Stephanie Jin goes behind the scenes of professor Thomas Roma's current exhibition "The Platos Dogs Trilogy".
Stephanie Jin goes behind the scenes of professor Thomas Roma's current exhibition "The Platos Dogs Trilogy".
Elyssa Goodman and Miles Aldridge discuss his love for Polaroid, why we still need it, and how his new book Please Return Polaroid explores the purity of the instant photo.
l'Oeil de la Photographie explores the surreal, hyper-chromatic world of Miles Aldridge.
Max Lakin explores Miles Aldridge's photographic process through our exhibition "Please return Polaroid".
Thomas Roma's unique photographic process is discussed on PDN's "Photo of the Day" blog.
Sarah Adler speaks with Stephen Shames about his experience photographing the Black Panther Party, their misunderstood reputation, and his new book "Power to the People: The World of the Black Panthers".
Siima Itabaaza states that Shames' photographs "depict the humaneness of the Panthers" and that they are a "true testament to how the Panthers acted as pillars for communities across the country."
Carey Dunne states that Plato's Dogs touches on something deeper than just the cuteness of frolicking pets.
Brian Lehrer looks back on the legacy of the Black Panther Party with Stephen Shames and former chairman, Bobby Seale.
Pro Photo Daily helps us to announce our upcoming exhibition, "Augustus Sherman: Aliens or Americans?”
Rachel Martin speaks with Bobby Seale and Stephen Shames about The Black Panther Party and their misunderstood reputation.
Imani Perry expresses that "When Living is a Protest" is a sophisticated and emotionally affecting consideration of black protest.
Miss Rosen discovers what happens "When Living is a Protest" through Ruddy Roye's current exhibition.
Jean Dykstra notes the similarities between our two current exhibitions.
Mother Jones goes behind the scenes of our current exhibition "Power to the People: The Black Panthers in Photographs by Stephen Shames and Graphics by Emory Douglas".
6sqft interviews Meryl Meisler about documenting the artist community in Bushwick.
Aperture's Jessica Lynne explores Stephen Shames' chronicle of American activism.
Loring Knoblauch states that Ruddy Roye channels the spirits of Roy DeCarava and Gordon Parks.
Internazionale discusses the history of the Black Panther Party and Stephen Shames, the group's "offical" photographer.
Meryl Meisler goes behind the scenes of "A Tale of Two Cities: Disco Era Bushwick".
The New Yorker called our Shames show smart and inspiring.
Katie Killary discovers Bushwick Nostolgia through Meryl Meisler's exhibition "Bushwick Chronicles".
Jonas Cuénin dives into our current exhibition "Power to the People: The Black Panthers in Photographs by Stephen Shames" and explores the "radical nature" of the Black Panther movement.
Miss Rosen explores Meryl Meisler's exhibition "Bushwick Chronicles", located at Stout Projects in Bushwick.
Seph Rodney questions the idea of progress while viewing our current exhibition, "Power to the People: The Black Panthers in Photographs by Stephen Shames".
Siddhartha Mitter tells the story and history of Ruddy Roye.
Creative Boom explores Meryl Meisler's work in the exhibition "Bizarre: Assorted Madness and The Unexpected"
The Financial Times discovers Ruddy Roye's inspiration.
Miss Rosen claims that Power to the People is a brilliant tome for anyone who wants to know the truth about the Black Panther Party.
R.C. Baker of The Village Voice discusses the history and current legacy behind the Black Panther Party.
Photojournalism Now declares that Ruddy Roye's portraits are infused with dignity and integrity.
Photojournalism Now reviews our current exhibition "Power to the People: The Black Panthers in Photographs by Stephen Shames" and how it provides an "in-depth chronicle presented at a time when the US is once again grappling with issues of racial injustice".
Art Daily looks into our current exhibition "Ruddy Roye: When Living is a Protest".
Time interviews Bobby Seale about the publication of "Power to the People: The World of the Black Panthers"
Time Magazine examines our current exhibition "Power to the People: The Black Panthers in Photographs by Stephen Shames" and the accompaning book, both of which trace "the rise and impact of the Panthers".
Mass Appeal goes behind the scenes of Ruddy Roye's first solo exhibition "When Living is a Protest".
Jeanette D. Moses interviews Ruddy Roye about his current exhibition, his approach to Instagram, and why it is important to push past visual misconceptions.
The Guardian compares our two exhibitions, which "document the work of two photographers decades apart".
Chistopher Harrity of The Advocate Magazine discusses the attempt of the Black Panther Party "to build a community through service to the people" as seen in our upcoming exhibition "Power to the People: The Black Panthers in Photographs by Stephen Shames".
Maurice Berger reviews our current exhibition "Power to the People: The Black Panthers in Photographs by Stephen Shames", delcaring that the photographs "attest to the movement’s accomplishments and ingenuity".
