The Root interviews Ming Smith regarding the exhibition "We Wanted a Revolution: Black Radical Women, 1965-85" at the Brooklyn Museum.
The Root interviews Ming Smith regarding the exhibition "We Wanted a Revolution: Black Radical Women, 1965-85" at the Brooklyn Museum.
Hannah Gal interviews Jill Freedman about her iconic photo, Easter Bunny.
Miss Rosen discusses Martha Cooper's background and how her photographs bring street art into the gallery space.
Read Sarah Buhmann's critique of the exhibition entitled, "Where We Are", featuring work by Jerome Liebling.
Aperture's Jessica Lynne interviews the curators of The Brooklyn Museum exhibition, We Wanted a Revolution: Radical Black Women, 1965-85, featuring Ming Smith.
Read Lise Lanot's article on the striking photographs of Bob Dylan's early years by Ted Russell via Kolbini.
Hannah Stamler praises Martha Cooper's ability to photograph graffiti art with a precise and informed eye, while also communicating the youthfullness and creativity it brings to everyday life.
Elena Larsson explores Marianna Rothen's new series "Shadows in Paradise."
i-D explores our current Martha Cooper exhibition, claiming that Cooper's photographs celebrate our city's spirit.
Martha Cooper shares the valuable history that illustrates the significance of some of her pieces with Brooklyn Street Art.
Kenneth Bachor goes behind the scenes of Martha Cooper's current exhibition, discussing how she first got involved in the world of street art.
Sarah Cascone states that Ted Russell's photographs of Bob Dylan are "a snapshot into the earliest days of the career of one of the 20th century’s most iconic musicians."
Ben Yakas goes behind the scenes of our Ted Russell exhibition, "Bob Dylan NYC 1961-1964."
David Gonzalez discusses Martha Cooper's career as the best known graffiti and street art photographer.
John Leland spoke with Ted Russell about his experience photographing Bob Dylan.
The New York Times features Stephen Shames' photograph in its review of "Black Power!" at the Schomburg Center for Research in Black Culture
The Guardian announces our upcoming exhibition "Ted Russell: Bob Dylan NYC 1961-1964."
Loring Knoblauch reviewed Marianna Rothen's current exhibition "Shadows in Paradise," and claimed that her new images introduce the friction of a richer spectrum of emotions.
Lena Rawley goes behind the scenes of Marianna Rothen's exhibition "Shadows in Paradise."
Art Fix Daily explores our upcoming exhibition "Ted Russell: Bob Dylan NYC 1961-1964," which opens on April 20th!
Nicole Rudick claims that if Barbara Loden directed a film using Cindy Sherman’s Untitled Film Stills, it would begin to approximate the photographs in Marianna Rothen’s recent series “Shadows in Paradise.”
Lise Lanot interviewed Marianna Rothen about the inspiration behind Shadows in Paradise.
L'oeil de la Photographie explored our current "Three Masters of Erotic Photography" exhibition.
L'oeil de la Photographie discusses the process behind Marianna Rothen's new series "Shadows in Paradise."
Another Magazine interviewed Marianna Rothen about exploring the supernatural force of the femme fatale in "Shadows in Paradise."
Kate Orne interviewed Marianna Rothen about her work, her process and her inspiration.
Elyssa Goodman goes behind the scenes of Marianna Rothen's exhibition "Shadows in Paradise," which depicts women in a world without men.
C-Heads Magazine explores life after hapiness in Marianna Rothen's exhibition "Shadows in Paradise".
Siddhartha Mitter goes behind the scenes of our current Ming Smith exhibition!
Our Ming Smith exhibition is on Aperture's "5 Exhibitions to See in February" list.
Jordan G. Teicher reviewed our Ming Smith exhibition and claimed that Smith's portraits are emotionally powerful.
Loring Knoblauch reviewed our current exhibition "Jimmy DeSana: Late Work".
John Yau praised our Ming Smith exhibition, stating that "the rich and varied evocation of passing moments, memories, and dreams that we encounter in Smith’s photographs are things that the incoming President will continue to denigrate and do his best to erase. We cannot let him."
