Weegee
Their First Murder, 1945
Vintage gelatin silver, printed 1945
8 1/8 x 10 inches

Weegee
Dead on Arrival, New York City, 1945
Vintage gelatin silver, printed ca. 1945
10 1/4 x 8 inches 

Weegee
At the San Remo Bar, ca. 1954
Vintage gelatin silver, printed ca. 1954
7 1/2 x 9 1/8 inches

Weegee
Billie Dauscha and Mabel Sidney, Bowery Entertainers, December 4, 1944
Gelatin silver, printed ca. 1980
11 x 14 inches

Weegee
Emmett Kelly, May 7, 1943
Gelatin silver, print date unknown
11 x 14 inches

Weegee
Men Caught in Store, February 17, 1941
Vintage gelatin silver, printed ca. 1941
8 1/4 x 10 inches

Weegee
At the Jazz Concert, ca. 1945
Vintage gelatin silver, printed ca. 1955
13 1/4 x 10 1/4 inches

Weegee
Arrested for Dressing as Girls…the Cops, the Old Meanies, Broke up their Dance Party…and took them to the Pokey, 1941
Gelatin silver, printed date unknown
14 x 11 inches

Weegee
Mrs. George Washington Kavanaugh at the Metropolitan Opera, 1943
Vintage gelatin silver, printed ca. 1943
11 x 11 inches

Weegee
Invitation to Dance, 1943
Vintage gelatin silver, printed ca. 1943
12 1/2 x 10 inches

Press Release

Steven Kasher Gallery is proud to present Weegee: Naked City in conjunction with two major specifically-focused Weegee exhibitions, Weegee: Naked Hollywood at MoCA andWeegee: Murder is My Business at the ICP. With over 125 Weegee prints we explore the full emotional and satirical and aesthetic ranges of Weegee's photographs of New Yorkers and other urbanites. The exhibition features multiple prints from each of Weegee's basic subjects: Song and Dance, Drink, Party, Spectacle, Circus, Love and Sex, Crime and Disaster, Citizens, Celebrity, Art and Weegee Himself. The exhibition will also feature audio and film recordings of Weegee's voice, one of the great guttural Jewish New Yorkese hybrids of spoken English.

The exhibition takes its cues from the title of Weegee's first book, Naked City, which became a bestseller, made Weegee famous, and transformed him from a journalist into an artist. It was a title with many implications. The city and its citizens exposed. The bare truth. A city that fills you with hungers, lusts, passions. A city ready to frolic. A city that makes you think bad thoughts.

No other photographer has ever portrayed a city with Weegee's level of intimacy, amorality, and complicitness -- and humor. He strips the citizens bare, all of them, poor, rich and middling. There is no looking down or looking up: he is too mixed up in everything he sees, too much part of the shenanigans, too compromised, too desperate for publicity and pay, too much the obsessive Peeping Tom. Ultimately, we feel innocent while looking at Weegee's naked city. Shame and pride are banished as we confront in our own bad and good natures, in a bald light, in the raw.

The influence of Weegee and of Naked City are incalculable. William Klein’s New York and Robert Frank's The Americans are unthinkable without it. Diane Arbus wrote: "He was SO good when he was good. Extraordinary!" Daido Moriyama, greatest of all Japanese street photographers cites Weegee (along with Warhol) as his major influence. Warhol's major subject is the tabloid imagery that Weegee pioneered and epitomized.

Weegee has authored eight books: Naked City (1945.); Weegee’s People (1946.); Naked Hollywood (1953); Weegee’s Secret of Shooting with Photoflash as Told to Mel Harris(1953); Weegee’s Creative Camera (1959); Weegee, by Weegee: An Autobiography (1961);Weegee’s Creative Photography (1964) and The Village (1989).

There have been over 30 monographs on the artist, including the recent publicationsNaked Hollywood: Weegee in Los Angeles (MoCA, 2011) and forthcoming Weegee: Murder Is My Business (ICP, 2011). Past publications include: Capa, Cornell, and John Coplans.Weegee the Famous (1977); Stettner, Louis. Weegee. (1977); Coplans, John. Weegee: Täter und Opfer: 85 Fotografien. (1978); Nothhelfer, Gabriele. Bildinterpretationen zu Fotografien von Weegee. (1978); Talmey, Allene. Weegee. Photo selection by Marvin Israel (1997); Coplans, John. Extra: Weegee at Wolf. (1980); Arthur Fellig Alias Weegee: New York Photographs, 1935–1950. (1981); Coplans, John. Weegee’s New York: 335 Photographs, 1935–1960. (1982); Martin, Peter. Weegee: Credit Photo by Weegee the Famous. (1984); Laude, André. Weegee. (1989); Porter, Allan. Weegee, 1899–1968. (1991); Marshall, Joseph. Weegee the Famous and the New York Milieu. (1993); Weegee:The Photography of Arthur Fellig (1899–1968). (1995); Barth, Miles. Weegee’s World.(1997); Coplans, John. Weegee: Naked New York. (1997); Zuckriegl, Margit. Weegee’s Story: From the Berinson Collection. (1999); Purcell, Kerry William. Weegee. (2004); Keller, Judith. Weegee: Photographs from the J. Paul Getty Museum. (2005) plus many more.

Weegee’s photography can be found in scores of museums and private collections worldwide. Weegee’s work currently resides in the permanent collections of J. Paul Getty Museum, Los Angeles; Museum of Modern Art, New York; San Francisco Museum of Modern Art; Museum of Modern Art, Oxford; Museum of Contemporary Art, Los Angeles; International Center of Photography, New York and more.

Weegee: Naked City will be on view from January 12 through February 25, 2012. Steven Kasher Gallery is located at 521 W. 23rd St., New York, NY 10011. Gallery hours are Tuesday through Saturday, 11 am to 6 pm. For more information or press requests please contact Christiona Owen at 212 966 3978 or christiona@stevenkasher.com.