NewYork.com names our summer exhibitions one of "10 Best Photography Exhibits in New York City".
The Zenyatta Blog goes behind the scenes of Neil Latham's photo shoot with the most winningest horse of our time.
Teresa Genaro helps Neil Latham capture the true essence of
French publication Le Figaro covers the intimate relationship between photographer Andre De Dienes and icon Marilyn Monroe
Billionaire explores Andre de Dienes' rare unseen photographs of Marilyn Monroe.
L'Oeil de la Photographie explores "the first solo show of photographer Andre de Dienes in New York in over ten years"
Amateur Photographer does a Q&A with the gallery on Andre de Dienes: Marilyn and California Girls.
Zenyatta becomes not only the most prestigious race horse of our era but now has a place of honor among the most photographic race horses of our time.
L'Oeil de la Photographie goes behind the scenes of Neil Latham's photographic process.
The Huffington Post takes a moment to look at the story between Andre de Dienes and Marilyn Monroe.
Whither the Book explores the history of horses in art with respect to Neil Latham's current exhibition.
The Cut presents a slide show of "22 Intimate Lost Photos of Marilyn Monroe".
British Journal of Photography examines our upcoming exhibition, Andre de Dienes: Marilyn and California Girls.
The Blood Horse goes behind the scenes of Neil Latham's upcoming exhibition, "American Thoroughbred".
Style of Sport interviews Neil Latham about his upcoming exhibition and his experience photographing legendary race horses.
Widewalls takes us behind the scenes of one of the most celebrated transformations in film’s history.
David Schonauer explores the intimate the relationship between Andre de Dienes and Marilyn Monroe.
CBS News helps us to announce our upcoming exhibition, Andre de Dienes: Marilyn and California Girls, which opens on June 9th!
Horsetalk takes us behind the scenes of our upcoming exhibition, Neil Latham: American Thoroughbred.
Miss Rosen discovers the magic of the “Microcosmos” revealed in photographs by Carl Strüwe.
ABC News helps us to announce our upcoming exhibition Neil Latham: American Thoroughbred.
Neil Latham's breathtaking photographs bring Joe Sexton back to his youth.
The Washington Post explores Galembo's re-released publication and the traditions documented within.
Musée Magazine announces Carl Strüwe's first U.S solo show since 1949.
Clare Voon takes a moment to admire Galembo's book Maske.
Musée Magazine helps us to announce our current exhibition Gottfried Jäger: Photographer of Photography.
The Financial Times announces Carl Strüwe's current exhibition at Steven Kasher Gallery.
Paddle8 names Mark Seliger one of the "Photographers We Have Our Eye On" at AIPAD.
Mariana Cook and Mark Seliger make Artnet News' top ten at AIPAD.
The Huffington Post discusses the relationship between Bob Colacello and Andy Warhol.
Henry Gorse interviews Brian Griffin to see what makes him tick.
Time Magazine gives us a history lesson on Carl Strüwe and his work.
Wired's science section helps us to announce our exhibition Carl Strüwe: Microcosmos, which debuts on the 14th of April.
Ming Smith speaks with Artsy Magazine about her long running love affair with photography.
We Heart admires Meryl Meilser's photography as it "takes its viewers on a ride".
The New York Times goes behind the scenes of Carl Strüwe's photographic process.
As her show begins to wind down, Meryl Meisler looks back on her career.
Nicole Rudick reviews Meryl Meisler's "kitschy, boisterous" world for the Paris Review.
Journalist Lowenna Waters brings it back to the 1970s in her exploration of Meisler's photography.
Time Magazine includes Meryl Meisler on their list of the greatest unsung female photographers of the past century.
An Italian newspaper profiles Britain's "most influential" photographer.
Out Magazine features Meryl Meisler in their March print issue.
Charlotte Jansen chronicles Galembo's photographic quest through Africa's rich ceremonial culture.
The Telegraph announces the publication of Galembo's most "arresting images."
A French magazine determines that Meisler's photographs are both "hilarious" and pleasurable."
The Virgina Museum of Fine Arts just acquired 35 prints by Richmond-born photographer Louis Draper, as well as his complete archive.
Lomography Magazine cheekily describes Meryl's work as "the largest collection in the neighborhood."
The German edition of Interview Magazine takes a moment to admire Meryl Meisler's uniquely New York aesthetic.
From bedroom selfies to Fire Island, Out Magazine captures the spirit of Meryl Meisler.
Miss Rosen chats with Meisler about seeing Diane Arbus' work for the first time, suburban Long Island, and disco-era Manhattan.
Meryl Meisler pens a heartfelt essay on growing up around photography.
Meisler's "personal diary" approach to snapshot photography "aligns her with the masters of Americana."
Curator Anais Feyeux offers an insightful take on Brian Griffin's oeuvre.