Ratik Asokan reviewed our Ming Smith exhibition claiming that her photographs are an elegant convergence of form and content.
Our current exhibition "Jimmy DeSana: Late Work" was featured on PDN's "Photo of the Day" blog.
Miss Rosen explores our current Ming Smith exhibition, claiming that Ming is "a pioneer, an innovator, and a rebel imbued with ineffable elegance."
Raquel Laneri interviews Ming Smith and talks about how she "changed the way America sees Black people"
Maurice Berger claims that Ming Smith’s photographs are at once spontaneous, personal and quivering with visual surprise.
Creative Boom helps to announce Meryl Meisler's new exhibition "Sassy '70s NYC" which is on view at Midoma Gallery.
Aesthetica Magazine discusses "Please return Polaroid" and declares that it "shares a rare insight into the technical processes of shoots."
Isobel Thompson discusses Miles Aldridge's new book "Please return Polaroid".
Vicki Goldberg named our Augustus Sherman show one of "Four Not-To-Miss Photography Shows" in the New York Times Art Review.
Claire Voon explores the work of Augustus Sherman and announces the publication of "The Paper Time Machine: Coloring the Past", where the images will appear in color!
Edward Moore interviewed Meryl Meisler about home life in Long Island, her fondest memories of New York, and her book "Purgatory and Paradise".
Congratulations to Ruddy Roye for being named TIME's Instagram Photographer of 2016!
Loring Knoblauch reviews our current exhibition "Thomas Roma: The Plato's Dogs Trilogy".
Stephanie Jin goes behind the scenes of professor Thomas Roma's current exhibition "The Platos Dogs Trilogy".
Elyssa Goodman and Miles Aldridge discuss his love for Polaroid, why we still need it, and how his new book Please Return Polaroid explores the purity of the instant photo.
l'Oeil de la Photographie explores the surreal, hyper-chromatic world of Miles Aldridge.
Max Lakin explores Miles Aldridge's photographic process through our exhibition "Please return Polaroid".
Thomas Roma's unique photographic process is discussed on PDN's "Photo of the Day" blog.
Sarah Adler speaks with Stephen Shames about his experience photographing the Black Panther Party, their misunderstood reputation, and his new book "Power to the People: The World of the Black Panthers".
Siima Itabaaza states that Shames' photographs "depict the humaneness of the Panthers" and that they are a "true testament to how the Panthers acted as pillars for communities across the country."
Carey Dunne states that Plato's Dogs touches on something deeper than just the cuteness of frolicking pets.
Brian Lehrer looks back on the legacy of the Black Panther Party with Stephen Shames and former chairman, Bobby Seale.
Pro Photo Daily helps us to announce our upcoming exhibition, "Augustus Sherman: Aliens or Americans?”
Rachel Martin speaks with Bobby Seale and Stephen Shames about The Black Panther Party and their misunderstood reputation.
Imani Perry expresses that "When Living is a Protest" is a sophisticated and emotionally affecting consideration of black protest.
Miss Rosen discovers what happens "When Living is a Protest" through Ruddy Roye's current exhibition.
Jean Dykstra notes the similarities between our two current exhibitions.
Mother Jones goes behind the scenes of our current exhibition "Power to the People: The Black Panthers in Photographs by Stephen Shames and Graphics by Emory Douglas".
6sqft interviews Meryl Meisler about documenting the artist community in Bushwick.
Aperture's Jessica Lynne explores Stephen Shames' chronicle of American activism.
Loring Knoblauch states that Ruddy Roye channels the spirits of Roy DeCarava and Gordon Parks.
Internazionale discusses the history of the Black Panther Party and Stephen Shames, the group's "offical" photographer.
Meryl Meisler goes behind the scenes of "A Tale of Two Cities: Disco Era Bushwick".
The New Yorker called our Shames show smart and inspiring.
Katie Killary discovers Bushwick Nostolgia through Meryl Meisler's exhibition "Bushwick Chronicles".
