Andy Warhol’s fascination with publishing and the art of the book was lifelong—rooted in his artistic training as a college student and early career in advertising, fashion, and commercial illustration. For close to forty years, books were a touchstone for Warhol—a medium to which he returned again and again as a platform for his unparalleled creativity. He contributed to more than eighty projects for books and left traces behind of dozens of others that were never realized. http://bit.ly/1KG389q
Daido Moriyama returns to the Fondation Cartier in Paris, some twelve years after his first exhibition there, to present “Daido Tokyo,” a new showcase curated by Hervé Chandès and Alexis Fabry that focuses on his most recent work. Although it was Moriyama’s body of black-and-white, snapshot-like images that first made his name, “Daido Tokyo” is comprised of a large selection of brilliantly colored photographs that are not often associated with his style. On view February 6- June 5, 2016. http://bit.ly/1NiXqtO
In 1984, Henry Chalfant and Martha Cooper released Subway Art, a bible of New York City's graffi scene. Thirty years later, a new edition is released including over seventy previously unpublished photographs and a thoughtful introduction and afterward on the artists' collaboration during this era of urban art. January 28th at noon, they will share some of these images and discuss the passion, creativity and resourcefulness of unlikely kids inventing an art form destined to spread worldwide and spawn the present-day street art movement. A booksigning will follow the talk. The event takes place at 92Y at Lexington Avenue and 92nd St. Tickets are available here: http://bit.ly/1JWnU9B
Bob Colacello, a fixture of the wild, glamorous, disco-and-drugs-driven world of Andy Warhol, was perfectly positioned to record the frenetic pace of the 70's-era Factory scene. This first major museum exhibition of Colacello's candid photos includes vintage prints and selections from his book, OUT. http://bit.ly/20bNYBD
On January 24th from 3- 4 p.m., Colacello discusses his new exhibition and recalls life with Warhol, the brilliant, controlling, private, insecure, and immeasurably influential man who continues to fascinate us. This talk will be presented at FAU University Theatre, 777 Glades Road, Boca Raton, Florida. http://bit.ly/1RRccQB
Join us for a guided walk-through of our "Louis Draper" exhibition by Draper's sister, Nell Draper-Winston, Saturday, January 16th at noon. Since 2002, Draper’s sister, Nell Draper-Winston, has worked to bring Draper’s photography once again into the public eye. Her efforts resulted in the first ever retrospective of the artists’ work at Candela Gallery in 2014. http://on.fb.me/1PtNYp5
Watch Nell Draper-Winston talk about her brother's ability to capture the character of everyday people in a video created by the Virginia Museum of Fine Arts. http://bit.ly/1NbU2kj
The gallery will host a panel discussion on PM on Saturday, February 6th from 3-5pm. Panelists include Brian Wallis, Curator of the Walther Collection and former Chief Curator of the ICP; Paul Milkman, scholar and author of PM: A New Deal in Journalism 1940-1948; Jason Hill, Associate Professor of Modern and Contemporary Art and Visual Culture at the University of Delaware and author of the forthcoming book Artist as Reporter: Weegee, Ad Reinhardt, and the PM News Picture and Laetitia Barrere, Andrew W. Mellon Postdoctoral Curatorial Fellow at the Metropolitan Museum of Art. The panel will be moderated by our Curatorial Director Anais Feyeux.
Fred W. McDarrah’s highway protest photographs are on view in "In the Shadow of the Highway: Robert Moses’ Expressway and the Battle for Downtown” at the NYC Municipal Archives, 31 Chamber Street, through January 29th. This free exhibit focuses on activists who stopped Robert Moses’ proposed Lower Manhattan Expressway from destroying downtown Manhattan, and on the ongoing impact of development and gentrification on the Lower East Side. http://on.nyc.gov/1GbSk33
Jerome Liebling is on view in University of Minnesota's exhibition Singing Our History: People and Places of the Red Lake Nation which explores the many ways the Red Lake Nation has been and continues to be portrayed by artists and members of its communities through art and photography. The exhibition is a collaboration between the Red Lake Ojibwe and the Department of American Studies at the University of Minnesota. A reception will be held on January 23 from 6-9 p.m. http://bit.ly/1RffUDq
Steven Kasher Gallery is proud to announce the Vimeo release of a new seven-minute, black and white video on Thomas Roma and his latest body of photographs, In the Vale of Cashmere. This “video poem”, directed by Rachel Liebling, combines three elements; photographs, a voiceover of an interview with Roma, and music. Produced by Steven Kasher, this is the first in a series of videos about projects and issues in the world of photography.
