The New York Review of Books explores Ruddy Roye's current exhibition "When Living is a Protest".
The New York Review of Books explores Ruddy Roye's current exhibition "When Living is a Protest".
Miss Rosen discovers what happens "When Living is a Protest" through Ruddy Roye's current exhibition.
Photograph Magazine reviews our current exhibition "Ruddy Roye: When Living is a Protest".
Mother Jones goes behind the scenes of our current exhibition "Power to the People: The Black Panthers in Photographs by Stephen Shames and Graphics by Emory Douglas".
Aperture explores Stephen Shames' chronicle of American activism.
Collector Daily reviewed our current exhibition "Ruddy Roye: When Living is a Protest".
Internazionale discusses the history of the Black Panther Party.
Meryl Meisler goes behind the scenes of "A Tale of Two Cities: Disco Era Bushwick".
The New Yorker called our Shames show smart and inspiring.
L'Oeil de la Photographie dives into our current exhibition "Power to the People: The Black Panthers in Photographs by Stephen Shames and Graphics by Emory Douglas".
Miss Rosen explores Meryl Meisler's exhibition "Bushwick Chronicles", located at Stout Projects in Bushwick.
Hyperallergic questions the idea of progress while viewing our current exhibition, "Power to the People: The Black Panthers in Photographs by Stephen Shames".
Siddhartha Mitter tells the story and history of Ruddy Roye.
Creative Boom explores Meryl Meisler's work in the exhibition "Bizarre: Assorted Madness and The Unexpected"
The Financial Times discovers Ruddy Roye's inspiration.
Crave explores our current exhibition "Power to the People: The Black Panthers in Photographs by Stephen Shames and Graphics by Emory Douglas".
The Village Voice discusses the history behind the Black Panther Party.
Photojournalism Now explores Ruddy Roye's first solo exhibition, "When Living is a Protest".
Photojournalism Now examines our current exhibition "Power to the People: The Black Panthers in Photographs by Stephen Shames and Graphics by Emory Douglas".
Art Daily looks into our current exhibition "Ruddy Roye: When Living is a Protest".
Time interviews Bobby Seale about the publication of "Power to the People: The World of the Black Panthers".
Time Magazine explores our current exhibition "Power to the People: The Black Panthers in Photographs by Stephen Shames and Graphics by Emory Douglas".
Mass Appeal goes behind the scenes of Ruddy Roye's first solo exhibition "When Living is a Protest".
American Photo Magazine interviews Ruddy Roye about his upcoming exhibition "When Living is a Protest".
The Guardian explores our two exhibitions, which "document the work of two photographers decades apart".
The Advocate Magazine dives into our upcoming exhibition "Power to the People: The Black Panthers in Photographs by Stephen Shames and Graphics by Emory Douglas".
The New York Times helps us to announce our upcoming exhibition "Power to the People: The Black Panthers in Photographs by Stephen Shames and Graphics by Emory Douglas", which opens on September 16th!
NewYork.com names our summer exhibitions one of "10 Best Photography Exhibits in New York City".
The Zenyatta Blog goes behind the scenes of Neil Latham's photo shoot with the most winningest horse of our time.
Teresa Genaro helps Neil Latham capture the true essence of
French publication Le Figaro covers the intimate relationship between photographer Andre De Dienes and icon Marilyn Monroe
Billionaire explores Andre de Dienes' rare unseen photographs of Marilyn Monroe.
L'Oeil de la Photographie explores "the first solo show of photographer Andre de Dienes in New York in over ten years"
Amateur Photographer does a Q&A with the gallery on Andre de Dienes: Marilyn and California Girls.
Zenyatta becomes not only the most prestigious race horse of our era but now has a place of honor among the most photographic race horses of our time.
L'Oeil de la Photographie goes behind the scenes of Neil Latham's photographic process.
The Huffington Post takes a moment to look at the story between Andre de Dienes and Marilyn Monroe.
Whither the Book explores the history of horses in art with respect to Neil Latham's current exhibition.
The Cut presents a slide show of "22 Intimate Lost Photos of Marilyn Monroe".
British Journal of Photography examines our upcoming exhibition, Andre de Dienes: Marilyn and California Girls.