Jonas Cuénin dives into our current exhibition "Power to the People: The Black Panthers in Photographs by Stephen Shames" and explores the "radical nature" of the Black Panther movement.
Miss Rosen explores Meryl Meisler's exhibition "Bushwick Chronicles", located at Stout Projects in Bushwick.
Seph Rodney questions the idea of progress while viewing our current exhibition, "Power to the People: The Black Panthers in Photographs by Stephen Shames".
Siddhartha Mitter tells the story and history of Ruddy Roye.
Creative Boom explores Meryl Meisler's work in the exhibition "Bizarre: Assorted Madness and The Unexpected"
The Financial Times discovers Ruddy Roye's inspiration.
Miss Rosen claims that Power to the People is a brilliant tome for anyone who wants to know the truth about the Black Panther Party.
R.C. Baker of The Village Voice discusses the history and current legacy behind the Black Panther Party.
Photojournalism Now declares that Ruddy Roye's portraits are infused with dignity and integrity.
Photojournalism Now reviews our current exhibition "Power to the People: The Black Panthers in Photographs by Stephen Shames" and how it provides an "in-depth chronicle presented at a time when the US is once again grappling with issues of racial injustice".
Art Daily looks into our current exhibition "Ruddy Roye: When Living is a Protest".
Time interviews Bobby Seale about the publication of "Power to the People: The World of the Black Panthers"
Time Magazine examines our current exhibition "Power to the People: The Black Panthers in Photographs by Stephen Shames" and the accompaning book, both of which trace "the rise and impact of the Panthers".
Mass Appeal goes behind the scenes of Ruddy Roye's first solo exhibition "When Living is a Protest".
Jeanette D. Moses interviews Ruddy Roye about his current exhibition, his approach to Instagram, and why it is important to push past visual misconceptions.
The Guardian compares our two exhibitions, which "document the work of two photographers decades apart".
Chistopher Harrity of The Advocate Magazine discusses the attempt of the Black Panther Party "to build a community through service to the people" as seen in our upcoming exhibition "Power to the People: The Black Panthers in Photographs by Stephen Shames".
Maurice Berger reviews our current exhibition "Power to the People: The Black Panthers in Photographs by Stephen Shames", delcaring that the photographs "attest to the movement’s accomplishments and ingenuity".
NewYork.com names our summer exhibitions one of "10 Best Photography Exhibits in New York City".
The Zenyatta Blog goes behind the scenes of Neil Latham's photo shoot with the most winningest horse of our time.
Teresa Genaro helps Neil Latham capture the true essence of
French publication Le Figaro covers the intimate relationship between photographer Andre De Dienes and icon Marilyn Monroe
Billionaire explores Andre de Dienes' rare unseen photographs of Marilyn Monroe.
L'Oeil de la Photographie explores "the first solo show of photographer Andre de Dienes in New York in over ten years"
Amateur Photographer does a Q&A with the gallery on Andre de Dienes: Marilyn and California Girls.
Zenyatta becomes not only the most prestigious race horse of our era but now has a place of honor among the most photographic race horses of our time.
L'Oeil de la Photographie goes behind the scenes of Neil Latham's photographic process.
The Huffington Post takes a moment to look at the story between Andre de Dienes and Marilyn Monroe.
Whither the Book explores the history of horses in art with respect to Neil Latham's current exhibition.
The Cut presents a slide show of "22 Intimate Lost Photos of Marilyn Monroe".
British Journal of Photography examines our upcoming exhibition, Andre de Dienes: Marilyn and California Girls.
The Blood Horse goes behind the scenes of Neil Latham's upcoming exhibition, "American Thoroughbred".
Style of Sport interviews Neil Latham about his upcoming exhibition and his experience photographing legendary race horses.
Widewalls takes us behind the scenes of one of the most celebrated transformations in film’s history.
David Schonauer explores the intimate the relationship between Andre de Dienes and Marilyn Monroe.