This book collects for the first time the entire Hurricane Waves series, begun in 1996, featuring texts by Phong Bui, Jay A. Clarke, Orville Schell, and Joseph Thompson. http://bit.ly/1IXzxqZ
Photos by Fred W. McDarrah are on view in “Give Peace Another Chance! : Warhol in New York” at ONO Arte Contemporanea in Bologna, Italy. The exhibition portrays the crucial role Andy Warhol played for New York City and its rapid evolution of pop culture. On view December 12, 2015- January 10th, 2016. http://bit.ly/1VJi796
Seen & Imagined accompanies a landmark exhibition at MASS MoCA. Texts by noted writers and critics David Anfam, Quentin Bajac, Arthur C. Danto, Jack Flam, Nicholas Negroponte, and Jock Reynolds, comment on Ross’s work, placing it within the history of art and technology. http://bit.ly/1QcnlLx.
Olivia Harding of Manhattan Sideways sat down with Steven Kasher and Cassandra Johnson, Gallery Director, to talk about SKG's mission is to expand the dialogue around what a photograph is and what it can do in our culture. http://bit.ly/1l383KQ
Jerome Liebling's Emily Dickinson's White Dress, The Homestead is on view at Mount Holyoke College Art Museum's exhibition Engergies and Elegies, which explores themes of absence and abundance, entropy and energy. In addition to Jerome Liebling, the exhibition also includes Kiki Smith, Rosamond Purcell,and Julie Mehretu. Energy and Elegies is on view through December 2. President of Mount Holyoke College, Lynn Pasquerella, speaks about being mesmorized by Liebling's print in the following article: http://bit.ly/1GXfyNZ
Works by Jerome Liebling will be on view at Galerie Frédéric-Moisan from November 4 - 28, 2015. Exhibition 4,3,2,1… ! (4 photographers, 3 countries, 2 colors, 1 vision) is part of the Photo Saint-Germain Festival, and, in addition to the works of Jerome Liebling, will also include works by Bernard Guillot, Leo Matiz, and Vivian Maier. Opening reception Thursday November 5, 2015, from 6-9 p.m. http://bit.ly/1Q9xNBm
Daido Moriyama's exhibition Marrakech: Shooting Light is a major retrospective of Daido Moriyama's work. The exhibition features Daido's work shot in Marrakech as well as a selection of his most iconic images from Japan in the 1970s and 80s. It is on view at the Marrakech Museum for Photography and Visual Art through January 10, 2015, with an opening reception on November 6. http://bit.ly/1NtQ2zt
Marianna Rothen is featured in Snoecks, a 550-plus-page Belgian magazine which appears once a year in October and focuses on the most interesting new international developments in the arts, photography and literature. Marianna Rothen’s work is part of its accompanying exhibition which runs through November 29th, 2015 at De Schipperskapel (Komvest 38, 8000 Bruges, Belgium). It is open every weekend from 2pm- 5pm. For more information please visit the exhibition’s Facebook page: http://on.fb.me/1kzqO8s
The Oca Museum in San Paolo, Brazil is showing fifty Miles Aldridge photos in his exhibit The Dazzling Beauty as a part of their fashion week until October 15, 2015- November 2, 2015. For more information on the exhibit, please visit the following website (Portuguese language): http://bit.ly/1JhnLrP
At the Kunsthalle-Munchen in Germany, Miles Aldridge's Immaculée images are part of From the Sidewalk to the Catwalk, a complete journey through the work of designer Jean Paul Gaultier. The exhibition is on view from September 18, 2015 through February 14, 2016. http://bit.ly/1Pd4KLH
Acclaimed photographer Leo Rubinfien discusses his formative years in Japan in the 1960s, and the impact that For a New World to Come photographers such as Daidō Moriyama and Shōmei Tōmatsu had upon his practice, including his most recent body of work that opened at Steven Kasher Gallery in New York City this fall. The talk takes place on November 19, 2015 at 6:30 pm at the Japan Society and is followed by an exclusive cocktail reception for ticket-holders. www.japansociety.org/event/leo-rubinfien
A Vanity Fair event and a documentary directed by Yvonne Scio narrate the story and works of the great New York photographer Roxanne Lowit on September 6th in Venice. http://bit.ly/1ZhIzIR
Last year, Steven Kasher Gallery exhibited the photography of Fred W. McDarrah, who documented the changing scene of Greenwich Village since the 1960s. The spirit of that show has taken the form of this walking tour, which includes stops at the places McDarrah captured on film including locales like Washington Square Park and the Stonewall Inn. For more information on the tour, please visit http://savethevillagetours.com. To view the New York Times, article click on this link: http://nyti.ms/1JxnENP
This exhibition features photographs of prominent Twentieth- and Twenty-First-Century artists from the Albright-Knox Collection including Fred W. McDarrah, Henri Cartier-Bresson, Hollis Frampton, Marcel Duchamp and Jasper Jones. Taken by fellow artists, these portraits were created over a span of more than seventy years and capture artistic figures that define the modern and contemporary art world. Artist to Artist opens at Albright- Knox Art Gallery on July 11, 2015 andis on view through November 8, 2015. http://bit.ly/1EHeTID
Fren W. McDarrah is featured in Warhol Underground which highlights the influence of the music scene and avant-garde choreography in the work of Andy Warhol. It also discusses the microcosm of the "factory", which was open for artist residencies at a time when Warhol discovered, with ever renewed curiosity, the underground music scene and tried to produce " Superstars ". The exhibition opens at the Centre Pompidou-Metz on July 1, 2015. http://centrepompidou-metz.fr/warhol-underground
Miles Aldridge's Pop-Up Gallery Exhibition at 60 Soho was reviewd by Time Lightbox and W Magazine. Click the links below to view the full articles, or visit our press page.