In this one of a kind video, Meryl Meisler regals Gothamist with her very best stories
According to author Dallas Athent, Meryl Meisler is nothing short of a household name in iconic New York photography.
Author Eva Clifford recounts the way in which Brain Griffin's photographs "defy conventions of typical portraiture."
Musée Magazine introduces Meryl Meisler's first U.S. show.
Musée Magazine annonces Brian Griffin's inaugeral show at Steven Kasher Gallery.
Author Maisie Skidmore deems each of Meisler's images "a witty and memorable souvenir from a time gone by."
Renowned journalist Paul Gorman praises Brian Griffin on his personal blog.
Author Sean Brennan announces Brian Griffin's premiere U.S. exhibition.
Juxtapoz Magazine highlights Meryl Meisler's "exuberant" work.
Jocks & Nerds refers to Meisler as a "chronicler of disco excess and suburban kitsch."
Katy Cowan calls Meryl Meisler's forthcoming show an "absolute must-see."
Critic James Panero praises the "treasure trove" of Meisler's photographs on exhibition at Steven Kasher Gallery.
Brian Griffin discusses the effect of England's Industrial heartland on his body of work.
Author Daniel Hoffman compares Meisler's subject matter to HBO's contemporary drama Vinyl.
David Rosenberg explores the Soviet roots of Griffin's Thatcher-era photography.
A slideshow of Meryl's most iconic works serves as a teaser to her upcoming exhibition.
The New Yorker describes the "ease" with which Draper pulls off his sizable retrospective.
John Yau continues to question the exclusion of Louis Draper from museum collections.
Ruth Meredith explores how Birmingham's industrial landscape shaped a young Brian Griffin.
Author Ashley Hunsberger announces the exhibition of "brilliant" photographer Meryl Meisler.
A Spanish arts magazine claims that Meisler's genre-bending snapshots make her master of Americana photography.
According to Gothamist, PM New York represents the Golden Age of photojournalism and artistic storytelling.
Louis Draper's iconic images grace the Wallpaper* photography desk.
Writer Miss Rosen looks at Louis Draper's work through the lens of the Civil Rights Movement.
Slate columnist Jordan G. Teicher delves into the political climate that birthed the most notorious tabloid of the 1940s.
Solé Aurochs presents a stunning comparison between Louis Draper and the contemporary Black Lives Matter movement.
Allison Meier offers an insightful look at PM Magazine's "brazen eye" and progressive politics.
Art critic John Yau compares Louis Draper to Robert Frank in his review of our current exhibition.
Jeffrey Ladd talks to Brian Griffin on new work, self-portraiture, and his imminent exhibition at Steven Kasher Gallery.
Martha Schwendener calls our "gorgeous" Louis Draper exhibition a must-see.
Ratik Asokan pays tribute to Louis Draper's radical black aesthetic.
PM New York Daily: 1940- 48 is featured in the Wall Street Journal's Art Review.
CBS News on our exhibition PM New York Daily: 1940- 48
Untapped Cities publishes a thoughtful article on our PM Magazine exhibit.
Musée Magazine features our exhibition on PM Magazine
Crave interviews curatorial director Anais Feyeux about our PM Magazine exhibition.
L'Oeil de la Photographie announces our Louis Draper retrospective.
The New York Times' Lens Blog on the 1940s tabloid.
Louis Draper and Kamoinge are featured in The New York Times' Lens blog.
20 Minutos on exhibition PM New York Daily: 1940-48 (Spanish language)
Louis Draper highlighted in The Guardian's photography section
Jerome Liebling, a photographer, filmmaker and teacher, died Wednesday at 87. Obituaries appear on the Web sites of The New York Times, The Daily Hampshire Gazette and Hampshire College, where his students included James Estrin, now a staff photographer at The Times and a co-editor of Lens.
Jerome Liebling, whose subtly powerful pictures and the lessons he drew from them influenced a generation of socially minded photographers and documentary filmmakers, died on Wednesday in Northampton, Mass. He was 87.
Non-fiction author Verlyn Klinkenborg offers his opinion on Original Disfarmer Photographs
Critic Philip Gefter chronicles the mad dash to acquire Disfamer's photography in anticipation of Steven Kasher Gallery's exhibition.
Vince Aletti describes the "down-home elegance and genuine soul" of Mike Disfarmer's work.
ICP's online editorial platform credits Steven Kasher as one of many figures responsible for Disfarmer's posthumous resurgence.
Author Russell Hart reports on the dogged pursuit of Mike Disfarmer prints by collectors such as Steven Kasher
The November issue of Art News reviews the late photographer Mike Disfarmer.
The Ozarks Mountaineer writes a feature on the photography of Mike Disfarmer
NPR's The Picture Show highlights Mike Disfarmer in conjunction with Bill Frisell's eponymous album.
Brill Frisell debuts an album entirely inspired by the late Mike Disfarmer.