CBS News helps us to announce our upcoming exhibition, Andre de Dienes: Marilyn and California Girls, which opens on June 9th!
Horsetalk takes us behind the scenes of our upcoming exhibition, Neil Latham: American Thoroughbred.
Miss Rosen discovers the magic of the “Microcosmos” revealed in photographs by Carl Strüwe.
ABC News helps us to announce our upcoming exhibition Neil Latham: American Thoroughbred.
Neil Latham's breathtaking photographs bring Joe Sexton back to his youth.
The Washington Post explores Galembo's re-released publication and the traditions documented within.
Musée Magazine announces Carl Strüwe's first U.S solo show since 1949.
Clare Voon takes a moment to admire Galembo's book Maske.
Musée Magazine helps us to announce our current exhibition Gottfried Jäger: Photographer of Photography.
The Financial Times announces Carl Strüwe's current exhibition at Steven Kasher Gallery.
Paddle8 names Mark Seliger one of the "Photographers We Have Our Eye On" at AIPAD.
Mariana Cook and Mark Seliger make Artnet News' top ten at AIPAD.
The Huffington Post discusses the relationship between Bob Colacello and Andy Warhol.
Henry Gorse interviews Brian Griffin to see what makes him tick.
Time Magazine gives us a history lesson on Carl Strüwe and his work.
Wired's science section helps us to announce our exhibition Carl Strüwe: Microcosmos, which debuts on the 14th of April.
Ming Smith speaks with Artsy Magazine about her long running love affair with photography.
We Heart admires Meryl Meilser's photography as it "takes its viewers on a ride".
The New York Times goes behind the scenes of Carl Strüwe's photographic process.
As her show begins to wind down, Meryl Meisler looks back on her career.
Nicole Rudick reviews Meryl Meisler's "kitschy, boisterous" world for the Paris Review.
Journalist Lowenna Waters brings it back to the 1970s in her exploration of Meisler's photography.
Time Magazine includes Meryl Meisler on their list of the greatest unsung female photographers of the past century.
An Italian newspaper profiles Britain's "most influential" photographer.
Out Magazine features Meryl Meisler in their March print issue.
Charlotte Jansen chronicles Galembo's photographic quest through Africa's rich ceremonial culture.
The Telegraph announces the publication of Galembo's most "arresting images."
A French magazine determines that Meisler's photographs are both "hilarious" and pleasurable."
The Virgina Museum of Fine Arts just acquired 35 prints by Richmond-born photographer Louis Draper, as well as his complete archive.
Lomography Magazine cheekily describes Meryl's work as "the largest collection in the neighborhood."
The German edition of Interview Magazine takes a moment to admire Meryl Meisler's uniquely New York aesthetic.
From bedroom selfies to Fire Island, Out Magazine captures the spirit of Meryl Meisler.
Miss Rosen chats with Meisler about seeing Diane Arbus' work for the first time, suburban Long Island, and disco-era Manhattan.
Meryl Meisler pens a heartfelt essay on growing up around photography.
Meisler's "personal diary" approach to snapshot photography "aligns her with the masters of Americana."
Curator Anais Feyeux offers an insightful take on Brian Griffin's oeuvre.
In this one of a kind video, Meryl Meisler regals Gothamist with her very best stories
According to author Dallas Athent, Meryl Meisler is nothing short of a household name in iconic New York photography.
Author Eva Clifford recounts the way in which Brain Griffin's photographs "defy conventions of typical portraiture."
Musée Magazine introduces Meryl Meisler's first U.S. show.
Musée Magazine annonces Brian Griffin's inaugeral show at Steven Kasher Gallery.
Author Maisie Skidmore deems each of Meisler's images "a witty and memorable souvenir from a time gone by."
Renowned journalist Paul Gorman praises Brian Griffin on his personal blog.
Author Sean Brennan announces Brian Griffin's premiere U.S. exhibition.
Juxtapoz Magazine highlights Meryl Meisler's "exuberant" work.
Jocks & Nerds refers to Meisler as a "chronicler of disco excess and suburban kitsch."