Time Lightbox: http://time.com/3640178/miles-aldridge-plastic-surgery/
In this major mid-career museum survey, Landscape Seen & Imagined documents Clifford Ross’s longstanding project to reconcile realism and abstraction. The exhibition takes place throughout two buildings, six galleries, and an exterior performing arts courtyard. Ross’s hyper-detailed photographs of hurricane waves and mountains are included along with a new “invisible art” project featuring animated virtual elements only accessible by means of the viewer’s smartphone. Clifford Ross: Landscapes Seen & Imagined opens at MASS MoCA on May 23, 2015. For more, visit: http://bit.ly/1QcnlLx
The Order of Things: Photography from the Walther Collection, featuring photographs by Accra Shepp and curated by Brian Wallis, former chief curator at the International Center of Photography in New York, will be on view at The Walther Collection in Neu-Ulm, Germany, beginning May 17, 2015 and will be accompanied by a catologue, displaying Shepp's photograph on the cover, published by Steidl/The Walther Collection.
Yoko Ono: One Woman Show, 1960 – 1971, featuring never before seen photos by Fred W. McDarrah opens on May 17 at the Museum of Modern Art.
Our exhibitions Jerome Liebling: Brooklyn and Other Boroughs and Fred W. McDarrah: The Artist's World were reviewed in numerous publications including The New York Times, NY 1 News, Time Lightbox, and The New Yorker. To view the full articles, click the link below or visit our press page.
Jerome Liebling will be featured in a film screening at AIPAD on Saturday, April 18 at 1:45 PM as a part of the 2015 public program. Harvey Wang's film From Darkroom to Daylight explores how the dramatic change from film to digital has affected photographers and their work.
Milan Triennale is featuring rarely seen Fred W. McDarrah photos on the show theme of Artists and Food. The exhibition opens on April 9, 2015 at the Triennale Design Museum.
Our highly-anticipated exhibition Selma March 1965 was previewed in three New York Times articles, CNN online, the New York Review of Books, and Arise News. To read the articles, click the link below, or visit our press page.
The Wall Street Journal featured Melissa Cacciola's current exhibition at the World Trade Center, Skywalkers: The Legacy of the Mohawk Ironworker at the World Trade Center. Click on the link below to read a fascinating interview with Melissa about the series
Skywalkers presents Cacciola's efforts to document this latest generation of Mohawk ironworkers and record a dying tradition. This portfolio represents thirty tintype portraits of Mohawk ironworkers from the Kahnawake and Akwesasne reservations in Canada.
American painter Robert Bordo was awarded the 2014 Robert De Niro Sr. Prize. Each year, the estate supports a mid-career American painter with the $25,000 cash prize. We are proud to be exhibiting a painting by Bordo in our current exhibition 12 Painters: The Studio School, 1974/2014, on view through January 10th, 2015.
Jerome Liebling's images, taken on city streets or in rural towns, defies easy categorization. His images are suffused with startling intimacy; the gaze of his subjects reflecting struggles yet to be overcome. The places, too, bear the traces of time and the scars of victory. And yet the weariness of those faces and places does little to diminish their power. Liebling’s work is a tribute to human perseverance and courage.
This solo exhibition, Rubinfien's second with the gallery, will feature 17 color photographs selected from his series A Map of the East, which he made in Japan and other parts of Asia between 1980 and 1987.
The exhibition brings together photographic works and publications from the artist's 20 year career. As the title suggests, images on view include nudes from his many series exploring voyeurism and innocence; animals; and the countless cigars he has smoked in his studio.
Final Words is a collection of the final statements of the 515 inmates that have been executed by the state of Texas since 1982. The project seeks to focus on the humanity that remains at the center of the death penalty in America.