The Blood Horse goes behind the scenes of Neil Latham's upcoming exhibition, "American Thoroughbred".
Style of Sport interviews Neil Latham about his upcoming exhibition and his experience photographing legendary race horses.
Widewalls takes us behind the scenes of one of the most celebrated transformations in film’s history.
David Schonauer explores the intimate the relationship between Andre de Dienes and Marilyn Monroe.
CBS News helps us to announce our upcoming exhibition, Andre de Dienes: Marilyn and California Girls, which opens on June 9th!
Horsetalk takes us behind the scenes of our upcoming exhibition, Neil Latham: American Thoroughbred.
Miss Rosen discovers the magic of the “Microcosmos” revealed in photographs by Carl Strüwe.
ABC News helps us to announce our upcoming exhibition Neil Latham: American Thoroughbred.
Neil Latham's breathtaking photographs bring Joe Sexton back to his youth.
The Washington Post explores Galembo's re-released publication and the traditions documented within.
Musée Magazine announces Carl Strüwe's first U.S solo show since 1949.
Clare Voon takes a moment to admire Galembo's book Maske.
Musée Magazine helps us to announce our current exhibition Gottfried Jäger: Photographer of Photography.
The Financial Times announces Carl Strüwe's current exhibition at Steven Kasher Gallery.
Paddle8 names Mark Seliger one of the "Photographers We Have Our Eye On" at AIPAD.
Mariana Cook and Mark Seliger make Artnet News' top ten at AIPAD.
The Huffington Post discusses the relationship between Bob Colacello and Andy Warhol.
Henry Gorse interviews Brian Griffin to see what makes him tick.
Time Magazine gives us a history lesson on Carl Strüwe and his work.
Wired's science section helps us to announce our exhibition Carl Strüwe: Microcosmos, which debuts on the 14th of April.
We Heart admires Meryl Meilser's photography as it "takes its viewers on a ride".
The New York Times goes behind the scenes of Carl Strüwe's photographic process.
As her show begins to wind down, Meryl Meisler looks back on her career.
Nicole Rudick reviews Meryl Meisler's "kitschy, boisterous" world for the Paris Review.
Journalist Lowenna Waters brings it back to the 1970s in her exploration of Meisler's photography.
Time Magazine includes Meryl Meisler on their list of the greatest unsung female photographers of the past century.
An Italian newspaper profiles Britain's "most influential" photographer.
Out Magazine features Meryl Meisler in their March print issue.
Charlotte Jansen chronicles Galembo's photographic quest through Africa's rich ceremonial culture.
The Telegraph announces the publication of Galembo's most "arresting images."
A French magazine determines that Meisler's photographs are both "hilarious" and pleasurable."
The Virgina Museum of Fine Arts just acquired 35 prints by Richmond-born photographer Louis Draper, as well as his complete archive.
Lomography Magazine cheekily describes Meryl's work as "the largest collection in the neighborhood."
The German edition of Interview Magazine takes a moment to admire Meryl Meisler's uniquely New York aesthetic.
From bedroom selfies to Fire Island, Out Magazine captures the spirit of Meryl Meisler.
Miss Rosen chats with Meisler about seeing Diane Arbus' work for the first time, suburban Long Island, and disco-era Manhattan.
Meryl Meisler pens a heartfelt essay on growing up around photography.
Meisler's "personal diary" approach to snapshot photography "aligns her with the masters of Americana."
Curator Anais Feyeux offers an insightful take on Brian Griffin's oeuvre.
In this one of a kind video, Meryl Meisler regals Gothamist with her very best stories
According to author Dallas Athent, Meryl Meisler is nothing short of a household name in iconic New York photography.
Author Eva Clifford recounts the way in which Brain Griffin's photographs "defy conventions of typical portraiture."
Musée Magazine introduces Meryl Meisler's first U.S. show.
Musée Magazine annonces Brian Griffin's inaugeral show at Steven Kasher Gallery.
Author Maisie Skidmore deems each of Meisler's images "a witty and memorable souvenir from a time gone by."
Renowned journalist Paul Gorman praises Brian Griffin on his personal blog.
Author Sean Brennan announces Brian Griffin's premiere U.S. exhibition.