Katy Cowan calls Meryl Meisler's forthcoming show an "absolute must-see."
Critic James Panero praises the "treasure trove" of Meisler's photographs on exhibition at Steven Kasher Gallery.
Brian Griffin discusses the effect of England's Industrial heartland on his body of work.
Author Daniel Hoffman compares Meisler's subject matter to HBO's contemporary drama Vinyl.
David Rosenberg explores the Soviet roots of Griffin's Thatcher-era photography.
A slideshow of Meryl's most iconic works serves as a teaser to her upcoming exhibition.
The New Yorker describes the "ease" with which Draper pulls off his sizable retrospective.
John Yau continues to question the exclusion of Louis Draper from museum collections.
Ruth Meredith explores how Birmingham's industrial landscape shaped a young Brian Griffin.
Author Ashley Hunsberger announces the exhibition of "brilliant" photographer Meryl Meisler.
A Spanish arts magazine claims that Meisler's genre-bending snapshots make her master of Americana photography.
According to Gothamist, PM New York represents the Golden Age of photojournalism and artistic storytelling.
Louis Draper's iconic images grace the Wallpaper* photography desk.
Writer Miss Rosen looks at Louis Draper's work through the lens of the Civil Rights Movement.
Slate columnist Jordan G. Teicher delves into the political climate that birthed the most notorious tabloid of the 1940s.
Solé Aurochs presents a stunning comparison between Louis Draper and the contemporary Black Lives Matter movement.
Allison Meier offers an insightful look at PM Magazine's "brazen eye" and progressive politics.
Art critic John Yau compares Louis Draper to Robert Frank in his review of our current exhibition.
Jeffrey Ladd talks to Brian Griffin on new work, self-portraiture, and his imminent exhibition at Steven Kasher Gallery.
Martha Schwendener calls our "gorgeous" Louis Draper exhibition a must-see.
Ratik Asokan pays tribute to Louis Draper's radical black aesthetic.
PM New York Daily: 1940- 48 is featured in the Wall Street Journal's Art Review.
CBS News on our exhibition PM New York Daily: 1940- 48
Untapped Cities publishes a thoughtful article on our PM Magazine exhibit.
Musée Magazine features our exhibition on PM Magazine
Crave interviews curatorial director Anais Feyeux about our PM Magazine exhibition.
L'Oeil de la Photographie announces our Louis Draper retrospective.
The New York Times' Lens Blog on the 1940s tabloid.
Louis Draper and Kamoinge are featured in The New York Times' Lens blog.
20 Minutos on exhibition PM New York Daily: 1940-48 (Spanish language)
Louis Draper highlighted in The Guardian's photography section
Jerome Liebling, a photographer, filmmaker and teacher, died Wednesday at 87. Obituaries appear on the Web sites of The New York Times, The Daily Hampshire Gazette and Hampshire College, where his students included James Estrin, now a staff photographer at The Times and a co-editor of Lens.
Jerome Liebling, whose subtly powerful pictures and the lessons he drew from them influenced a generation of socially minded photographers and documentary filmmakers, died on Wednesday in Northampton, Mass. He was 87.
Non-fiction author Verlyn Klinkenborg offers his opinion on Original Disfarmer Photographs
Critic Philip Gefter chronicles the mad dash to acquire Disfamer's photography in anticipation of Steven Kasher Gallery's exhibition.
Vince Aletti describes the "down-home elegance and genuine soul" of Mike Disfarmer's work.
ICP's online editorial platform credits Steven Kasher as one of many figures responsible for Disfarmer's posthumous resurgence.
Author Russell Hart reports on the dogged pursuit of Mike Disfarmer prints by collectors such as Steven Kasher
The November issue of Art News reviews the late photographer Mike Disfarmer.
The Ozarks Mountaineer writes a feature on the photography of Mike Disfarmer
NPR's The Picture Show highlights Mike Disfarmer in conjunction with Bill Frisell's eponymous album.
Brill Frisell debuts an album entirely inspired by the late Mike Disfarmer.