In the rerelease of Holy Terror, Colacello brings us into Andy's world: into the Factory office, into Studio 54, into wild celebrity-studded parties, and into the early-morning phone calls where the mysterious artist was at his most honest and vulnerable. Colacello gives us, as no one else can, a riveting portrait of this extraordinary man: brilliant, controlling, shy, insecure, and immeasurably influential.
Mr. Liebling, who became known as a member of the Photo League, a group of socially minded photographers that disbanded in 1951, dug deeply into his subjects, using still photography almost like film, to explore a condition rather than an instant. “He and his subjects are looking at each other,” said Rachel Liebling, who curated an exhibition of her father’s work, which is to run at the Steven Kasher Gallery from March 13 to April 19. “They’re looking at him and he’s looking at them. He felt the regular people were the superstars. Those portraits are about that.”
The 92nd Street Y has organized a panel discussion "Defining Vietnam" featuring war correspondent Peter Arnett, veteran combat reporter Kimberly Dozier, and author Pete Hamill. They will discuss the photographs from the critically acclaimed exhibition we mounted last October, Vietnam: The Real War: A Photographic History from the Associated Press.
Phyllis Galembo has two concurrent exhibitions on view in Raleigh, North Carolina. Theater of Belief: Afro-Atlantic Costuming and Masking in Large-Format Color Photographs by Phyllis Galembo at the North Carolina State University African American Cultural Center and at the Frankie G. Weems Art Gallery at Meredith College.
The Galleries at Moore are currently hosting Pretty Vacant: The Graphic Language of Punk. The Exhibit includes hundreds of of posters, pins, flyers, fanzines, handbills, record sleeves, and more from the collection of Andrew Krivine.“Punk changed my life,” Krivine says now. “It was what I was looking for but didn’t know at the time until I heard it and saw it.”
The New York Times previewed our exhibition Fred W. McDarrah: Save the Village in Sunday's Metropolitan section. The article, titled "Capturing the New York of the 1960s and '70s", by John Leland, praises McDarrah's rigorous documenting of the cultural movements, icons, and events that shaped the second half of the twentieth century.
“O’er the green mead the sporting virgins play, their shining veils unbound along the skies, tossed and re-tossed, the ball incessant flies."
According to Tom O’Conner’s History of Handball, the earliest mention of the game can be found as far back as 2000 BC in Egypt. The priests of the Temple Osiris in Thebes were depicted on the tombs, striking the ball with the hand. The game meandered to Europe, before Alexander the Great spread it around the Greek Colonies and the Apennine Peninsula (Italy). Accounts of handball are found in Scotland in 1427, where King James was a known fanatic, amongst the aristocracy of 18th century London, and finally, in its most reliable depiction, was introduced to the United States by Irish immigrants in the waning years of the 19th century. The game eventually settled in Brooklyn where it made its way into the DNA of an adolescent Jerome Liebling.
The Art Institute of Chicago presents Max Kozloff: Critic and Photographer, on view October 5th through January 14th. An influencial art historian and critic, Kozloff was the art editor of The Nation and the executive editor of Artforum. The exhibition includes over 80 photographs, demonstrating how his practice as a photographer has been shaped by his work as a critic and vice versa.
Steven Kasher Gallery is proud to newly represent Melissa Cacciola. Featured today on the New York Times Lens Blog is her tintype series "Brass on Tin". It includes portraits of brass band musicians from New Orleans will be exhibited next year at the New Orleans African American Museum.
Full Circle: Before They Were Famous (2010) is directed and edited by Brian Bayerl and features appearances by Robert Indiana, Ultra Violet, Taylor Mead, Eric Shiner, and Marie and William John Kennedy. The documentary aired on September 5th on WLIW21, WNET New York Public Media and on September 12th at 10:30 PM on Channel 13, WNET New York Public Media.
Mark Seliger has photographed famous portraits of musicians, actors, politicians, and other icons for magazines such as Rolling Stone, Time, and Vanity Fair. This New York Times article focuses on his country music career. Seliger is the lead singer for the band Rusty Truck, based in Los Angeles. The group released their second album.
Sundance Selects announced today that the company is acquiring U.S. rights to John Maloof and Charlie Siskel’s feature documentary Finding Vivian Maier, which was produced by Maloof and Siskel, and executive produced by Jeff Garlin.
This intriguing documentary shuttles from New York to France to Chicago as it traces the life story of the late Vivian Maier, a career nanny whose previously unknown cache of 100,000 photographs has earned her a posthumous reputation as one of America’s most accomplished and insightful street photographers.
BBC's documentary covers the incredible story of Vivian Maier. Catch the program on BBC's website.
We are honored to find Phyllis Galembo's photography featured in Carol Vogel's article on the Venice Biennale. Read the article here.
Off Beat presents photographs taken in New York City in 2008 and 2009, when A-chan began working with black and white film.