Juxtapoz Magazine highlights Meryl Meisler's "exuberant" work.
Jocks & Nerds refers to Meisler as a "chronicler of disco excess and suburban kitsch."
Katy Cowan calls Meryl Meisler's forthcoming show an "absolute must-see."
Critic James Panero praises the "treasure trove" of Meisler's photographs on exhibition at Steven Kasher Gallery.
Brian Griffin discusses the effect of England's Industrial heartland on his body of work.
Author Daniel Hoffman compares Meisler's subject matter to HBO's contemporary drama Vinyl.
David Rosenberg explores the Soviet roots of Griffin's Thatcher-era photography.
A slideshow of Meryl's most iconic works serves as a teaser to her upcoming exhibition.
The New Yorker describes the "ease" with which Draper pulls off his sizable retrospective.
John Yau continues to question the exclusion of Louis Draper from museum collections.
Ruth Meredith explores how Birmingham's industrial landscape shaped a young Brian Griffin.
Author Ashley Hunsberger announces the exhibition of "brilliant" photographer Meryl Meisler.
A Spanish arts magazine claims that Meisler's genre-bending snapshots make her master of Americana photography.
According to Gothamist, PM New York represents the Golden Age of photojournalism and artistic storytelling.
Louis Draper's iconic images grace the Wallpaper* photography desk.
Writer Miss Rosen looks at Louis Draper's work through the lens of the Civil Rights Movement.
Slate columnist Jordan G. Teicher delves into the political climate that birthed the most notorious tabloid of the 1940s.
Solé Aurochs presents a stunning comparison between Louis Draper and the contemporary Black Lives Matter movement.
Allison Meier offers an insightful look at PM Magazine's "brazen eye" and progressive politics.
Art critic John Yau compares Louis Draper to Robert Frank in his review of our current exhibition.
Jeffrey Ladd talks to Brian Griffin on new work, self-portraiture, and his imminent exhibition at Steven Kasher Gallery.
Martha Schwendener calls our "gorgeous" Louis Draper exhibition a must-see.
Ratik Asokan pays tribute to Louis Draper's radical black aesthetic.
PM New York Daily: 1940- 48 is featured in the Wall Street Journal's Art Review.
CBS News on our exhibition PM New York Daily: 1940- 48
Untapped Cities publishes a thoughtful article on our PM Magazine exhibit.
Musée Magazine features our exhibition on PM Magazine
Crave interviews curatorial director Anais Feyeux about our PM Magazine exhibition.
L'Oeil de la Photographie announces our Louis Draper retrospective.
The New York Times' Lens Blog on the 1940s tabloid.
Louis Draper and Kamoinge are featured in The New York Times' Lens blog.
20 Minutos on exhibition PM New York Daily: 1940-48 (Spanish language)
Louis Draper highlighted in The Guardian's photography section
Jerome Liebling, a photographer, filmmaker and teacher, died Wednesday at 87. Obituaries appear on the Web sites of The New York Times, The Daily Hampshire Gazette and Hampshire College, where his students included James Estrin, now a staff photographer at The Times and a co-editor of Lens.
Jerome Liebling, whose subtly powerful pictures and the lessons he drew from them influenced a generation of socially minded photographers and documentary filmmakers, died on Wednesday in Northampton, Mass. He was 87.
Non-fiction author Verlyn Klinkenborg offers his opinion on Original Disfarmer Photographs
Critic Philip Gefter chronicles the mad dash to acquire Disfamer's photography in anticipation of Steven Kasher Gallery's exhibition.
Vince Aletti describes the "down-home elegance and genuine soul" of Mike Disfarmer's work.
ICP's online editorial platform credits Steven Kasher as one of many figures responsible for Disfarmer's posthumous resurgence.
Author Russell Hart reports on the dogged pursuit of Mike Disfarmer prints by collectors such as Steven Kasher
The November issue of Art News reviews the late photographer Mike Disfarmer.
The Ozarks Mountaineer writes a feature on the photography of Mike Disfarmer
NPR's The Picture Show highlights Mike Disfarmer in conjunction with Bill Frisell's eponymous album.
Brill Frisell debuts an album entirely inspired by the late Mike Disfarmer.