker describes the "ease" with which Draper pulls off his sizable retrospective.
John Yau continues to question the exclusion of Louis Draper from museum collections.
Ruth Meredith explores how Birmingham's industrial landscape shaped a young Brian Griffin.
Author Ashley Hunsberger announces the exhibition of "brilliant" photographer Meryl Meisler.
A Spanish arts magazine claims that Meisler's genre-bending snapshots make her master of Americana photography.
According to Gothamist, PM New York represents the Golden Age of photojournalism and artistic storytelling.
Louis Draper's iconic images grace the Wallpaper* photography desk.
Writer Miss Rosen looks at Louis Draper's work through the lens of the Civil Rights Movement.
Slate columnist Jordan G. Teicher delves into the political climate that birthed the most notorious tabloid of the 1940s.
Solé Aurochs presents a stunning comparison between Louis Draper and the contemporary Black Lives Matter movement.
Allison Meier offers an insightful look at PM Magazine's "brazen eye" and progressive politics.
Art critic John Yau compares Louis Draper to Robert Frank in his review of our current exhibition.
Jeffrey Ladd talks to Brian Griffin on new work, self-portraiture, and his imminent exhibition at Steven Kasher Gallery.
Martha Schwendener calls our "gorgeous" Louis Draper exhibition a must-see.
Ratik Asokan pays tribute to Louis Draper's radical black aesthetic.
PM New York Daily: 1940- 48 is featured in the Wall Street Journal's Art Review.
CBS News on our exhibition PM New York Daily: 1940- 48
Untapped Cities publishes a thoughtful article on our PM Magazine exhibit.
Musée Magazine features our exhibition on PM Magazine
Crave interviews curatorial director Anais Feyeux about our PM Magazine exhibition.
L'Oeil de la Photographie announces our Louis Draper retrospective.
The New York Times' Lens Blog on the 1940s tabloid.
Louis Draper and Kamoinge are featured in The New York Times' Lens blog.
20 Minutos on exhibition PM New York Daily: 1940-48 (Spanish language)
Louis Draper highlighted in The Guardian's photography section
Milk interviews Olivia Locher about her photo projects.
LiveFast Magazine interviews Olivia Locher about her inspirations, background, and what she views as "art".
Wired discusses Olivia Locher's series, "I Fought the Law" and the bizarre laws that the photographs depict.
Jerome Liebling, a photographer, filmmaker and teacher, died Wednesday at 87. Obituaries appear on the Web sites of The New York Times, The Daily Hampshire Gazette and Hampshire College, where his students included James Estrin, now a staff photographer at The Times and a co-editor of Lens.
Jerome Liebling, whose subtly powerful pictures and the lessons he drew from them influenced a generation of socially minded photographers and documentary filmmakers, died on Wednesday in Northampton, Mass. He was 87.
Non-fiction author Verlyn Klinkenborg offers his opinion on Original Disfarmer Photographs
Critic Philip Gefter chronicles the mad dash to acquire Disfamer's photography in anticipation of Steven Kasher Gallery's exhibition.
Vince Aletti describes the "down-home elegance and genuine soul" of Mike Disfarmer's work.
ICP's online editorial platform credits Steven Kasher as one of many figures responsible for Disfarmer's posthumous resurgence.
Author Russell Hart reports on the dogged pursuit of Mike Disfarmer prints by collectors such as Steven Kasher
The November issue of Art News reviews the late photographer Mike Disfarmer.
The Ozarks Mountaineer writes a feature on the photography of Mike Disfarmer
NPR's The Picture Show highlights Mike Disfarmer in conjunction with Bill Frisell's eponymous album.
Brill Frisell debuts an album entirely inspired by the late Mike Disfarmer.